八十岁的阿涅斯·瓦尔达，在生日之际以《爱格尼斯的海滩》这部充满温情的幽默佳片为自己庆寿，实在是电影史上的一段佳话。影片利用重构的手法，她与丈夫德米电影中的一些片断来重现这位导演一生中的的重大事件。影片探讨的是人性，而非电影。观众可以看到，丈夫德米去世之前，阿涅斯一直过着无忧无虑的生活。

Jim Morrison生前和几个朋友拍摄的电影，公路片风格。Jim饰演搭便车的旅行者。

A chronological look at The Doors, focusing on lead singer, Jim Morrison (1943-1971), from the formation of the band in 1965, it's first gigs, and first album, to Morrison's death, after years of alcohol and drug use. Along the journey, we see archival footage of rehearsals, performances, and private moments including a Miami concert resulting in Morrison's arrest and trial for indecency. His love of the spotlight, his desire to be a poet, and his alcohol-fueled mood swings lead to a back and forth between public and private desires, successes, and failures. The band's music plays throughout.

The Doors' Soundstage Performances features live footage from three rare TV appearances during the height of their career from US, Canadian and Danish TV. Material also includes personal commentary and perspectives by band members Ray Manzarek, Robby Krieger, John Densmore and manager Danny Sugarman.
Culled from three television appearances at the height of the band's career, THE SOUNDSTAGE PERFORMANCES includes 12 songs and extensive interview footage of the band. There are never-before-seen live TV performances from Canada, Europe, and the US, from 1967-'69, including the epic show stoppers "The End" and "When The Music's Over," Brecht-Weill's "Alabama Song (Whiskey Bar)," and the Willie Dixon blues "Back Door Man" among others. Also included is one of Jim Morrison's only on-camera interviews, shot not long after the notorious March 1969 Miami concert where the charismatic front man was arrested for "lewd and lascivious behavior." Additionally, the film includes latter-day exclusive commentary from the surviving Doors. With their genre-colliding sound and boundary-breaking poetic exploration of psychological, sexual, and political frontiers, the Doors are a fascinating gem in the '60s rock crown.
The film includes footage from Toronto in 1967, Denmark in 1968, and New York City in 1969.

Former Doors keyboardist Ray Manzarek compiled and directed this video, which brings together a number of television performances and vintage promotional films of Jim Morrison and the group along with footage of the Doors in concert and previously unseen film of the band at work in the studio. Manzarek also directed a new video for the song L.A. Woman, which is included in this collection. Other performances include Break on Through, Light My Fire, People Are Strange, Roadhouse Blues, Riders on the Storm, and six more.

A 1968 self-produced film shares life behind the scenes, live concert performances, and studio sessions with the band that lit the music world’s fire.

Explore the circumstances surrounding the tragic deaths at 27 of Jimi Hendrix, Jim Morrison, Brian Jones, Janis Joplin, Kurt Cobain and Amy Winehouse.
Genres: Rock & Pop Concerts, Documentaries

20岁时，帕蒂·史密斯来到纽约，打破了摇滚、诗歌和体裁的准则。她已经成为一个活生生的传奇人物，从未离开过舞台。诗人、演员和音乐家。也很好战。一个有一千条生命的艺术家，现在74岁了。这部纪录片讲述了帕蒂·史密斯的一生。首先是童年，这位艺术家说：“我想成为一个特别的人。我觉得自己很疏远。不仅仅是和其他孩子，我觉得自己远离了整个世界。我的童年是在我认为自己是外星人的过程中度过的。”小帕蒂在新泽西州农村长大，接受了耶和华见证会母亲的宗教教育。但帕蒂·史密斯离开了这场运动，这不符合她的艺术倾向。

A Tribute to Jim Morrison (later re titled as The Doors: A Tribute to Jim Morrison and No One Here Gets Out Alive: A Tribute to Jim Morrison) is a 1981 documentary about Jim Morrison, lead singer of American rock band the Doors who died in July 1971.
The documentary explores Morrison's interest in film (he was a graduate of UCLA film school), poetry, psychology, mysticism and sexuality. Excerpts of Doors songs are included with only TV appearances playing "Light My Fire" and "Touch Me" played in their entirety. It features contemporary interviews with Morrison as well as interviews with all the surviving members of the group (Ray Manzarek, John Densmore and Robby Krieger), record producer Paul A. Rothchild and Doors' biographers Danny Sugerman and Jerry Hopkins (on whose best-seller No One Here Gets Out Alive the documentary is based on).
Archive film in the documentary is drawn from Granada TV's The Doors Are Open, the band's appearance at the Hollywood Bowl in July 1968, snippets from the then unreleased film Feast of Friends, the opening scene of Apocalypse Now featuring the Doors' song "The End" and television appearances on The Jonathan Winters Show, The Ed Sullivan Show and The Smothers Brothers Comedy Hour.
Many original photos of Morrison and the band are included from Joel Brodsky, Paul Ferrara, Jerry Hopkins, Frank Lisciandro and Gloria Stavers.

Interviews with friends of the late Jim Morrison and several people involved with the making of the film, The Doors (1991), delve into what Morrison meant to everyone including themselves. The film really only touched the surface of what Jim actually did, several other things he did are told here. This is not an actual look into the movie, but rather a look at Jim's career and friends.
- Written by Rhyl Donnelly

A concert documentary from a 2016 all-star performance in Los Angeles, which John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been band member Manzarek's 70th birthday.

This comprehensive review of one of the most important and influential rock bands of the 1960s counterculture, the Doors, assesses the band's revolutionary sound--from their self-titled 1967 debut to their 1971 swan song, L.A. WOMAN. Live performance footage combines with extensive critical reviews from an expert panel, making this a must for all fans everywhere.
Two-volume review of the band's Jim Morrison years. Picking up with the seminal debut album, 'The Doors', and following the band right up to 'L.A. Woman' and Morrison's tragic death, this retrospective includes performances and candid interviews with original Doors members Ray Manzarek, Robby Krieger and John Densmore.

The making of The Doors' eponymous debut album, released in 1967. Includes the early history of The Doors, how each song developed and interviews with the three surviving members of the band.

"R-Evolution" brings together a wealth of rare footage of The Doors. Combining early TV appearances with their own music films, "R-Evolution" illustrates how The Doors evolved from the constraints of late sixties television to a point where they had the creative input and power to shape how they were portrayed on screen. Throughout, the unique charisma and talent of The Doors comes across, whether it is on a lightweight pop show or in a film created from their own imaginations, as they perform some of the most influential music ever made.

20 世纪 70 年代末，一名被指控的连环强奸犯声称自己的行为受到多重人格的控制，引发广受全美关注的漫长而曲折的法律之战。