影片讲述在二战时期纳粹占领下的法国，犹太女孩格兰美尔获得同学&年轻男孩不惜一切代价的帮助，令其躲藏起来得以活下来。他们也一同在彼此创造的秘密世界中找到了美好和爱情。

A film by Gillian Anderson, inspired by Benedict Andrews’ hugely successful production of A Streetcar Named Desire which played at the Young Vic 23 July – 19 September 2014.
The film is written by Andrew O'Hagan and directed by and starring Gillian Anderson (who played Blanche in A Streetcar Named Desire).

奥蒂斯固然缺乏性经验，但他的母亲可是一名性治疗师。他决定将母亲的衣钵发扬光大，于是在就读的莫戴尔中学设立性爱治疗咨询服务，造福无可救药的同学。他们水乳交融，其乐无穷，一起渡过人生最灿烂的时光。

Mulder和一个五十一区的黑衣人互换了身体，进入到对方的生活中。别人都不知道。

美国FBI探员福克斯·穆德（大卫·杜楚尼 David Duchovny 饰）童年时曾经历一起离奇神秘的绑架案，他的妹妹萨曼莎在睡梦中被外星人劫持，至今下落不明。从此穆德便专注于神秘事件的研究，并专门负责FBI总部的X档案部门。因穆德行事乖张，难以驾驭。FBI高层从联邦调查局学院调来女性探员黛娜·斯科莉（吉莲·安德森 Gillian Anderson 饰），表面上是协助穆德工作，实际上是希望这名崇尚科学的理性探员能够制约穆德的行为。两人最初的合作并不理想，完全不同的思维模式时刻导致争论的爆发。但随着各种离奇案件的出现以及两人交往的加深，穆德和斯科莉最终变成可以为对方出生入死的可靠伙伴……

当北爱尔兰警察局在28天后无法关闭案件时，大都会警察局的侦探监督Stella Gibson被要求审查此案。在她的新领导下，当地侦探必须追查并制止一名恐吓贝尔法斯特市的连环杀手。

第73届英国电影学院奖揭晓获奖名单：《1917》拿下最佳影片、导演、英国影片、摄影、艺术指导、音效、视觉效果七项大奖，成为当晚最大赢家，、女主和最佳男配、女配奖得主奖项归属也毫无意外，分别是此前各大奖项热门：华金·菲尼克斯、蕾妮·齐薇格、布拉德·皮特、劳拉·邓恩。最佳动画颁给了刚刚获得安妮奖的《克劳斯：圣诞节的秘密》，新增奖项最佳选角奖则颁给了《小丑》

