Storming Juno is a landmark 90-minute docu-drama based on the true stories and events that took place on D-Day, June 6, 1944 at the Juno Beach, where Canadian troops stormed ashore to join in the Allied invasion of Nazi-occupied Europe.
This important historical event will be told through the eyes of three young Canadians, Paratrooper Cpl. Dan Hartigan, who dropped behind enemy lines the night before the invasion, Lt. Bill Grayson of the Regina Rifles as he and his men fought their way off the beach, and Sgt. Leo Gariepy, who commanded the only one of 19 tanks to complete its mission as the invasion of Normandy began. The individual stories are interwoven to provide viewers with a real-time experience of the day - from the Channel crossing, to the landing, into the heart of battle.

A group of friends head out to an abandon farmhouse to kick a nasty habit. Little do they know that they are in for the night of their lives.

Kristensen and Walker report artistic R&D with The New Real that explores how an audience can become enfolded through immersion and interaction, and conversely how the 'black box' of AI can be unfolded by going inside it.
When we fold something, the fold divides, separates and multiplies what is folded at the same time as it connects sides, reveals and hides. Folding is thus a contradictory act, simultaneously deleting and opening up. This concept has been applied to AI and intelligence more broadly. This talk will use the fold as a starting point to zoom out, providing a way of understanding language, labour, productivity and agency. Then it will zoom back in to focus specifically on artistic practice, and performance in particular, as a means of unfolding complex concepts and structures such as AI.
Kristensen and Walker believe AI can be inspirational and not only instrumental, through approaches such as Surrealism. Their creative practice reimagines interactions between humans and machines, and questions the role of language, classification and measurement that underlie our contemporary reality. They illustrate the transformative difference between viewing the 'black box' of AI from outside, and journeying inside it.