First feature film from director Fred Zinneman is a snappy little "B" feature that features Van Heflin as the head of a city crime lab who solves the murder of the town mayor by analyzing evidence from the crime.

在怀特纪念医院重症病房里，躺着一位伤势严重的女士安基尔，在她的回忆中我们进入了这个故事。
安基尔是一个美丽可爱的女人，她是一名当红的夜总会女歌手，每次安基尔在面对观众唱歌时都会感到紧张，所以上场前总要喝一杯酒，成为了她的习惯。音乐响起，她每一次动听的演唱都会打动在场的每个人，在这里安基尔已经小有名气。迈克尔是安基尔的老朋友，对安基尔在演唱方向的发展十分看好。
安基尔一直深爱着一个默默无名的创作型男歌手肯，为了爱情她放弃了自己的歌唱事业。此事令迈克尔十分惋惜。
安基尔和肯结婚后不久便怀孕了，可两人都没有工作，没有经济的来源令肯很不安，在迈克尔的暗中帮助下，肯很快地找到了一份电台的工作，令两人欣喜若狂。每天早晨肯和助手在电台里演唱，安基尔和肚中的小宝宝在家中的收音机旁聆听。日子不富裕，但快乐温馨。
安基尔就要生产了，肯守候在产房门口焦急的等待，但由于电台工作不得已离开。在电台里焦急的肯平定了情绪，为安基尔和即将出世的小宝宝发自内心的演唱了自己谱写的歌曲，美妙动听旋律在电台里回荡，肯带有磁性的演唱，充满了对家人的爱。这首歌征服了收音机前的听众，与此同时他们的女儿也出生了。
此歌使肯一炮走红，他受到了电台的重用，在他们的大力宣传下，使肯受到越来越多听众的爱戴。肯为安基尔和女儿在市中心买了最好的房子，满足他们在生活上的所有的愿望。肯的工作更加繁忙，没有时间陪家人。经常外出巡演，所到之处都会受到歌迷的追逐。身边还有一个暗恋他的秘书玛莎，在无微不至地照顾他。这些都令安基尔感到不安，空虚乏味的她整天借酒消愁，由于酒精症状她经常睡觉时做恶梦。肯也多次的劝她不要喝酒。
在一次聚会中，安基尔看到肯和玛莎在一起的亲密样子，在一股妒忌心和不安全感的威胁之下，她失态的出手打了玛莎，肯为此十分恼火，再也不想忍受安基尔的无理取闹，和她酗酒的样子，提出离婚，并觉得女儿跟她生活有危险，要孩子的抚养权。
痛苦的安基尔努力的想找一份工作，证明自己可以正常的生活并有能力照顾女儿，但她没有成功，在绝望中安基尔大量地酗酒，在烈酒中寻求慰藉。
由于对女儿的思念，安基尔只好偷着把女儿接到了自己的家。她在房间里抽烟，不慎引起了大火，安基尔奋力在火中把女儿救出，自己受了重伤。肯前来看望，痛苦万分，认识到自己对家庭的忽视，所造成的严重后果。经过治疗，安基尔的身体和精神上都有了好转，他们开始了新的生活。

　　由著名剧作家多尔顿·特朗博执导，讲述第一次世界大战期间，美国青年强尼出征欧洲战场受重伤，他的脸部，四肢都被炮弹炸坏了。而他只有代号“407”。但他还有清楚的意识，完整的记忆力，他被送入后方的陆军医院。他在病床上想着他的爱人、双亲、妹妹们。新来的护士是一个温柔的女性，强尼与她交谈则用头敲枕头，发出电报似的信号。但随着护士的离去，一切希望都没有的407躺在黑暗里心里叫着“我不能这样活下去”……

007（肖恩·康纳利 Sean Connery 饰）屡立战功，这次，他运用一系列新奇而惊人的武器，竟然单枪匹马就除掉了敌人的一支军队。由于007的出色表现，他获得难得的一个长假期。然而正在此时，魔鬼党却将军队的两枚重要的飞弹却被偷走，英国情报部无奈之下只好将正在泡温泉的007召了回来。经过调查，007发现这次计划的幕后首脑是狂人拉尔果（克劳斯·马利亚·布朗道尔 Klaus Maria Brandauer 饰），他正在准备世界核能勒索计划，而且，拉尔果还得到了最危险的女杀手法蒂玛和魔鬼党首脑布罗非的帮助。这次对007的考验异常严峻！（007外传之巡弋飞弹）

A father and son lawyer duo take a variety of cases that often deal with the important issues of the day.

A violinist and his brother guide one's son through his crush on the family maid in 1920s Ottawa.

Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.

Through flashbacks going as far back as the end of WW1, the story of a Nazi war criminal is exposed during his trial.

Young Robin Hood, in love with Maid Marian, enters an archery contest with his father at the King's palace. On the way home his father is murdered by henchmen of Prince John. Robin takes up the life of an outlaw, gathering together his band of merry men with him in Sherwood Forest, to avenge his father's death and to help the people of the land that Prince John are over taxing.

This is the first time I've seen or heard of this movie. I'm just tuned into the middle of the film. It's less of a drama and really more of a musical in a mildly romantic sense. The scenery is sumptuous with an atmosphere of high fashion, moreso since the setting involves royalty, i.e. Errol Flynn is to become king so it's lavish in every way. Anna Neagle sings well; I'd never heard her sing before (at least I hope it is her own voice). It is regrettable that Flynn only had a few more years left in his brief life, brief by our standards today. It's refreshing to see a film I haven't seen before. If you like pleasant songs, gentle romance and pageantry, this is one you ought to see when you can. It's almost like a European Broadway musical!

This is the first time I've seen or heard of this movie. I'm just tuned into the middle of the film. It's less of a drama and really more of a musical in a mildly romantic sense. The scenery is sumptuous with an atmosphere of high fashion, moreso since the setting involves royalty, i.e. Errol Flynn is to become king so it's lavish in every way. Anna Neagle sings well; I'd never heard her sing before (at least I hope it is her own voice). It is regrettable that Flynn only had a few more years left in his brief life, brief by our standards today. It's refreshing to see a film I haven't seen before. If you like pleasant songs, gentle romance and pageantry, this is one you ought to see when you can. It's almost like a European Broadway musical!

Meet Me Tonight was the American title for the British-filmed Tonight at 8:30, adapted from the Noel Coward stage production of the same name.