刘俊谦 — 演员 (30)
武替道 (2024) [电影] 豆瓣 IMDb Eggplant.place TMDB
武替道
其它标题:
Stuntman
/
スタントマン
…
动作指导李森(董玮 饰)本已息影多年,因昔日拍档导演欲完成人生最后一部作品才重出江湖;沉醉电影却苦无机会的动作演员李世龙(刘俊谦 饰),一直在理想与现实边缘苦苦挣扎。两代动作演员偶然相遇,一拍即合,决意凭这部“最后之作”令港产动作片再次发光发热。森更渴望借此重振名声,让婚礼在即的女儿Cherry(蔡思韵 饰)能面上有光,修补疏离的父女关系。然而,重返片场的森却顿觉一切已今非昔比,更与曾结怨的男主角、现已为知名动作巨星的梁志威(伍允龙 饰)狭路相逢。两人对何谓香港动作片精神看法分歧,龙夹在森与威的新仇旧恨间左右为难,拍摄过程中的种种难关与森的一段过往令他逐渐对森及动作片的前路产生怀疑...一件突发事故,更将师徒俩推向失控边缘.……
午夜伴廊 (2017) [剧集] 豆瓣
夕陽餘暉映照下的油麻地,小人物在逆境中追求只有他們堅信的夢想。默默耕耘,卻天意弄人。劇情峰迴而不路轉,愚昧、諷刺、恥笑、固執、冚家、幽默、一鑊熟。
香港歌廳 - 老一輩跳茶舞,食花生,吹水聚腳的地方,已經是夕陽工業,「午夜伴廊」是香港碩果僅存的幾間舊式歌廳之一,曾經歌舞昇平,夜夜笙歌,現在門可羅雀。當生命即將走到盡頭,歌廳老闆為了振興生意,於是請了一隊年青樂隊 < 藍鋼鐵>。天降良機,兜巵多時的歌廳老闆權哥跟所有人一樣,頓感人生滿希望。歌廳生意漸見起色,眾人都以為生命踏入了小陽春,卻不知道重重危機已經悄悄降臨⋯⋯
故事圍繞樂隊各成員之間的感情,以幽默的手法,呈現小人物的世界。
香港歌廳 - 老一輩跳茶舞,食花生,吹水聚腳的地方,已經是夕陽工業,「午夜伴廊」是香港碩果僅存的幾間舊式歌廳之一,曾經歌舞昇平,夜夜笙歌,現在門可羅雀。當生命即將走到盡頭,歌廳老闆為了振興生意,於是請了一隊年青樂隊 < 藍鋼鐵>。天降良機,兜巵多時的歌廳老闆權哥跟所有人一樣,頓感人生滿希望。歌廳生意漸見起色,眾人都以為生命踏入了小陽春,卻不知道重重危機已經悄悄降臨⋯⋯
故事圍繞樂隊各成員之間的感情,以幽默的手法,呈現小人物的世界。
人体雕塑 [演出] 豆瓣
The Shape of Things
类型:
theater
编剧:
Neil LaBute
/
Neil Labute
…
其它标题:
The Shape of Things
导演:
Neil LaBute
/
張銘耀
演员:
Paul Rudd
/
Rachel Weisz
/
Gretchen Mol
/
Fred Weller
/
劉俊謙
When Adam Sorenson (Paul Rudd), an English Literature major at Mercy College, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having had success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, as well as purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's girlfriend, Jenny (Gretchen Mol). Later however, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny. It seems all Evelyn wants Adam to do is change everything about himself into what is more conventionally acceptable.
In the penultimate scene, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often touched on in conversation throughout the film but never fully explained. Evelyn relates that she had been instructed to "change the world" by her graduate adviser, but that she has chosen to change "someone's world", her academic work ultimately consisting of "sculpting" Adam into a more attractive human being. She presents Adam before an audience of students and faculty as her creation. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" does she fall in love with him; her videotaping of their lovemaking is just a part of the project's documentation. In fact, she announces before a live audience at her gallery opening that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn, demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society.
In the final moments of the film, Adam stands alone, surrounded by the remnants of his life before and after Evelyn.
In the penultimate scene, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often touched on in conversation throughout the film but never fully explained. Evelyn relates that she had been instructed to "change the world" by her graduate adviser, but that she has chosen to change "someone's world", her academic work ultimately consisting of "sculpting" Adam into a more attractive human being. She presents Adam before an audience of students and faculty as her creation. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" does she fall in love with him; her videotaping of their lovemaking is just a part of the project's documentation. In fact, she announces before a live audience at her gallery opening that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn, demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society.
In the final moments of the film, Adam stands alone, surrounded by the remnants of his life before and after Evelyn.
人体雕塑 2019香港戲劇協會版 [演出] 豆瓣
所属 演出: 人体雕塑
语言:
粤语
剧院:
香港大會堂劇院
导演:
張銘耀
When Adam Sorenson (Paul Rudd), an English Literature major at Mercy College, a fictitious Midwestern college, meets Evelyn Ann Thompson (Rachel Weisz), an attractive graduate art student, at the local museum where he works, his life takes an unexpected turn. Never having had success with women, he is flattered when Evelyn shows an interest in him and, at Evelyn's suggestion, begins a regular exercise regimen, eats healthier foods, dresses more stylishly, acts more confident and dominant, as well as purchases contact lenses. These initial changes regarding Adam's physical appearance are well received by Adam's friend, Phillip (Frederick Weller), and Phillip's girlfriend, Jenny (Gretchen Mol). Later however, Evelyn cajoles Adam into undergoing plastic surgery and succeeds in persuading him to cut himself off from Phillip and Jenny. It seems all Evelyn wants Adam to do is change everything about himself into what is more conventionally acceptable.
In the penultimate scene, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often touched on in conversation throughout the film but never fully explained. Evelyn relates that she had been instructed to "change the world" by her graduate adviser, but that she has chosen to change "someone's world", her academic work ultimately consisting of "sculpting" Adam into a more attractive human being. She presents Adam before an audience of students and faculty as her creation. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" does she fall in love with him; her videotaping of their lovemaking is just a part of the project's documentation. In fact, she announces before a live audience at her gallery opening that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn, demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society.
In the final moments of the film, Adam stands alone, surrounded by the remnants of his life before and after Evelyn.
In the penultimate scene, Adam learns that he has been part of Evelyn's MFA thesis project, a topic often touched on in conversation throughout the film but never fully explained. Evelyn relates that she had been instructed to "change the world" by her graduate adviser, but that she has chosen to change "someone's world", her academic work ultimately consisting of "sculpting" Adam into a more attractive human being. She presents Adam before an audience of students and faculty as her creation. Accordingly, none of the feelings she has shown him throughout the film are genuine; at no stage in their "relationship" does she fall in love with him; her videotaping of their lovemaking is just a part of the project's documentation. In fact, she announces before a live audience at her gallery opening that she is not going to marry him and the engagement ring he offers her is simply one of the exhibits of her art installation, the "capper to my time at Mercy."
Publicly humiliated and devastated, Adam confronts Evelyn, demanding an explanation for her actions. She responds by saying that he should in fact be grateful to her, claiming that, objectively speaking, she has been a positive influence on his life, making him a more attractive and interesting person in the eyes of society.
In the final moments of the film, Adam stands alone, surrounded by the remnants of his life before and after Evelyn.