Act one
A Doll's House opens as Nora Helmer returns from Christmas shopping. Her husband Torvald comes out of his study to banter with her. They discuss how their finances will improve now that Torvald has a new job as the vice president of the bank. Torvald expresses his horror of debt. Nora behaves childishly, and he enjoys treating her like a child to be instructed and indulged.
Soon Christine Linde, an old friend of Nora's, arrives at their home. She is a childless widow who is moving back to the city. Her husband left her no money, so she has tried different kinds of work and now hopes to find some work that is not too strenuous. Nora confides to Christine that she once secretly borrowed money from a disgraced lawyer, Nils Krogstad, to save Torvald's life when he was very ill, but she has not told him in order to protect his pride. She told everyone that the money came from her father, who died at about the same time. She has been repaying the debt from her housekeeping budget and also from some work she got copying papers by hand, which she did secretly in her room, and took pride in her ability to earn money "as if she were a man." Torvald's new job promises to finally liberate her from this debt.
Nora asks Torvald to give Kristine a position as a secretary in the bank, and he agrees, as she has experience in bookkeeping. They leave the house together.
Krogstad arrives and tells Nora that he is worried he will be fired. He asks her to help him keep his job and says that he will fight desperately to keep it. Nora is reluctant to commit to helping him, so Krogstad reveals that he knows she committed forgery on the bond she signed for her loan from him. As a woman, she needed an adult male co-signer, so she said she would have her father do so. However the signature is dated three days after his death, which suggests that it is a forgery. Nora admits that she did forge the signature, so as to spare her dying father further worry about her (she was pregnant, poor, and had a seriously ill husband). Krogstad explains that the forgery betrayed his trust and is also a serious crime. If he told others about it, her reputation would be ruined, as was his after a similar "indiscretion," even though he was never prosecuted. He implies that what he did was in order to provide for his sick wife, who later died.
[edit]Act two
Christine arrives to help Nora repair a dress for a costume party she and Torvald plan to attend the next day. Torvald returns from the bank, and Nora pleads with him to reinstate Krogstad in his position, claiming she is worried Krogstad will publish libelous articles about Torvald and ruin his career. Torvald dismisses her fears and explains that, although Krogstad is a good worker and seems to have turned his life around, he must be fired because he is not deferential enough to Torvald in front of other bank personnel. Torvald then retires to his study to work.
Dr. Rank, a family friend, arrives. Nora asks him for a favor, to which Rank reveals that he has entered the terminal stage of tuberculosis of the spine (a contemporary euphemism for congenital syphilis)[8] and that he has always been secretly in love with her. Nora tries to deny the first revelation and make light of it but is more disturbed by his declaration of love. She tries clumsily to tell him that she is not in love with him but that she loves him dearly as a friend.
Desperate after being fired by Torvald, Krogstad arrives at the house. Nora convinces Dr. Rank to go in to Torvald's study so he will not see Krogstad. When Krogstad confronts Nora, he declares that he no longer cares about the remaining balance of Nora's loan but that he will preserve the associated bond in order to blackmail Torvald into not only keeping him employed but promoting him as well. Nora explains that she has done her best to persuade her husband but that he refuses to change his mind. Krogstad informs Nora that he has written a letter detailing her crime (forging her father's signature of surety on the bond) and puts it in Torvald's mailbox, which is locked.
Nora tells Christine of her predicament. Christine says that she and Krogstad were in love before she married and promises that she will try to convince him to relent.
Torvald enters and tries to retrieve his mail but Nora distracts him by begging him to help her with the dance she has been rehearsing for the costume party, feigning anxiety about performing. She dances so badly and acts so childishly that Torvald agrees to spend the whole evening coaching her. When the others go in to dinner, Nora stays behind for a few minutes and contemplates suicide to save her husband from the shame of the revelation of her crime and (more importantly) to pre-empt any gallant gesture on his part to save her reputation.
[edit]Act three
Christine tells Krogstad that she only married her husband because she had no other means to support her sick mother and young siblings and that she has returned to offer him her love again. She believes that he would not have stooped to unethical behavior if he had not been devastated by her abandonment and in dire financial straits. Krogstad is moved and offers to take back his letter to Torvald. However, Christine decides that Torvald should know the truth for the sake of his and Nora's marriage.
After literally dragging Nora home from the party, Torvald goes to check his mail but is interrupted by Dr. Rank, who has followed them. Dr. Rank chats for a while so as to convey obliquely to Nora that this is a final goodbye, as he has determined that his death is near. Dr. Rank leaves, and Torvald retrieves his letters. As he reads them, Nora steels herself to take her life. Torvald confronts her with Krogstad's letter. Enraged, he declares that he is now completely in Krogstad's power—he must yield to Krogstad's demands and keep quiet about the whole affair. He berates Nora, calling her a dishonest and immoral woman and telling her she is unfit to raise their children. He says that from now on their marriage will be only a matter of appearances.
A maid enters, delivering a letter to Nora. The letter is from Krogstad, yet Torvald demands to read the letter, taking it from Nora. Torvald exults that he is saved as Krogstad has burned the incriminating papers. He takes back his harsh words to his wife and tells her that he forgives her. Nora realizes that her husband is not the strong and gallant man she thought he was and that he truly loves himself more than he does her.
Torvald explains that, when a man has forgiven his wife, it makes him love her all the more since it reminds him that she is totally dependent on him, like a child. He dismisses Nora's agonized choice made against her conscience for the sake of his health and her years of secret efforts to free them from the ensuing obligations and danger of loss of reputation, while preserving his peace of mind, as a mere mistake that she made owing to her foolishness, one of her most endearing feminine traits.
Nora tells Torvald that she is leaving him to live alone so she can find out who she is and what she believes and decide what to do with her life. She says she has been treated like a doll to play with, first by her father and then by him. Concerned for the family reputation, Torvald insists that she fulfill her duty as a wife and mother, but Nora says that her first duties are to herself and that she cannot be a good mother or wife without learning to be more than a plaything. She reveals that she had expected that he would want to sacrifice his reputation for hers and that she had planned to kill herself to prevent him from doing so. She now realizes that Torvald is not at all the kind of person she had believed him to be and that their marriage has been based on mutual fantasies and misunderstanding.
Torvald is unable to comprehend Nora's point of view, since it contradicts all that he had been taught about the female mind throughout his life. Furthermore, he is so narcissistic that it would be impossible for him to bear to understand how he appears to her, as selfish, hypocritical and more concerned with public reputation than with actual morality. Nora leaves her keys and wedding ring and, as Torvald breaks down and begins to cry, baffled by what has happened, Nora leaves the house, slamming the door behind herself.
Alternative ending
It was felt by Ibsen's German agent that the original ending would not play well in German theatres; therefore, for the play's German debut, Ibsen was forced to write an alternative ending for it to be considered acceptable. In this ending, Nora is led to her children after having argued with Torvald. Seeing them, she collapses, and the curtain is brought down. Ibsen later called the ending a disgrace to the original play and referred to it as a 'barbaric outrage'.

