Nowadays an almost legendary Czech TV series very successfully mixing two worlds: the world of ours and the world of fairy tales. Princess Arabela, the daughter of the Fairy King escapes before the revenge of a cunning and conceitful magician Rumburak and leaves the world of fairy tales. She meets Petr Majer in the world of ours and falls in love with him. Spells, a magic ring, the bowl of seeing, a flying suitcase and magic things play a very important role in the series. Written by Jiri Kacetl

A crew of cosmonauts land on a foreign planet, investigating a radio signal, sent out asking for help. They reception they get from the native people on the arrival is however not as friendly as it first seems. Something fishy seems to be taking place underneath the planet’s surface. —IMDb

伊華．舒爾姆被尊為捷克新浪潮的「哲人」和「良心」，究其原因，是他敢於直視政治和社會、抨擊其虛偽蒙騙的道德執著。首部執導的劇情片開創新浪潮鞭撻現實的風氣。年青的模範工人向來奉行為黨為人民鞠躬盡粹的信念，可制度的高壓、特權階層的跋扈使他進退兩難，不肯放棄真理，代價是喪失一切。影片以寫實的新電影觀衝擊社會主義現實主義的教條，拆解政治的神話和謊言，一針見血的指出國家的腐化狀況，可謂言人所未言，回應了時代的呼喚，難怪立即被禁，兩年後才得見天日。舒爾姆於六十年代的創作成績斐然，可惜「布拉格之春」後被禁拍片多年，境遇一如他創造的悲劇人物。

盧卡諾國際電影節大獎、捷克影評人協會年度大獎

毫無疑問是捷克新浪潮最重要的領軍作品之一，曾長期被禁，是東歐首部成功處理異化，以及革命者與野心家之間的矛盾的影片。此作亦令舒爾姆成為捷克電影新浪潮的思想領袖。

- Amos Vogel, Film as a Subversive Art

Any director will tell you that making a film takes courage. But making a film that blatantly criticizes the repressive Communist government of your country? That takes real courage. No wonder Evald Schorm was long known as “the conscience of the Czech New Wave” — he even was forced to stop making films for 18 years, as the Soviet censors considered his vision too subversive. Courage for Every Day was his first move into such dangerous territory, portraying the life and changing times of average factory worker Jarda Lukas. At first loyal to the party and its ideals, Lukas gradually wakes up to the corruption all around him—tracing the journey of a man from faith to disillusionment.

Grand Prize at Locarno International Film Festival,
Annual Prize of Czech Film Critics

Possibly the most influential and most accomplished work of the Czech renaissance, this story of a disillusioned young Communist increasingly at odds with his environment touched on themes of alienation, opportunism, the exhaustion of ideology, and charted with progress of a secular crucifixion.

- Amos Vogel, Film as a Subversive Art

Source: HKIFF Czech New Wave 2006

少女与继父不伦的情感，妻子对丈夫疯狂的依恋。丈夫在仕途疲累的奔波一圈套一圈。影片在心理悬疑的营造上暗流涌动，一度想起"无辜的人"。

二战大屠杀电影

This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.

A young, unmarried woman finds herself a "little bit pregnant" and she tries to hide this fact from her mother but it isn't long before the truth is obvious.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.