1976到1992年，曼彻斯特，一个关于摇滚乐、性和药物的故事。汤尼威尔森和朋友创立著名唱片品牌：Factory，旗下有多个知名乐团，例如Joy Division、Happy Monday，以及在Joy Dividion主唱Ian Curtis自杀后，其余成员组成的New Order。全片以DV拍摄，经由汤尼威尔森的故事探索Factory兴衰历程，重现曼彻斯特当年光辉的音乐风潮。同时也从威尔森的观点，来看Ian Curtis自杀事件。

Live Aid was a dual-venue concert that was held on 13 July 1985. The event was organized by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine. Billed as the "global jukebox", the event was held simultaneously in Wembley Stadium in London, England, United Kingdom (attended by 72,000 people) and John F. Kennedy Stadium in Philadelphia, Pennsylvania, United States (attended by about 100,000 people). On the same day, concerts inspired by the initiative happened in other countries, such as Australia and Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time: an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast.[2

A series which explores the why's and how's of Punk music's emergence in the mid 1970's, and the legacy it left for British music. It features interview and classic performances.
ep 1 Pre-Punk 1972-1976
Narrated by Peter Capaldi, this opener of a three-part documentary series in BBC FOUR's celebrated 'Britannia' strand is scheduled to chime with the 35th anniversary of the Queen's Silver Jubilee and the arrival of punk as national and then international music culture. The film explores the road to punk in Britain, which begins in the early 70s with a young generation already conscious that they have 'missed the 60s party' and are stuck in a Britain heading for economic woes and dwindling opportunities. Meanwhile the music of the day - prog and super rock - seems to ask not for their interest and involvement, but only their awe and their money.
But before the punk generation finally arises to have its say during 1976 come a group of pub rockers, a generation of bands sandwiched between 60s hippies and mid-70s punks who will help pave the way towards the short, sharp shock of punk, only to be elbowed aside by the emergence of the Sex Pistols, the Clash et al.
An unlikely cast of characters set the scene for punk in early 70s Britain. Reacting against overblown super rock of the day and the glam their younger sisters like on Top of the Pops, pub rock set the template for punk. Small venues, fast retro rock n roll and bags of attitude typified bands like Dr Feelgood, Ducks Deluxe, Kilburn and the High Roads and Eddie and the Hotrods. These bands engendered a small London scene which is sometimes forgotten and helped define the Pistols, the Clash and the Damned, both positively and negatively.
Featuring copious unseen archive footage and interviews with John Lydon, Paul Weller, Mick Jones, Wilko Johnson, Nick Lowe, Adam Ant, Brian James and many more.
ep2 Punk 1976-1978
Daydreaming England was about to be rudely awakened as punk emerged from the London underground scene. A nation dropped its dinner in its lap when the Sex Pistols swore on prime time television. Punk had finally found its enemy- the establishment. In Manchester, the Buzzcocks' self-released Spiral Scratch was a clarion call for a do-it-yourself generation, while the Clash's White Riot tour took punk's message across Britain. Moral outrage followed the Pistols around the country, effectively outlawing punk - but there was one refuge for the music. Nestled in the wasteland of 70s Covent Garden, the Roxy was punk's cathedral. Punk interlopers the Jam raised the bar for lyricism, challenging punk's London elite.
Punk also began to extend its three-chord vocabulary through an alliance with reggae, memorably captured by the Clash on White Man in Hammersmith Palais. With their second single, God Save the Queen, the Pistols scored a direct hit at the establishment in summer '77, but a disastrous PR stunt on a Thames barge would mark a turning point. The darker underbelly of the summer of '77 would see race riots in Lewisham. This street turbulence was the backdrop for a rawer, working class sound. If the Pistols and the Clash had been the theory, a second wave led by Sham 69 was the reality.
By '78 punk was becoming a costume - the very pop orthodoxy it had originally sought to destroy. For many punk ended when the Pistols split, beset by internal problems, following an abortive tour of the USA in January '78. Those practitioners who would go on to enjoy sustained success sought to modify their sound to survive, such as Siouxsie Sioux. Punk had shown what it was against, now it was time to show what it was for in the post-punk era.
With John Lydon, Mick Jones, Siouxsie Sioux and Paul Weller.
ep 3 Post-Punk 1978-1981
Punk had shown what it was against - now what was it for? In the wake of the Pistols' demise a new generation of musicians would re-imagine the world they lived in through the music they made. Freed up by punk's DIY ethos, a kaleidoscope of musical influences broke three chord conformity.
Public Image Limited allowed Johnny Rotten to become John Lydon the artist. In Manchester, Magazine would be first to record in the wake of the Pistols' split, Mark E Smith made street poetry while Ian Curtis turned punk's external rage into an existential drama. A raft of left-wing art school intellectuals like Gang of Four and Wire imbued post-punk with a sense of radical politics and conceptualism while the Pop Group infused funk with anti-capitalist sentiment in the early days of Thatcher. Flirting with fascism and violence, the working class Oi! movement tried to drag punk from the Kings Road into the heart of the East End whilst Anarcho punks Crass embarked on the most radical vision of any.
In a time beset by dread and tension perhaps the biggest paranoia was Mutually Assured Destruction essayed perfectly by Young Marble Giants' Final Day. Released in the height of Thatcherism, Ghost Town by The Specials marked a parting of the post-punk waves. Some would remain avowedly uncommercial whilst others would explore pop as a new avenue in the new decade. The song that perhaps summed up post-punk's journey was Orange Juice's Rip It Up and Start Again.
With John Lydon, Howard Devoto, Mark E Smith, Peter Hook, Jerry Dammers, The Raincoats, Wire, Jah Wobble, Mark Stewart, Edwyn Collins, Young Marble Giants and