Blanche DuBois is a fading, but still-attractive, Southern belle whose pretensions to virtue and culture only thinly mask alcoholism and delusions of grandeur. Her poise is an illusion she presents to shield others (but most of all, herself) from her reality, and an attempt to make herself still attractive to new male suitors. Blanche arrives at the apartment of her sister Stella Kowalski in the Faubourg Marigny neighborhood of New Orleans, on Elysian Fields Avenue; the local transportation that she takes to arrive there includes a streetcar route named "Desire." The steamy, urban ambiance is a shock to Blanche's nerves. Stella, who fears the reaction of her husband Stanley, welcomes Blanche with some trepidation. As Blanche explains that their ancestral Southern plantation, Belle Reve in Laurel, Mississippi, has been "lost" due to the "epic fornications" of their ancestors, her veneer of self-possession begins to slip drastically. Blanche tells Stella that her supervisor allowed her to take time off from her job as an English teacher because of her upset nerves, when in fact, she has been fired for having an affair with a 17-year-old student. This turns out not to be the only seduction in which she has engaged, and, along with other problems, has led her to escape Laurel. A brief marriage marred by the discovery that her husband, Allan Grey, was having a homosexual affair and his subsequent suicide has led Blanche to withdraw into a world in which fantasies and illusions blend seamlessly with reality.
In contrast to both the self-effacing and deferential Stella and the pretentious refinement of Blanche, Stella's husband, Stanley Kowalski, is a force of nature: primal, rough-hewn, brutish, and sensual. He dominates Stella in every way and is physically and emotionally abusive.[1] Stella tolerates his primal behavior as this is part of what attracted her in the first place; their love and relationship are heavily based on powerful—even animal-like—sexual chemistry, something that Blanche finds impossible to understand.
The arrival of Blanche upsets her sister and brother-in-law's system of mutual dependence. Stella's concern for her sister's well-being emboldens Blanche to hold court in the Kowalski apartment, infuriating Stanley and leading to conflict in his relationship with his wife. Blanche and Stanley are on a collision course, and Stanley's friend and Blanche's would-be suitor, Harold "Mitch" Mitchell,gets trampled in their path. Stanley discovers Blanche's past through a co-worker who travels to Laurel frequently, and he confronts her with the things that she has been trying to put behind her, partly out of concern that her character flaws may be damaging to the lives of those in her new home, just as they were in Laurel, and partly out of a distaste for her pretense in general. However, his attempts to "unmask" her are predictably cruel and violent. In their final confrontation, it is implied that Stanley rapes Blanche, resulting in her nervous breakdown. Stanley has her committed to a mental institution, and in the closing moments, Blanche utters her signature line to the kindly doctor who leads her away: "Whoever you are, I have always depended on the kindness of strangers."
The reference to the streetcar named Desire—providing the aura of New Orleans geography—is symbolic. Blanche not only has to travel on a streetcar route named "Desire" to reach Stella's home on "Elysian Fields" but her desire acts as an irrepressible force throughout the play—she can only hang on as her desires lead her.
The character of Blanche is thought to be based on Williams' sister Rose Williams who struggled with her mental health and became incapacitated after a lobotomy.

