Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real and imagined queer and trans communities.

In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and healthcare practice, sex worker activism, and much more. Accompanying the narratives are Rose's startling and sinuous images that brings these leaders' words to visual life.

Our Work Is Everywhere is a graphic nonfiction book that underscores the brilliance and passion of queer and trans resistance.

Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.

When Lily was eleven years old, her mother, Swee Hua, walked away from the family, never to be seen or heard from again. Now, as a new mother herself, Lily becomes obsessed with finding out what happened to Swee Hua. She recalls the spring of 1987, growing up in a small British Columbia mining town where there were only a handful of Asian families; Lily’s previously stateless father wanted them to blend seamlessly into Canadian life, while her mother, alienated and isolated, longed to return to Asia. Years later, still affected by Swee Hua’s disappearance, Lily’s family is nonetheless stubbornly silent to her questioning. But eventually, an old family friend provides a clue that sends Lily to Southeast Asia to find out the truth.
Winner of the Jim Wong-Chu Emerging Writers Award from the Asian Canadian Writers’ Workshop, Dandelion is a beautifully written and affecting novel about motherhood, family secrets, migration, isolation, and mental illness. With clarity and care, it delves into the many ways we define home, identity, and above all, belonging.

Winner, Dayne Ogilvie Prize for LGBTQ Emerging Writers (Writers' Trust of Canada) and the Indigenous Voices Award; finalist, Publishing Triangle Award for Trans and Gender-Variant Literature
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Awards
Short-listed, Publishing Triangle Award for Trans and Gender-Variant Literature 2020
Winner, Indigenous Voices Award 2020
Winner, Dayne Ogilvie Prize for LGBTQ Emerging Writers 2020
Reviews
Arielle Twist is an expansive force of holy radiant power and illuminating fury. Disintegrate/Dissociate follows in the literary footsteps of legendary trans femme writers, but Twist carves a new path for herself. Rooted in a fierce Nehiyaw love, the book is an uncompromising articulation of Indigenous sovereignty, trans girl beauty, and radical sex. In Arielle's writing, the ancestors sing loudly and without shame, creating new worlds and decolonial possibilities for everyone who witnesses Twist's brilliance. -Gwen Benaway, author of Holy Wild and Passage
A dazzling debut that is one of the most exciting developments in the literary queer poetic tradition. Combining deft eloquence with fierce emotional intensity, these poems form a bridge between past and present, pain and pleasure, ancestral love and romantic love. Twist's voice is urgent, sexy, and deeply intelligent. To read this book is to dive deep into an exploration of the ways in which the body is marked by time and place -- by sexuality, violence, colonization, kinship, and hope. Long after you turn the final page, you will still hear these poems singing somewhere inside your bones. -Kai Cheng Thom, author of a place called No Homeland and Fierce Femmes and Notorious Liars
Arielle Twist's Disintegrate/Dissociate is a miraculous debut of poetry that enacts exactly what it summons into the world. I am reminded here that we cannot, and should not, remove the body from story -- we must witness what we break and reciprocate wholly to what we must rebuild. This book is majesty, it is unabashedly honest, heart rupturing so, but also wondrous in its medicine-weaving. From floorboards filled with flora to a world destroyed because the speaker can will it so, from the waving Cree prairie through to a Mi'kmaq oceanic, Twist teaches us that 'if we must survive [then] we must write' and emerges a prominent new otâcimow in Indigenous literature. -Joshua Whitehead, author of Jonny Appleseed and full-metal indigiqueer
Arielle Twist's visceral poetry is built and rebuilt through breaking, demonstrating the vitality of destruction. This sharp, absorbing debut collection will break you and then rebirth you. -Vivek Shraya, author of I'm Afraid of Men and even this page is white
'I will sing with no voice, no language, no song, can you hear it?' Arielle Twist's poetry is striking, visceral, honest. Reading her work is like taking a ginger shot: painful, but ultimately you're better for it. With few words, she conveys so much about the legacies of colonization, the terror of transmisogyny, and the colossal force of them both. Her candour is both urgent and compelling, confrontational and compassionate, world-making with its insistence on another way to live. In a political moment hell-bent on erasing Indigenous trans voices, Twist's Disintegrate/Dissociate is here to stay. -Alok Vaid-Menon, author of Femme in Public

What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith?
In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as adrienne maree brown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.