Godlike Genius
Paul Weller
Outstanding Contribution To Music
The Specials
Best British Band (sponsored by Shockwaves)
Winner: Muse
Nominated: Arctic Monkeys, Biffy Clyro, Kasabian, Oasis
Best International Band (sponsored by 4music/T4)
Winner: Paramore
Nominated: Green Day, Kings Of Leon, Vampire Weekend, Yeah Yeah Yeahs
Best Solo Artist
Winner: Jamie T
Nominated: Dizzee Rascal, Florence And The Machine, Julian Casablancas, Lady Gaga
Best New Band (sponsored by USC)
Winner: Bombay Bicycle Club
Nominated: The Big Pink, Mumford & Sons, The xx, La Roux
Best Live Band (sponsored by Tuborg)
Winner: Arctic Monkeys
Nominated: Kasabian, Muse, Radiohead, Them Crooked Vultures
Best Album (sponsored by HMV)
Winner: Kasabian – 'West Ryder Pauper Lunatic Asylum'
Nominated: Arctic Monkeys – 'Humbug', Muse – 'The Resistance', The Cribs – 'Ignore The Ignorant', The Horrors – 'Primary Colours'
Best Track (sponsored by NME Radio)
Winner: The Big Pink – 'Dominos'
Nominated: Animal Collective – 'My Girls', Arctic Monkeys – 'Crying Lightning', Florence And The Machine – 'Rabbit Heart (Raise It Up)', Jamie T – 'Sticks N' Stones'
Best Video (sponsored by NME TV)
Winner: Biffy Clyro – 'The Captain'
Nominated: Arctic Monkeys – 'Cornerstone ', Kasabian – 'Fire', The Maccabees – 'Can You Give It', Oasis – 'Falling Down'
Best Live Event
Winner: Blur at Hyde Park
Nominated: Jay-Z at Alexandra Palace, Muse at Teignmouth, Oasis at Heaton Park, The Dead Weather at Shoreditch Church
Best Festival
Winner: Glastonbury
Nominated: Download, Reading And Leeds Festivals, T In The Park, V Festival
Best Dancefloor Filler
Winner: La Roux – 'In For The Kill' (Skream Remix)
Nominated: Dizzee Rascal And Armand Van Helden – 'Bonkers', Florence And The Machine – 'You've Got The Love', Lady Gaga – 'Poker Face', Yeah Yeah Yeahs – 'Zero'
Best TV Show
Winner: The Inbetweeners
Nominated: Never Mind The Buzzcocks, Peep Show, Skins, True Blood
Best Film
Winner: Inglourious Basterds
Nominated: (500) Days Of Summer, In The Loop, The Twilight Saga: New Moon, Where The Wild Things Are
Best DVD
Winner: The Mighty Boosh – Future Sailors
Nominated: Kings Of Leon – Live At The The O2 Arena, Flight Of The Conchords – Complete HBO Second Season, The Killers – Live From The Royal Albert Hall, Nirvana – Live At Reading
Giving It Back Fan Award
Winner: Lily Allen for her Twitter ticket treasure hunt
