out march / april 2008
moby will release his sixth studio album last night on 31st march (uk) & 1st April (usa) 2008. the album was recorded in moby's home studio in manhattan ny and features a number of guest vocalists and includes the original 70's mc grandmaster caz one of the writers of rappers delight, sylvia from kudu, the uk's aynzli jones plus Smokey and SO Simple from the nigerian 419 squad.
moby on 'last night'
'"last night" is basically a love letter to dance music in new york city. what i love about the new york approach to dance music is the eclecticism and the open minded-ness on the part of the musicians, the dj's, and the people in the bars and clubs. in making 'last night' i essentially tried to take a long 8 hour night out in new york city and condense it into a 65 minute long album.'

Moby recorded yet another version of the song, "Extreme Ways (Jason Bourne)," for the fifth film in the series, Jason Bourne, and it will be released on that film's soundtrack on July 29, 2016.

Japanese exclusive release taken from the 2002 album, 18. Includes 2 exclusive remixes (previously available on the import 12 inch), 'Extreme Ways' (DJ Tiesto's Vocal Remix & Jr. Jacks Vocal Remix)'. Also included here is, 'Extreme Ways (Album Version) & the UK B-sides 'Love Of Strings' & 'Life's So Sweet'. Digipak. 5 tracks in all. V2 / Japan 2002 release.

2007 CD pressing of this single, the ending theme to the Matt Damon action flick The Bourne Ultimatum. Features a new mix of 'Extreme Ways' as heard during the closing credits of the film. Mute.

Part One of Two. 2006 single pulled from the compilation album Go: The Very Best Of Moby features Blondie frontwoman Debbie Harry on vocals. Features 'New York, New York' (Single Version) plus 'Go' (Trentmoller Remix Edit). Mute.

Moby在今年发行的新专辑Wait For Me，凭借优柔的电音旋律，飘渺的人声小调获得不错的反应，之后Moby在10月份发行了这张Live De La Semaine的现场专辑，并以CD和DVD形式非正式发行。其中邀请了制作人好友Stphane Saunier担当开场和结尾的制作，自己其中送上了现场重新制作的7首新专辑歌曲，依然是以柔美的旋律作为基调，力图让现场的人们感受到更大的音响效果。
(转自VC，
)

Ltd Crystal Clear 2LP

Moby releases a live 2CD/2DVD Almost Home – Live At The Fonda, L.A, on 3rd March 2014, taken from the only 3 live shows played in support of the new album Innocents at The Fonda in Los Angeles. The DVD features collaborators from the album including Mark Lanegan, Skylar Grey and Damien Jurado and includes hits such as Go, Natural Blues and Why Does My Heart Feel So Bad?

Moby原名理查德 梅尔维尔 霍尔(Richard Melville Hall)，1965年9月11日生于美国纽约哈林区。受纽约这个全美最大的文化艺术中心影响，他的作品始终游走于流行与电子之间，音乐路线迎合了大多数年轻人的聆听品位。他在电子乐界颇有建树，兼任制作人、创作家、DJ，曾是个朋克乐手，甚至还是一家素食餐馆的老板。因为家人跟《白鲸记》(Moby Dick)的作者赫尔曼 梅尔维尔(Herman Melville)有亲戚关系，所以他从小就被人叫做“Moby”。Moby正是现实世界里永远长不大的孩子。少年时迷恋朋克乐，组建过自己的乐队，在多个摇滚场所演出。后来他玩上了电子乐，虽然起初默默无闻，但他一直坚信最终会被人们所欣赏。上帝注定眷顾那些锲而不舍的人，1992年，他推出了个人首张同名专辑《Moby》。这之后，他经历了长达7年的低迷状态，然而他却毫不气馁，继续摸索制作自己喜欢的音乐。1999年对他来说，绝对算是扬眉吐气的一年，是他人生中的一个重要转折点。这一年，他被歌迷和乐评的惊叫与赞美所包围。 Moby还曾创过吉尼斯世界纪录。专辑《一切皆错》(Everything Is Wrong)中的单曲“感觉如此真实”(Feeling So Real)，因速度高达每分钟1015拍，成为吉尼斯纪录史上最快的歌，这似乎也在暗示着他永不停息的脚步。 如果说Moby是电子音乐界的鬼才或顽童，我想是没有人会反对的。不按常理、无法捉摸的音乐型式始终是世人对其作品的见地，从单曲“Thousand”得到金氏世界记录“史上最快的歌曲”就可得到映证。对他的作品，要以单一种音乐型式呈现是较为少见的，总是尝试性的融合各种不同类型的音乐型式，又能将旋律诠释的如此完美，就拿专辑《Play》来说，取样自1925年史学家Alan Lomax的田野录音作、黑人灵歌与蓝调福音，搭配着Hip-Hop的节奏和凄美的弦乐与钢琴旋律，再加上Moby透过效果器的人声献唱与轻迷浪漫的民谣吉他，总是很怀疑他的构想来源是如此的精湛及诡异，毕竟天才仍旧是少数的。