A sly, sentimental, and wickedly funny memoir about growing up at the local fair. The PNE (Pacific National Exhibition) is a Vancouver tradition, an annual fair started in 1910 that is famous for its farm animals, dog trick shows, and amusement park highlighted by Canada’s oldest wooden roller coaster still in existence. In 1980, when Nick Marino was twelve years old, he started working at the PNE and quickly learned that there was more to the fair than winning stuffed animals and eating mini donuts. He had to contend with belligerent bosses, unhinged carnies, and teenage hustlers. In this funny, charming memoir of fair life, Marino revisits the “wild west” of the city’s East Side, home to the PNE, sharing stories from his six summers working at the fair, where arcade bouncers went on midnight roller coaster rides, riots broke out at concerts, and local kids helped themselves to everything. With beguiling and at times poignant humor, he pulls back the curtain on the culture of carnivals and fairs, an unpredictable and eternally young world of players, scammers, and dreamers. East Side Story is the latest addition to the Robin’s Egg Books series, which features some of the freshest, smartest, and above all, funniest writing on a variety of culturally relevant subjects. Titles in the imprint are curated and edited by comedian, playwright, and author Charles Demers.

Leah Piepzna-Samarasinha is a poet and essayist whose most recent book, the memoir Dirty River , was a finalist for a Lambda Literary Award and the Publishing Triangle's Judy Grahn Award for Lesbian Nonfiction. She is also a long-time member of the disability justice movement, which advocates for the rights of the disabled. In her latest book of essays, Leah writes passionately and personally about disability justice, on subject such as the creation of care webs, collective access, and radically accessible spaces. She also imparts her own survivor skills and wisdom based on her years of activist work, empowering the disabled--in particular, those in queer and/or BIPOC communities--and granting them the necessary tools by which they can imagine a future where no one is left behind.

Presently, disability justice and emotional/care work are buzzwords on many people's lips, and the disabled and sick are discovering new ways to build power within themselves and each other; at the same time, those powers remain at risk in this fragile political climate in which we find ourselves. Powerful and passionate, Care Work is a crucial and necessary call to arms.

Leah Lakshmi Piepzna-Samarasinha follows up their incredible book Care Work with The Future Is Disabled . Piepzna-Samarasinha writes about the last two years of surviving COVID-19 as a disabled femme of color in an ableist world that isn’t interested in protecting disabled folks. They also discuss mutual aid and disabled joy in the face of isolation and discrimination.

The pandemic has been incredibly difficult for disabled people who have been asked to “take one for the team” by wider society. Piepzna-Samarasinha writes encouragement to disabled folks, relishing in our community’s creativity in our fight for survival. They also mourn those lost in the pandemic and the care crisis so many of us still face.

This is a vivid graphic history of the Chinese experience in North America over the last 150 years, beginning with the immigration of Chinese to "Gold Mountain" (the Chinese colloquialism for North America) in the 1800s that resulted in decades of discrimination, subjugation, and separation from loved ones. Based on historical documents and interviews with elders, the book is also the epic story of the Wong family as they traverse these challenges with hope and determination, creating an immigrant's legacy in their new home of North America. David H.T. Wong is an architect and historian.

