A purrpurri of the literary legend's quirky and winsome cat poems, mediations, and drawings

Includes the hard-to-find The Art of Bunditsu and other delights from a lifetime of reflection on the mystery and magic of cats

"The presence of a cat keeps me in touch with the mystery, the unreasonableness, the beauty, the stubborn wildness of the nonhuman world." In her life as in her art, Ursula K. Le Guin was fascinated by the feline. This irresistable little book gathers poems, mediations, and drawings dedicated to the complicated creature that her captured her imagination. Here

• The Art of Bunditsu , Le Guin's hard-to-find “tabbist” meditation on the arranging of cats
• Cat Poems , more than two dozen gems, many illustrated by Le Guin herself
• Supermouse Comix! Historic First Issue! Le Guin's one-of-a-kind cat comic book
• Cat a series of letters between Le Guin’s cat and those of her daughter detailing the Five Deliberations that cats spend their lives studying
• Cat Tai Chi, as depicted in a charming series of drawings

A must for cat lovers and Le Guin fans alike, this is the purr-fect literary companion for every reader.

E SE PÔS A SALVAR UM PLANETA, QUANDO NÃO ERA CAPAZ SEQUER DE SALVAR A PRÓPRIA PELE

O etnólogo Rocannon está liderando uma pesquisa em um mundo remoto povoado por três espécies nativas: os habitantes de cavernas Gdemiar, os humanoides Fiia, e o clã guerreiro Liuar. Mas, quando o planeta tecnologicamente primitivo é subitamente invadido e atacado por uma frota de navios vindo das estrelas, Rocannon é o único pesquisador sobrevivente. Isolado entre os povos alienígenas, ele lidera a batalha para libertar esse mundo recém-descoberto e se depara com lendas que surgem ao seu redor durante a luta.

O Mundo de Rocannon foi o primeiro livro publicado de Ursula K. Le Guin e é parte do Ciclo Hainish, série premiada com os mais importantes prêmios para literatura de ficção científica. Retratada em um planeta sem nome, a jornada de Rocannon expande questões universais de perda, companheirismo, isolamento, redenção e amor.

E SE PÔS A SALVAR UM PLANETA, QUANDO NÃO ERA CAPAZ SEQUER DE SALVAR A PRÓPRIA PELE

O etnólogo Rocannon está liderando uma pesquisa em um mundo remoto povoado por três espécies nativas: os habitantes de cavernas Gdemiar, os humanoides Fiia, e o clã guerreiro Liuar. Mas, quando o planeta tecnologicamente primitivo é subitamente invadido e atacado por uma frota de navios vindo das estrelas, Rocannon é o único pesquisador sobrevivente. Isolado entre os povos alienígenas, ele lidera a batalha para libertar esse mundo recém-descoberto e se depara com lendas que surgem ao seu redor durante a luta.

O Mundo de Rocannon foi o primeiro livro publicado de Ursula K. Le Guin e é parte do Ciclo Hainish, série premiada com os mais importantes prêmios para literatura de ficção científica. Retratada em um planeta sem nome, a jornada de Rocannon expande questões universais de perda, companheirismo, isolamento, redenção e amor.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.

Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars.

This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew.

With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

Há quem diga que o feiticeiro mais poderoso de todos os tempos é um homem chamado Gavião. Este livro narra as aventuras de Ged, o menino que um dia se tornará essa lenda.

Ainda pequeno, o pastor órfão de mãe descobriu seus poderes e foi para uma escola de magos. Porém, deslumbrado com tudo o que a magia podia lhe proporcionar, Ged foi logo dominado pelo orgulho e a impaciência e, sem querer, libertou um grande mal, um monstro assustador que o levou a uma cruzada mortal pelos mares solitários.

Publicado originalmente em 1968, O feiticeiro de Terramar se tornou um clássico da literatura de fantasia. Ged é um predecessor em magia e rebeldia de Harry Potter. E Ursula K. Le Guin é uma referência para escritores do gênero como Patrick Rothfuss, Joe Abercrombie e Neil Gaiman.

Source title: As Tumbas de Atuan (Em Portugues do Brasil)

Em um mundo assolado por instabilidade climática e superpopulação, George Orr, um cidadão pacato e mundano, descobre que seus sonhos têm o poder de alterar a realidade. Quando acorda, o mundo que conhecia tornou-se um lugar estranho, quase irreconhecível, em que apenas ele tem a memória de como era antes.

Sem rumo, ele busca a ajuda do Dr. William Haber, psiquiatra que logo deixa de lado o seu ceticismo e entende o poder que George possui, transformando-o em um peão de um perigoso jogo, em que o destino da humanidade fica mais ameaçado a cada instante.

Tão relevante para o mundo atual quanto era ao ganhar o prêmio Locus (1972), esta história de Ursula Le Guin é um verdadeiro clássico, profético e ferozmente inteligente.

