Terence Rigby — 演员 (8)
无人之境 [演出] 豆瓣
No Man's Land
8.4 (5 个评分) 类型: Theater 编剧: Harold Pinter
其它标题: No Man's Land / 无人之地 导演: Peter Hall / David Leveaux 演员: John Gielgud / Ralph Richardson / Michael Kitchen / Terence Rigby / Paul Eddington
The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).
无人之境 1975年版 [演出] 豆瓣
所属 演出: 无人之境
剧院: Old Vic Theatre 导演: Peter Hall
其它标题: 1975年版 编剧: Harold Pinter 演员: John Gielgud / Ralph Richardson
The first act opens with Hirst's offering a drink to Spooner: "As it is?" – that is, neat (UK) or straight (U.S.) – and Spooner's reply: "As it is, yes please, absolutely as it is" (15). During the first act, Spooner claims to be a fellow poet and to have known his more illustrious literary host and mutual acquaintances and relationships in the past. Toward the end of act one, Hirst's keepers (quasi-body guards) "vagabond cock" Foster and Briggs seek to fend off the self-insinuating Spooner, leading Hirst "out of the room (52) and away from him. The act ends with a "Blackout" – visually demonstrating Foster's taunt: "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this. ... He turns the light out" (53).
During Act Two, in his increasingly inebriated state, Hirst may mistake or feign recognition of Spooner as an Oxbridge classmate from the 1930s, an apparently false impression which Spooner nevertheless encourages (68–78), leading both of them into a series of increasingly questionable reminiscences, which Hirst finally and abruptly undercuts: "This is outrageous! Who are you? What are you doing in my house?" going on to accuse Spooner of being an impostor: "You are clearly a lout. The Charles Wetherby I knew was a gentleman. I see a figure reduced. I am sorry for you. Where is the moral ardour that sustained you once? Gone down the hatch." – allusively and both wistfully and comically combining the clichés "Gone with the wind" and "Down the hatch," after which, Briggs "enters, pours whisky and soda, gives it to" Hirst, who "looks at it" and then says, "Down the hatch. Right down the hatch. (He drinks.)" (78). Hirst proclaims, "Let us change the subject. Pause. For the last time." (91), but immediately asks, "What have I said?" That leads the characters to debate what Hirst's phrase for the last time precisely "means" (91–94), leaving all of them, according to Spooner, "in no man's land. Which never moves, which never changes, which never grows older, but which remains forever icy and silent." Following the illustrative "Silence", Hirst utters the play's final words and provides its final action: "I'll drink to that" (95): "He drinks," paralleling the opening words of the first act ("As it comes?"), and the play ends, ambiguously, with a "SLOW FADE" of lights (95).