When it was first published in 1988, Patrick Califia's Macho Sluts, a collection of S/M stories set in San Francisco's dyke bathhouses, sex parties, and S/M gay bars, shocked the lesbian community and caused an upheaval in the field of queer publishing. Nobody had ever written so frankly about the kinky potential of woman-to-woman sex (and nobody has ever done it any better). If any book is responsible for the formation of the modern lesbian leather community, this one is it.Despite its graceful language, imaginative scenarios, and abundant humor, the lesbian press trashed Macho Sluts, and it became a focal point for the infamous legal battles between Canada Customs and Little Sister's, the gay and lesbian bookstore. But readers loved it, and to this day Macho Sluts remains a vital and moving classic that still has the power to educate, radicalize, and expand our notions of the body's potential to provide us with pleasure, pain, and love.This new edition, part of Arsenal Pulp Press' Little Sister's Classics series resurrecting classics of LGBT literature, includes a new afterword by the author, and an introduction by Wendy Chapkis, a professor of sociology and women and gender studies at the University of Southern Maine in Portland.Patrick Califia has written many books about radical sex, queer communities, and the repression of desire. Almost ten years ago, Califia transitioned from female to male; he now lives as a bisexual transman in San Francisco.

<b>Longlisted for the Scotiabank Giller Prize</b><br /><br />Spanning three continents, <i>Butter Honey Pig Bread</i> tells the interconnected stories of three Nigerian women: Kambirinachi and her twin daughters, Kehinde and Taiye. Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision.<br /><br />Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won't be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking.<br /><br />But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward.<br /><br />For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, <i>Butter Honey Pig Bread</i> is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.

The worlds of urban gentrification, overpriced real estate, and gang violence collide in this wry and sardonic crime novel by author and comedian Charles Demers (Vancouver Special, The Horrors).

As a shaky truce between suburban gangsters starts to unravel, schlubby civilian Scott Clark has other things on his mind: if he can't afford to buy out his former father-in-law, Scott's about to lose the only house he's ever called home. In Vancouver's red-hot real estate market, he doesn't have a chance--until he and his best friends take the last-ditch measure of staging a drive-by shooting on the property to push down the asking price. But when Scott's pretend gangland stunt attracts the attention of real criminals, his make-believe crew soon finds itself in the middle of a deadly rivalry.

With wicked humour and a brilliant cast of desperate characters, Property Values explodes the crime novel genre while exploring the absurd lengths to which a man will go to in order to hold onto his home in today's market.

A lucid exploration of amnesia, selfhood, and who is left behind when the past is obliterated.
Tara Sidhoo Fraser is thirty-two years old when a rare mutation in her brain causes a stroke. Awakening after surgery with no memory of her previous life, she attempts to piece it all back together through a haze of amnesia. Yet, as memories do begin to surface, they are seen through someone else’s eyes—the person whose body she stole, whom she calls Ghost.  
Fighting to stabilize her existence, Tara struggles with the gulf between who she was and who she is now, while constantly battling and paying penance to Ghost. She meets Jude, who is also contending with their identity, the gap between who they are and who they present to the world. As Jude’s transition progresses and they begin testosterone injections, Tara’s conflict with Ghost heightens. Ghost’s voice becomes stronger, and memories, buried in the body they now share, of hospital visits, old desires, and her ex threaten Tara’s new relationship. 
She burrows deeper into the mystery of who she once was, recognizing the need to fuse herself and Ghost into one. When My Ghost Sings is a lyrical memoir of healing, a farewell letter, and an embracing/reclamation of selfhood.

At age nineteen, the queer narrator of Green Glass Ghosts steps off a bus in downtown Vancouver, a city where the faceless condo towers of the wealthy loom over the streets to the east where folks are just trying to get by, against the deceptively beautiful backdrop of snow-capped mountains and sparkling ocean. It's the year 2000, and the world is still mostly analogue--pagers are the best way to get ahold of someone and resumés are printed out on paper and dropped off in person, and what's this new fad called webmail? Our hopeful hero arrives on the West Coast on the cusp of adulthood, fleeing a traumatic childhood in an unsafe family plagued by religious extremism, mental health crises, and abuse in a conservative town not known for accepting difference. They're eager to build a new life among like-minded folks, and before they know it, they've got a job, an apartment, and a relationship, dancing, busking, and making out in bars, parks, art spaces, and apartments across the city. But their search for belonging and stability is buried in drinking, jealousy, and painful memories of the past, distracting the protagonist from their ultimate goal of playing live music and spurring them to an emotional crisis. If they can't learn to care for themselves, how will they ever find true connection and community? With haunting illustrations by Gem Hall that conjure the moody, misty urban landscape, Green Glass Ghosts is an evocation of that delicate, aching moment between youth and adulthood when we are trying, and often failing, to become the person we dream ourselves to be. Ages 14 and up.