Moby原名理查德 梅尔维尔 霍尔(Richard Melville Hall)，1965年9月11日生于美国纽约哈林区。受纽约这个全美最大的文化艺术中心影响，他的作品始终游走于流行与电子之间，音乐路线迎合了大多数年轻人的聆听品位。他在电子乐界颇有建树，兼任制作人、创作家、DJ，曾是个朋克乐手，甚至还是一家素食餐馆的老板。因为家人跟《白鲸记》(Moby Dick)的作者赫尔曼 梅尔维尔(Herman Melville)有亲戚关系，所以他从小就被人叫做“Moby”。Moby正是现实世界里永远长不大的孩子。少年时迷恋朋克乐，组建过自己的乐队，在多个摇滚场所演出。后来他玩上了电子乐，虽然起初默默无闻，但他一直坚信最终会被人们所欣赏。上帝注定眷顾那些锲而不舍的人，1992年，他推出了个人首张同名专辑《Moby》。这之后，他经历了长达7年的低迷状态，然而他却毫不气馁，继续摸索制作自己喜欢的音乐。1999年对他来说，绝对算是扬眉吐气的一年，是他人生中的一个重要转折点。这一年，他被歌迷和乐评的惊叫与赞美所包围。 Moby还曾创过吉尼斯世界纪录。专辑《一切皆错》(Everything Is Wrong)中的单曲“感觉如此真实”(Feeling So Real)，因速度高达每分钟1015拍，成为吉尼斯纪录史上最快的歌，这似乎也在暗示着他永不停息的脚步。 如果说Moby是电子音乐界的鬼才或顽童，我想是没有人会反对的。不按常理、无法捉摸的音乐型式始终是世人对其作品的见地，从单曲“Thousand”得到金氏世界记录“史上最快的歌曲”就可得到映证。对他的作品，要以单一种音乐型式呈现是较为少见的，总是尝试性的融合各种不同类型的音乐型式，又能将旋律诠释的如此完美，就拿专辑《Play》来说，取样自1925年史学家Alan Lomax的田野录音作、黑人灵歌与蓝调福音，搭配着Hip-Hop的节奏和凄美的弦乐与钢琴旋律，再加上Moby透过效果器的人声献唱与轻迷浪漫的民谣吉他，总是很怀疑他的构想来源是如此的精湛及诡异，毕竟天才仍旧是少数的。

While listening to filmmaker David Lynch speak at the BAFTA Awards in February 2008, Moby had an epiphany. Lynch's message- creativity for its own sake is a beautiful, wonderful thing- was a simple one, but it hit Moby with the force of the Zen master's cane. "At that moment, I decided to just make records that were more personal," says Moby, "maybe more experimental, and a little more challenging, maybe not as easy to like, but things that I found to be artistically and creatively more satifying. That was the idea behind making the new album."

The album resulting from this epiphany, Wait For Me, is a radical departure from Moby's recent albums- last year's paean to the dance floor, Last Night, 2008's flirtation with modern rock, Hotel, the shimmering ambience of 2002's 18, and the zeitgeist-defining melancholy electronica of 1999's Play. Liberated from the pressures of trying to please himself at the same time as the industry, in making Wait For Me Moby decided to forego the expensive studios, state-of-the-art equipment, big name guest artists, and phalanxes of graphic designers and image consultants that have characterized some of his previous albums. "There's something so relaxing about doing everything yourself, and not trying to second-guess the market," Moby says. "It's nice to try to do things for the right reasons- just make a record because you want to make a record."