Nominated: Kasabian and Noel Fielding for free 'Vlad The Impaler' video, Danger Mouse for leaking 'Dark Night Of The Soul', Arctic Monkeys for their Oxfam golden tickets, Vampire Weekend for giving away 'Horchata' from the album 'Contra'
Hero Of The Year
Winner: Rage Against The Machine
Nominated: Beyoncé Knowles, Noel Gallagher, Matt Bellamy, Alex Turner
Villain Of The Year
Winner: Kanye West
Nominated: Noel Gallagher, Liam Gallagher, Simon Cowell, Lady Gaga
Best Dressed
Winner: Lady Gaga
Nominated: Liam Gallagher, Noel Fielding, Florence Welch, Karen O
Worst Dressed
Winner: Lady Gaga
Nominated: Matt Bellamy, Katy Perry, Liam Gallagher, Elly Jackson (La Roux)
Worst Album
Winner: The Jonas Brothers – 'Lines Vines Trying Times'
Nominated: Green Day – '21st Century Breakdown', Lady Gaga – 'The Fame', U2 – 'No Line On The Horizon', Arctic Monkeys – 'Humbug'
Worst Band
Winner: JLS
Nominated: Green Day, Oasis, Jonas Brothers, Paramore
Hottest Man
Winner: Matt Bellamy (Muse)
Hottest Woman
Winner: Karen O (Yeah Yeah Yeahs)
Best Website (excluding NME.COM)
Winner: Muse.mu
Nominated: YouTube, Facebook, Twitter, Greenday.com
Best Album Artwork
Winner: Kasabian – 'West Ryder Pauper Lunatic Asylum'
Nominated: Muse – 'The Resistance', Green Day – '21st Century Breakdown', The Cribs – 'Ignore The Ignorant', Manic Street Preachers – 'Journal For Plague Lovers '
Best Band Blog
Winner: Radiohead (Radiohead.com/deadairspace)
Nominated: Muse (Muse.mu and Twitter.com/muse), Noel Gallagher (Oasisinet.com), Los Campesinos! (Loscampesinos.com), Paramore (Paramore.net)
注: 申请过该条目但豆*不给通过也没给我清晰的理由，只好由其他次级音乐IMDB编号代替。

Amazing 2020 documentary about the Style Council and frontman Paul Weller, ex of The Jam.

The story of the 1968 album The Kinks Are the Village Green Preservation Society. After failing to chart upon release it went on to become one of the most influential works in rock.

影片讲述了二战时期伦敦的9岁男孩George（埃利奥特·赫弗南 饰）的史诗之旅，他的母亲Rita（西尔莎·罗南 饰）将他送到了安全的英国乡村。George不屈不挠，决心回到伦敦东部的Rita和外祖父Gerald（保罗·韦勒 饰）身边，于是他开始了一场冒险，却发现自己身处巨大的危险之中，而心烦意乱的Rita则在寻找她失踪的儿子。

A retrospective view of The Jam, as told through archival footage, interviews with band members, and commentary from those influenced by the band and its music.

Tracing Winwood's journey in-depth from the 60s to present, a master musician blending rock and roll with R&B, rare archive footage, extensive interviews including Eric Clapton, Paul Rodgers, Paul Jones, Paul Weller, Dave Mason.