哈姆雷特 1995年版 [演出] 豆瓣
所属 演出: 哈姆雷特
剧院: Belasco Theatre 导演: Jonathan Kent
其它标题: 1995年版 编剧: 莎士比亚 William Shakespeare 演员: Francesca Annis / Ralph Fiennes
哈姆雷特快要疯了。父亲由于奇怪的病症暴毙,母亲改了嫁。在那么多人之中,她偏偏嫁给了亡夫的弟弟,还在父亲过世短短一个月之后。哈姆雷特总是能在夜间看见父亲的鬼魂,他呼喊着自己被弟弟毒害,并恳求哈姆雷特替他报仇,去杀死他的继父。哈姆雷特为了复仇大计装疯卖傻,却在实施的过程中迷失了现实。世界,对他来说成了污浊的泥淖。对性的渴望和唤醒成了恐怖的深渊。周围的朋友变成了继父的耳目,为了时刻监视他。甚至奥菲利亚,他的爱人,也变成了密谋中的一颗棋子。
哈姆雷特的偏执并非全无依据,一个告密者在幕帘后对他密切监视、窃听,终于,复仇者成了凶恶的捕食者。愚蠢的行为变成了彻底的疯狂,哈姆雷特错杀了波洛涅斯——奥菲利亚的父亲。哈姆雷特的母亲和继父为他掩盖了谋杀的罪行,并有意安排他远离公众的实现。哈姆雷特的大计似乎要化为泡影。他迷失了自我,失去了人生的方向。面对这一切,奥菲利亚再也无法承受,她自杀了。当哈姆雷特的继父决定让哈姆雷特永远不再发声的时候,哈姆雷特也抓住了这手边的机会,给了继父最后的沉痛一击,迫使他臣服。
莎士比亚再现了丹麦皇室堕落的政治网络,让哈姆雷特的人生变成了彻底迷幻的悲剧。谋杀、背叛、篡权和对性的渴望成了这场战争中捍卫皇权的武器。哈姆雷特因为无法采取行动,对抗这场在皇廷中充满冷嘲热讽的游戏规则,他变得沉郁、闭塞、甚至自我伤害。他生性犹疑,在好坏两方面难以抉择,这也成为他复仇之路上难以逾越的障碍。除他之外,再无他人对皇室存疑,他的人生注定是场悲剧。
007:明日帝国 (1997) [电影] Min reol
Tomorrow Never Dies
导演: Roger Spottiswoode 演员: Pierce Brosnan / Jonathan Pryce
其它标题: Demain ne meurt jamais / James Bond 007 - Der Morgen stirbt nie
英国海军的德文郡号军舰在中国领海内被遭到不明鱼雷攻击沉没。为了查明情况,英国海军决定动用武力,派出军舰前往出事海域进行反击。然而却被秘密情报负责人M(朱迪·丹奇 Judi Dench 饰)阻止,并派出代号007的情报员詹姆斯·邦德(皮尔斯·布鲁斯南 Pierce Brosnan 饰)去查清真正的原因,避免两国之间一触即发的战争。在不断深入的调查中,媒体大亨卡佛(乔纳森·普雷斯 Jonathan Pryce 饰)进入了邦德的视线。而且在卡佛举办的晚宴上,邦德遇上了前女友帕丽丝(泰瑞·海切尔 Teri Hatcher 饰),现在的卡佛夫人。在帕丽丝的帮助下,邦德利用GPS让已出动的英国军舰偏离了航道为自己的调查争取到了宝贵的时间。从卡佛处偷来的设备上,邦德发现了沉没军舰的准确位置,不过在沉船处却与中国女特工林惠(杨紫琼 饰)一起被卡佛擒获。原来,卡佛是想通过引发战争来获得全球媒体的垄断地位。这一次,邦德能否逃出魔掌捣毁卡佛的阴谋?
伦敦街头档案 (1993) [电影] 维基数据 IMDb 豆瓣 TMDB
The Young Americans
其它标题: Rebeldes Americanos / Young Americans
Experienced New York Police Detective John Harris is sent to London to help a local task force investigate a series of gangster killings organized by a new player in town, an American. With the help of a young teen wronged by gangsters, Harris navigates London's seedy, drug-fuelled underworld in order to take down its new criminal empire.
锅匠,裁缝, 士兵,间谍 (1979) [剧集] IMDb 维基数据 TMDB
Tinker Tailor Soldier Spy
8.9 (55 个评分) 导演: 约翰·欧文 / 约翰·勒卡雷 演员: 亚历克·吉尼斯 / Michael Jayston
其它标题: Dame, König, As, Spion / La Taupe
冷战时,全球两大特工组织——俄罗斯“中心”与英国“圆场”明争暗斗。总管发现情报局内部潜伏着一名克格勃,怀疑对象就是包括总管助理乔治在内的几名情报局核心成员:锅匠,裁缝,士兵,穷人,乞丐。老总为查清事情策划了一次跨国间谍活动,结果惨遭失败,不久就在内部权力倾轧中失利引退。同时,也连累一批情报官员被清洗出局,其中也包括被提前退休的乔治。乔治本来有重大嫌疑,英国内阁办公室谍报总监排除了嫌疑,委托他调查内奸。于是乔治开始分别走访故人。一时间,圆场疑云密布,人人自危,究竟谁才是“地鼠”……