When a girl is murdered soon after leaving a closed religious community, Moreno faces a difficult investigation as the community closes ranks and refuses to cooperate. When another girl is abducted and her bloody fingernails mailed to the police, tongues begin to loosen.

Jan's fastfood-business is going bankrupt, his girlfriend has left him, and he is being exploited by his live-in father. Therefore, he has nothing to lose when he gets mixed up in the kidnapping of famous rock star Iver Mo. But Jan has never been able to do anything right his whole life, and there are others who want to get their hands on the ransom money.

This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...

Documentary about the artists Sigrid Hjertén and Isaac Grünewald.

2014 Swedish film directed by Staffan Lindberg

In this story, the 60th birthday of Cohen-family matriarch Rosha is the occasion for a gathering of her children from the diverse places around the world. The central character in this drama, however, is Angelique, whose interest in psychoanalysis has earned her the nickname of "Freud." Her older brother is gay and lives in Florida with his lover. Her older sister has married into an Orthodox family, and lives in Jerusalem. They have all gathered in Sweden for their grandmother's birthday. Meanwhile, Rosha's daughter, the mother of these diverse children, has taken ill and is in the hospital. She has been diagnosed with a very advanced, inoperable brain tumor. Freud, who never left home, is perhaps as upset by this news as anyone, and she startles everyone by going out and beginning an affair with a biker. However, she is deeply involved in the new situation: she insists that their mother be brought home from the hospital rather than being allowed to suffer and die there.

The Runeberg family is an ordinary middle class family, with a house in a suburb, a car and three children. By vacationing in a rented house by the sea, the hope is that the tension and anxiety between Rune and Gunnel will disappear. However, instead of spending time with his family, Rune finds himself attracted to a young man, Petrus. Whatever happens next, Rune realizes, it can never be like it was before.

Jan thinks he is Swedish-Danish, but after his mother's death he discovers he was adopted. As his world begins to fall apart, he decides to find his birth parents. The hunt leads him to Portugal - in a taxi - where more surprises await him.

1986 film by Mai Zetterling

Samuel is the primary carer for his father - a paranoid schizophrenic. A chance encounter with a young woman disrupts their carefully constructed world and leads Samuel to question the kind of man that he would like to be.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.

Pasi returns to his childhood town, asked to reconfigure the local plywood factory. With a child on the way with his upper-class wife, Pasi sees an opportunity – this is his ticket to climb the professional ladder in the company. On arrival, he bumps into his childhood friend Janne, who works in the factory he is about to downsize. Pasi begins to struggle with the fact that he is supposed to care for the profits – not for the people.

On the eve of June 28th, 2011 Swedish journalists Martin Schibbye and Johan Persson put everything at stake by illegally crossing the border from Somalia into Ethiopia. After months of research, planning and failed attempts, they were finally on their way to report on how the ruthless hunt for oil effected the population of the isolated and conflict-ridden Ogaden region. Five days later they lay wounded in the desert sand, shot and captured by the Ethiopian army. But when their initial reportage died, another story began. A story about lawlessness, propaganda and global politics. After a Kafkaesque trial they were sentenced to eleven years in prison for terrorism. And they were far from alone. Their cellmates were journalists, writers and politicians persecuted for not bowing down to dictatorship. Their reportage about oil was transformed into a story about ink, and their daily lives turned into a fight for survival inside the notorious Kality prison in Addis Ababa. Exposed to deadly ...