From intimate relationships to global politics, Sarah Schulman observes a that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates how Supremacy behavior and Traumatized behavior resemble each other, through a shared inability to tolerate difference. This important and sure to be controversial book illuminates such contemporary and historical issues of personal, racial, and geo-political difference as tools of escalation towards injustice, exclusion, and punishment, whether the objects of dehumanization are other individuals in our families or communities, people with HIV, African Americans, or Palestinians. Conflict Is Not Abuse is a searing rejection of the cultural phenomenon of blame, cruelty, and scapegoating, and how those in positions of power exacerbate and manipulate fear of the "other" to achieve their goals. Sarah Schulman is a novelist, nonfiction writer, playwright, screenwriter, journalist and AIDS historian, and the author of eighteen books. A Guggenheim and Fulbright Fellow, Sarah is a Distinguished Professor of the Humanities at the City University of New York, College of Staten Island. Her novels published by Arsenal include Rat Bohemia , Empathy , After Delores , and The Mere Future . She lives in New York.

Leah Lakshmi Piepzna-Samarasinha follows up their incredible book Care Work with The Future Is Disabled. Piepzna-Samarasinha writes about the last two years of surviving COVID-19 as a disabled femme of color in an ableist world that isn’t interested in protecting disabled folks. They also discuss mutual aid and disabled joy in the face of isolation and discrimination.<br /><br />The pandemic has been incredibly difficult for disabled people who have been asked to “take one for the team” by wider society. Piepzna-Samarasinha writes encouragement to disabled folks, relishing in our community’s creativity in our fight for survival. They also mourn those lost in the pandemic and the care crisis so many of us still face.

In this collection of essays, Lambda Literary Award-winning writer and longtime activist and performance artist Leah Lakshmi Piepzna-Samarasinha explores the politics and realities of disability justice, a movement that centers the lives and leadership of sick and disabled queer, trans, Black, and brown people, with knowledge and gifts for all.<br /><br /><i>Care Work</i> is a mapping of access as radical love, a celebration of the work that sick and disabled queer/people of color are doing to find each other and to build power and community, and a tool kit for everyone who wants to build radically resilient, sustainable communities of liberation where no one is left behind. Powerful and passionate, <i>Care Work</i> is a crucial and necessary call to arms.

Strange Material explores the relationship between handmade textiles and storytelling.
Through text, the act of weaving a tale or dropping a thread takes on new meaning for those who previously have seen textiles?quilts, blankets, articles of clothing, and more?only as functional objects. This book showcases crafters who take storytelling off the page and into the mediums of batik, stitching, dyeing, fabric painting, knitting, crochet, and weaving, creating objects that bear their messages proudly, from personal memoir and cultural fables to pictorial histories and wearable fictions.
Full-color throughout, the book includes chapters on various aspects of textile storytelling, from "Textiles of Protest, Politics, and Power" to "The Fabric of Remembrance"; it also includes specific projects, such as the well-known and profoundly moving Names Project AIDS Memorial Quilt, as well as poetry mittens, button blankets, and stitched travel diaries. Offbeat, poetic, and subversive, Strange Material will inspire readers to re-imagine the possibilities of creating through needle and fabric.
Leanne Prain is the co-author (with Mandy Moore) of Yarn Bombing, now in its third printing, and the author of Hoopla: The Art of Unexpected Embroidery. A professional graphic designer, Leanne holds degrees in creative writing, art history, and publishing.