At last, the definitive book about perhaps the best cabin crew dramedy ever filmed: View From the Top starring Gwyneth Paltrow.
In Ayoade on Top, Richard Ayoade, perhaps one of the most "insubstantial" people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don’t care about. It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.
Ayoade argues for the canonization of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey.

Would it be too much to say that my somewhat-wry prose has changed the way the film community thinks about itself (and indeed how it thinks about the concept of community)? No. It wouldn't. In fact, it's actually pretty insulting that this so-called 'Community' hasn't done more to acknowledge (or even begin to repay) its undoubted debt to me.
Richard Ayoade is many things - film director (of Submarine and the forthcoming The Double), comedy actor (The IT Crowd), comedian and TV presenter (Gadget Man). Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all he loves talking to people about film: whether a comely student with low confidence and a father complex, a Studio 'development' exec who doesn't trust his own judgement, or the countless people Gordy LaSure's encountered in his capacity as the web moderator on an Excessive Sweating Discussion Forum. Gordy LaSure's alwaystalking about films and how they'd be a shit ton better if only people would pull their asses out of their ears and listen to Gordy LaSure.
The voyage of this book can be categorised as an attempt to understand How In Hell Film Works. Why are some films bad, and some films terrible?How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a slug of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

Have you ever thought about how it feels to be a book? To be left under a whiffy pant pile or shelved, forever collecting dust? To have your pages bent backwards or your spine BROKEN? What if you don’t have a sparkly unicorn or dragon adorning your cover – who will pick you out of the bookshop then? This is the story of the sadly neglected Book That No One Wanted To Read – can its destiny change when it finally meets the right reader? Spoiler alert: yes.

'So funny - Nabokov meets Spinal Tap.' STEPHEN MERCHANT
'Brilliant, brilliant, brilliant.' TIM KEY
'Absolutely miraculous.' JESSE EISENBERG
'A brain-swirlingly funny quest.' ROBERT POPPER

Richard Ayoade's fictional quest to rescue Harauld Hughes - the almost mythical mid-century playwright - from obscurity.

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

Ayoade embarked on a documentary, The Unfinished Harauld Hughes, to understand the unfathomable collapse of Hughes's final film O Bedlam! O Bedlam!, taking us deep inside the mind of the most furious British writer since the Boer War.

This is the story of the story of that quest.

Readers love The Unfinished Harauld Hughes:

⭐⭐⭐⭐⭐ 'Buy it, it's hilarious.'
⭐⭐⭐⭐⭐ 'Intelligent humour at its best.'
⭐⭐⭐⭐⭐ 'Terrific, funny, nuts!'
⭐⭐⭐⭐⭐ 'I was snorting with laughter.'
⭐⭐⭐⭐⭐ 'Very clever, very funny.'