Aya and Louis separated a long time ago. Their little girl, Lina, is now 7 years old. Today, Aya lives with Victor, with whom she’d like to have a baby. Louis is with Gaëlle, who’s his girlfriend but nothing more. Through nine secret meetings organised by Aya, the film tells the story of how a woman and a man, torn between romantic charades and the quest for a «permanent» harmony, take a fresh start at being lovers.

Seventeen-year-old Emma is invited to filmmaker Paul’s house after sending him the outline of a film. Ostensibly there to work on the outline with him she spends her time flirting with Paul, his wife, and his daughter.

拉雅是个孤儿，尽管生活艰难，但她并不奢望命运的突然改观，只想以本分的工作换取生存。佛莱德是个四十多岁的法国人，一个人居住在豪华的别墅里，想以孤独忘却此前情感上经历的痛苦。一天，拉雅被雇来收拾佛莱德家里的花园，她的纯真和魅力深深吸引了佛莱德，他决定雇她到家里做女佣。但是，社会阶层的差异，语言的不通，加上彼此之间的顾虑，使得刚刚产生的爱情之火很快熄灭。为了给拉雅幸福，佛莱德给了她一笔钱让拉雅和男友结婚，自己则继续着孤独的痛苦……
这是一部描述“不可能的爱情”的情感电影，细腻而发人深思。导演雅克杜瓦永此前多拍摄儿童电影，本片对女主角拉雅的人物塑造也表现出了青少年的纯真美丽。大量采用非职业演员是导演喜爱的方式，除男主角外均为初次接触电影的新人。此外，本片作为正式参赛片参加了2003年威尼斯电影节，女主角Najat Benssallem凭借其出色的表演获得最佳新人奖。

A young woman in a deep depression leaves her husband and returns to her parents. She discovers her father is having an affair, becomes jealous of his mistress and tries to turn his feelings in her direction.

2001 film by Jacques Doillon

This is an affecting story about a father's attempts to mend the breaches in the relationship between himself and his 10-year-old daughter. Emmanuel (Sami Frey) is the father of Elise (Mara Goyet) by his first marriage, and the stepfather of an older daughter by his second marriage. He tries to make the best of both family relationships by taking off to visit his young daughter on the weekends, but that only makes his new family a little jealous - especially his stepdaughter. She herself is confused about her own relationship with him. After a particularly emotional send-off one weekend, Emmanuel and Elise take a trip from the south of France into Spain, working on a film project. Through a series of round-about conversations, Emmanuel manages to open up a few channels of communication with Elise - channels that expand even wider when he uses the technique of talking into her video camera to express thoughts and feelings that otherwise would have remained hidden.

Camille, a 20-something dissatisfied with her life, craves the opportunity to give her love to the person who needs it the most. She finds this opportunity in the form of Costa, a homeless ne’er do well, deadbeat dad, and rejected son. Even as their relationship begins to take its toll on them both, Camille finds happiness in her efforts to rescue him from his own self-destruction.

Marie and Antoine live together. They are in love. She wants to have a baby, but he does not agree. She meets Paul. Paul tries to seduce her, Marie rejects him, but when Paul sleeps with her sister Juliette, she realizes she is in love with him. She tries to forget him with Antoine, but Antoine imagines they had sex and is very jealous. Marie is lost : she thinks of Paul when she is with Antoine and of Antoine when she is with Paul. She becomes pregnant and is not sure of who is the father...

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

2010 film by Jacques Doillon

“Will be at the cinema Sunday night. Sorry”, this is what Manon, 18 years old, writes to her father after a year of absence. Pierre, the father and Ariane, his girlfriend, wait for her at the cinema. Ariane plays the different possible arrival of his daughter, but nothing calms the anxiety of Pierre. He asks his young team of actresses to play the role of Manon for him. When finally Manon comes out of the shadow ...
A tense dramatization of the reconciliation between father and daughter in an empty theatre, full of psychic hurts and perverse angers.

Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

Set in Paris 1941, two Jewish boys cling to their lives by doing all sorts of odd jobs, stealing and black-marketeering.

Baker's apprentice Chris is sacked from his job for being late. Unwilling to give up the flat that goes with the job, he and his friends resort to squatting. Liv, a Swedish girl moves in and is soon followed by Léon the car mechanic and Rosette, a girl from the bakery.

Ismaël, a young thirteen-year old boy, is taken aback by the suicide of his best friend. Not only did he not have any idea that this dramatic act was a possibility, neither did his other friends. Perhaps it had something to do with his having an unrequited love for a beautiful young neighbor, an attraction Ismaël also feels. Perhaps it had something to do with drugs, or a problem with a universally disliked teacher. Throughout most of the film, the young survivors discuss their departed classmate.

2017 film by Jacques Doillon

15岁的朱丽叶有一个14岁的男朋友托马斯。托马斯的父亲威利长期不归，这次回来决定带儿子到伊比萨岛度假。但是托马斯不愿离开朱丽叶。渐渐地，威利居然爱慕上朱丽叶。为了摆脱他，朱丽叶想出小计谋……

這部電影描述一個不上學、家庭失和的男孩，一天他接到了一個自稱是他素未謀面的姊姊的電話，他決定逃課去找姊姊開始新生活，不料在半路上遇到盤問的警察。男孩用手中攜帶的槍劫持了警察，並要他帶自己去見姊姊，一路上風波過後，男孩終於見到了姊姊並一起回家自首，而那位同行的警察也愛上了姊姊。

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.