Nine Lives is a 1968 science fiction novelette by Ursula K. Le Guin. Originally published in Playboy magazine (it was reprinted in The Wind's Twelve Quarters), the story uses human cloning to explore perceptions of self and other. When it was published, Le Guin opted for publishing it under her initials (U.K. Le Guin) rather than her name, as per Playboy's suggestion that a female author would make its readers "nervous". Le Guin has said "It's not surprising that Playboy hadn't had its consciousness raised back then, but it is surprising to me to realize how thoughtlessly I went along with them. It was the first (and is the only) time I met with anything I understood as sexual prejudice, prejudice against me as a woman writer, from any editor or publisher; and it seemed so silly, so grotesque, that I failed to see that it was also important." It was first recognized on the national level when president Lyndon B. Johnson found the story in Playboy and heavily endorsed it. The presidential endorsement caused the story to spread across the country very rapidly, with an extremely positive result.[citation needed] It was nominated for the Nebula Award for Best Novelette in 1969.
"Nine Lives" is one of the few stories Le Guin has described as being "hard-core" science fiction, using the concept of cloning to explore the concept of the "self". Le Guin also disclosed that the inspiration for "Nine Lives" came from a chapter in Gordon Rattray Taylor's 1968 book, The Biological Time Bomb.
In November 2012, "Nine Lives" was published in a two-part collection of short stories Le Guin released called "The Unreal and the Real". Volume one was titled "Where on Earth" and highlighted "interest in realism and magic realism and includes eighteen of Le Guin’s satirical, political, and experimental earthbound stories." Volume two, where "Nine Lives" was published, was titled "Outer Space Inner Lands" and focused more on Le Guin's non-realistic stories.

In one of her most deeply felt works of fiction, Le Guin explores the dreams and sorrows of the inhabitants of Klatsand, Oregon, a beach town where ordinary people bring their dreams and sorrows for a weekend or the rest of their lives, and sometimes learn to read what the sea writes on the sand. Searoad is the story of a particular place that could be any place, and of a people so distinctly drawn they could be any of us.

Ursula K. Le Guin’s most poetic works of fiction unfolds in 13 interconnected stories about women and the lives of artists in a small coastal town in Oregon

One of Ursula K. Le Guin's most realistic works, Searoad: Chronicles of Klatsand, which was first published in 1991, is also among her most inventive. Cast as a series of interconnected stories set in a small vacation town on the Oregon coast, it offers vivid and powerfully evocative portraits of the town's residents and the community they have built. Some have deep roots in the village, while others have come for just a weekend: but all are pilgrims subject to inexpressible longings.

Le Guin’s response to Virginia Woolf’s A Room of One’s Own, this unforgettable novel plumbs some of the deepest and most abiding themes in Le Guin's work, especially the relationships between mothers and daughters, the nature of women’s work, and the lives of artists.

"Otorite kişinin kendisinden mi kaynaklanır, yoksa etrafındakilerden mi?"

Ursula K. Le Guin, bilimkurgu ve fantazi edebiyatına damga vurmuş en büyük yazarlardan; türün kraliçesi. Kitapları ve fikirleriyle hem okurlara hem de yazarlara ilham veren Le Guin, erken dönem eserlerinden Sürgün Gezegeni'nde bizi ötekilik, önyargı, varoluş ve yuva özlemi gibi olgular üzerine derin bir yolculuğa çıkarıyor.

Galaksinin karanlık tarafındaki Sürgün Gezegeni'nde iki büyük halkın mücadelesi hep süregelmiştir: Alterralılar ve Tevarlılar. Gezegenin yabancıları ve "ötekileri" olan Alterralılar -diğer adıyla yabansoylular eski güçlerini kaybetmiş, nüfusu gittikçe azalan bir halktır.

Tevarlılar diğer adıyla izcanlılar "ötekiler"den hoşlanmayan, muhafazakâr, geri kalmış, ilerlemeye kapalı bir topluluktur.

Güney Göçü başlayıp Gaallar güneye doğru ilerleyince büyük savaş kapıya dayanır. Alterralılar ve Tevarlılar bir araya gelip ortak düşmana karşı savaşacak ya da yaklaşan uzun kışla birlikte felakete sürükleneceklerdir. Rolery ve Agat'ın sıradışı hikâyesi de işte bu süreçte başlar.

Mülksüzler ve Karanlığın Sol Eli'nin de dahil olduğu Hainish Cycle'ın bir parçası olan Sürgün Gezegeni, toplumsal ve düşünsel yargılara etkileyici bir dokunuş.
-Ursula K. Le Guin'in önsözüyle-

A beautiful compilation of poems, stories, essays, talks, and illustrations by Ursula K. Le Guin.

Edited and designed by Conner Bouchard-Roberts

With additional essays on Le Guin's thinking and craft by: adrienne maree brown, Isabelle Stengers, Moe Bowstern, Lola Milholland, Nisi Shawl, David Naimon, Mary Anne Mohanraj, Margaret Killjoy, Julie Phillips, and Harold Bloom.

This book serves as the accompanying publication to an art exhibition, of the same name, about Ursula’s life and work, showing Oregon Contemporary Museum (from Nov 1st 2025 - Feb 8th 2026) curated by the Author’s son, Theo Downes-Le Guin.

«La luz es la mano izquierda de la oscuridad, y la oscuridad es la mano derecha de la luz. Las dos son una, vida y muerte, juntas como amantes en kémmer, como manos unidas, como el término y el camino.»

«Escribiré mi informe como si contara una historia, pues me enseñaron siendo niño que la verdad nace de la imaginación». Así comienza su relato Genly Ai, enviado al planeta Gueden—también llamado Invierno por su gélido clima—con el propósito de contactar con sus habitantes y proponerles unirse a la liga de planetas conocida como el Ecumen. Los guedenianos tienen una particularidad que los hace únicos: son hermafroditas, y adoptan uno u otro sexo exclusivamente en la época de celo, denominada kémmer. En Invierno, Ai contacta con Estraven, un alto cargo que le mostrará cuán diferente puede llegar a ser una sociedad donde no existe la diferenciación sexual.

The award-winning masterpiece by one of today's most honored writers, Ursula K. Le Guin!

The Word for World is Forest

When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.

Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.