Margo Channing. Legend. True star of the theatre. The spotlight is hers, always has been.

But now there’s Eve. Her biggest fan. Young, beautiful Eve. The golden girl, the girl next door. But you know all about Eve… don’t you…?

There is more to this story than this review lets on. It reflects all different facets of society over one drivers shift. He starts out it seems as a cold, ignorant man. But his character develops as the different people of Chicago come & go. His character shows through when he tells a woman the truth about one of the huys he has in his cab. One highlight of this is the amount of cameos by well known faces who seem to be doing this film for the craic. The cab driver reacts well to the madness surrounding him & you can almost share his tiredness at the end of the shift. Crackheads, stoners, posh randy lawyers, irate Pakistanis and the high & lows of the working day are dealt with in this low budget film.

《独家内幕》由真实事件改编，是关于坚韧新闻报道的内部故事，讲述了一次惊天动地的采访，即安德鲁王子在 BBC《新闻之夜》节目中备受争议的露面。从制片人萨姆·麦卡利斯特与白金汉宫重大谈判的紧张局势，一直到埃米莉·梅特利斯与王子的惊掉下巴的访谈对决，《独家内幕》与那些不惜一切代价获取真相的女性一起带我们深入了解这个故事。要得到这样一次重大的采访机会，你必须要大胆无畏。

Television series

影片根据前电影记者汤姆-布莱迪的原著小说改编而来。故事的起源发生在1973年，一个名叫克洛特的小女孩，因为护送弟弟时失误而让弟弟惨遭杀害。20年之后，成年的克洛特为了复仇，成了一名非常激进的爱尔兰共和军，并和另外两个兄弟格里和科尼尔联手接下了组织安排的一个棘手任务——在伦敦地铁制造一场惊天爆炸。但在这次行动中，克洛特被英国军情五处的高级官员麦克截获，麦克给了克洛特两条路选择：一是去坐25年牢，永远别再想见到自己的儿子；二是背叛兄弟，成为军情五处的绝密线人。克洛特显然被迫选择了后者。但在一次次行动中，双方都发现了有内鬼在作怪，于是克洛特首当其冲地被当作了牺牲品......

Robbie and Donner's wedding is interrupted when Donner is kidnapped by aliens. Robbie saves the day again though with the help of his friends and an alien crystal.

故事讲述经典恐怖IP《Camp Miasma》重启，在导演沉迷于原版神秘女主的同时，湖底一种新的邪恶力量浮出水面。

讲述了一对夫妇失去了家园，几天后在他们开始为期一年的沿海徒步旅行时发现丈夫被诊断出患有绝症的故事。

一名市长候选人的儿子被绑架，他和妻子被许多政治和其他方面的敌人包围，两人别无选择，只能采取肮脏手段以拯救儿子。

《山贼之女罗妮娅》的故事发生在有着中世纪欧罗巴风情的广袤森林里，主人公少女罗妮娅是生活在位于那片林中的巨大古城中的山贼马堤斯的独生女。在父亲、母亲和山贼伙伴们熏陶下成长起来的罗妮娅，有一天被允许一个人离开自家的地盘。依靠自己的力量慢慢学习着生存的她，随后便与一个名叫毕尔克少年相遇了……作品不仅描述了罗妮娅一个人的成长过程，同时还关乎于孩子们对未知事物的憧憬，以及绿林家族间的恩怨。

《越界》是由Channel 4 制作的惊悚剧情剧集，讲述1975年，贝尔法斯特郊外的一座小镇上。某个夜晚，天主教教师库什拉在自家经营的酒吧里忙碌，那里聚集着形形色色的人，包括驻扎在附近的士兵。她在酒吧中邂逅了迈克尔——一位年长、已婚的新教徒律师，他常为被怀疑与爱尔兰共和军有关的人辩护，并与一群有文化气息的波西米亚派朋友来往，这群人让库什拉既反感又充满好奇。两人出生背景迥异，库什拉明白这段关系必定会惹来麻烦，但彼此间的吸引却无法抑止。