German thriller TV series set in the Weimar Republic

In the not-too-distant future Berlin is shocked by a series of spectacular suicides; a policeman's investigations lead him to a beautiful, enigmatic woman and the revelation of a sinister plot to manipulate the population through mass hypnosis.

2009 German biographical film

《尼尔斯骑鹅旅行记》讲一个不爱学习、喜欢恶作剧的顽皮孩子尼尔斯，因为一次捉弄了一只精灵，而被精灵用魔法变成了一个跟老鼠差不多大的小人。他骑在他家的大白鹅背上，跟着一群大雁出发作长途旅行。通过这次奇异的旅行，尼尔斯增长了很多见识，结识了许多朋友，也碰到过好几个凶恶阴险的敌人。他在种种困难和危险中受到了锻炼，最后尼尔斯回到了家中，恢复原形，变成了一个好孩子。

Wenders' first full-length film was produced as his graduation project at the Academy of Film and Television in Munich ("Hochschule für Fernsehen und Film München") which he attended from 1967 to 1970. Shot in 16 mm black and white by subsequent long-time Wenders collaborator Robby Müller, the movie exhibited many of Wenders' later trademark themes of aimless searching, running from invisible demons, and persistent wandering toward an indeterminate goal. In this case the journey is that of protagonist Hans (Zischler) after he is released from prison. Searching through seedy West German streets and bars, he finally winds up visiting an old friend in Berlin.

The fate of Nora, a supermarket cashier who lives happily with her boyfriend Aron, and that of Natan, a loving father who works as a night watchman, cross paths when misfortune turns their lives upside down.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

Aglaé Lanctot, 25-years-old, is as insecure as can be. As a result of being 'brought up' by an irresponsible mother and by an absent father, she can now find her balance only in a methodical life and a regular, well-defined job. For instance in being the most perfectionist vehicle crash test worker ever. So imagine her dismay when she learns that her factory is going to be relocated - in India. Losing such a structuring job is simply inconceivable. So much so that when Aglaé is offered to hold the same position but thousands of miles away from home, with pay cut and without the least social benefits, she - accepts. A few days later, Aglaé hits the road in an old Citroën Visa, accompanied by her two friends and co-workers Liette and Marcelle who, for reasons of their own, have decided to follow her example.

"Actually, Schauplätze didn’t get lost completely. Two shot were left, and they’re now the first two shots in Same Player Shoots Again. In a way, they’re a prelude to it – or rather its antecedents. They come before the credit title. And the rest of the film, after the title, is just one three-minute shot that’s repeated five times. It was shot in black-and-white and its repeated five times, but always in a slightly different color. I mean its not really colored, just a little bit blue and a little bit red and a little bit green along the street."
"At first, you only see his feet. He’s wearing a long coat, and later you can see up to his waist. He has a machine-gun in one hand and he begins walking fast, then he slowly begins to run and he stumbles more and more, as if he were hurt or wounded. He doesn’t actually fall. You just see him running. You see the coat and the machine-gun and his feet. And in the end, the film starts again from the beginning. Its somewhat different from those loop films that were in vogue at the time – those were without an end and you could watch them indefinitely. Whereas in Sam Player Shoots Again, there was a development and there was a new beginning each time."
"For me, it had a lot to do with pinball machines – I mean a game where you have five balls (you used to have five balls, now you only get three). At the time, you had five balls and five games, and that’s a little bit the structure of Same Player Shoots Again. Visually, its as if you had five balls. In fact, that was the idea, to edit it this way. It had some music, too, music I found on an old 78 record that was called Mood Music ad it sounded like music from an unknown Hitchcock film. I used two small pieces of it – one of 10, and one of 15 seconds, one in the beginning of the shot and one at the end – that is to say – the two pieces of music were repeated as well."

"Wings Of Desire" and "Buena Vista Social Club", "Paris, Texas" and "The State Of Things": Wim Wenders is considered one of the pioneers of New German Cinema and one of the most important and influential representatives of contemporary cinema. With never before shown archive material and extraordinary encounters with companions and contemporary witnesses such as Francis Ford Coppola, Willem Dafoe, Andie MacDowell, Hanns Zischler, Patti Smith and Werner Herzog, this documentary provides unique insights into the life and work of one of the most multifaceted artists of our times. Renowned documentary filmmaker Eric Friedler ("It Must Schwing. The Blue Note Story") and his co-director Andreas Frege were given the exclusive opportunity to portray Wenders for this film. From Dusseldorf to Paris, and all the way to the desert of Texas, the film traces iconic locations and decisive moments in Wenders' work as director, producer, photographer and author.

Gunman Flame and his partner Citron assassinate Nazi collaborators for the Danish resistance. Assigned targets by their Allies-connected leader, Aksel Winther, they relish the opportunity to begin targeting the Nazis themselves. When they begin to doubt the validity of their assignments, their morally complicated task becomes even more labyrinthine.

In 1939, Czech diplomat Jan Masaryk flees to the United States to escape his recent past: Germany has invaded Czechoslovakia and he is now a man with no nation; because, as the Czechoslovak ambassador in London, he failed to win the support of the British and could not avert the fall of his country and the outbreak of the World War II.

在这看似祥和的岛屿上，一位孤儿和学校里神秘的新老师越走越近，恐将遭到这座岛的黑暗秘密吞噬。

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.

2014 film by Dietrich Brüggemann

The fate of a Hungarian Jewish family throughout the 20th century.

Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.