是一部关于Jacques Demy 的《洛城少女》（Demoiselles de Rochefort，1966）的纪录片，片中混合了当初拍片的现场纪录和二十几年后Rochefort当地为影片庆生的实况。

法國人周街執垃圾吃的人，當中還有碩士生，吃了八年所謂的垃圾，其實是大型超市棄掉的過期食物，他是富裕城市裡的另類分子，不工作一樣可以活得好長命，吃別人不吃的食物，一樣行得企得。有位老人喜歡收藏塑膠公仔，他創作的公仔城堡絶對是藝術品。最欣賞是八十幾歲的女導演，生鬼有趣，靈感處處。

More than 40 years after making "Cléo de 5 à 7," Agnès Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking. Scenes from "Cléo" are included throughout the documentary.

GREAT DIRECTORS, directed by Angela Ismailos, features original, in-depth conversations with nine of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera. She explores the filmmakers' artistic evolution and personal identity, the role of politics and history on their work, and the agony and dilemmas in the creative process. It also examines the challenges of being an artist in an age of commercialism and globalization. The film traces the influence of cinematic movements and iconic directors on these directors' work-from the role of Neo-Realism in Bertolucci's evolution to the influence of Federico Fellini on David Lynch, Ingmar Bergman on Catherine Breillat and Rainer Werner Fassbinder on Todd Haynes. Written by Anonymous

A rare and beautiful moment in cinema where two friends — who happen to be pioneering, legendary filmmakers from the French New Wave — meet in real life and in a virtual world. In the film, which was shot at two points between 2009-2011, Agnès Varda visits Chris Marker in his studio, a few years before his passing. She admires his magnificent mess, snooping around for details that reveal “the hidden side of Marker’s work”: a labyrinth of wires and computer equipment, a collection of images, magazines, and books, and — of course — cats. The film takes on a wonderful surrealist turn when Varda creates an avatar to meet Marker’s avatar in the online virtual world of Second Life.

Women Are Naturally Creative: Agnès Varda, a 1977 documentary directed by Katja Raganelli, featuring an interview with Varda shot during the making of the film, plus on-set interviews with actors Valérie Mairesse and Thérèse Liotard

The world’s first media interview, shot in Paris in August 1886, finally comes to life as a film. The great photographer Nadar interviews the famous scientist and skeptic Chevreul on his 100th birthday. They discuss photography, color theory, Moliere, the scientific method, the crazy ideas of balloonists, and of course, how to live for 100 years. Narrated by renowned French filmmaker Agnés Varda.

这部纪录片由三个部分组成，其中《摄影师阿涅斯》包含了布拉萨依人物照、50年代：人物照和镜头的构成、阿维尼翁庆典日和国家人民大剧院、近期完成的人物照。
《电影人阿涅斯》通过碎片式的电影海报内容还原一个最真实的阿涅斯。
《艺术家阿涅斯》包括2003年的威尼斯双年展，《来自努瓦穆捷的三折画》、《努瓦穆捷的寡妇们》、卡地亚基金会展览：岛和她、7台艺术装置、5台全新购置、保罗·瓦莱里博物馆、《大海的心》、旅途在南特、电视机商店（节选自影视片段《城市中的小黑屋》）、多米尼克·桑达与米歇尔·皮寇里、《非法占地者》（《被侵占的房屋》）、《我们如此相爱》。装置节目由阿涅斯瓦尔达及埃洛迪·弗拉德拍摄完成，还有中国CAFA艺术博物馆展出的《阿涅斯在中国》。
致敬法兰西那些平凡的伟人。

In 1959, an unforgettable boy did "the four hundred tricks" in front of the camera of a beginner named François Truffaut and splashed with his success, popular and Cannes, the filmography of a nascent band of intrepid. Claude Chabrol's "Le Beau Serge", Jean-Luc Godard's "A bout de souffle", Jacques Rivette's "Paris nous appartient", Eric Rohmer's "Le Signe du lion", Jacques Rozier's "Adieu Philippine", Agnès Varda's "Cléo de 5 à 7"...: This wave, quickly named "New Wave" - an expression invented by Françoise Giroud in an article dedicated to youth - is the work of apprentice directors who, for many, have swallowed kilometers of film at Henri Langlois' Cinémathèque française and sharpened their judgment in the columns of Cahiers du cinéma.

第70届戛纳国际电影节（70th Cannes Film Festival）于法国时间2017年5月17日至28日在法国戛纳举办 。
法国时间2017年4月13日，戛纳电影节组委会宣布了第70届戛纳电影节的开幕影片及主竞赛单元的首批片单。电影节组委会在报名参赛的1930部电影中，选出了49部影片，其中18部影片角逐最佳影片金棕榈奖 。
法国时间2017年5月28日（5月29日），鲁本·奥斯特伦德《自由广场》（瑞典）获得最佳影片金棕榈奖；罗宾·卡皮洛《每分钟120击》（法国）获得评委会大奖；妮可·基德曼（美国）获得70周年特别奖。

法國新浪潮祖師奶奶臨別前交出一幅活潑生猛的自畫像《艾麗絲說華妲》（43屆），今趟就由皮亞亨利基拔以第三者之眼為她再繪一幅生動素描。從膽粗粗拿起攝影機拍成《短角情事》一鳴驚人，到摘下金獅、金豹建成私家動物園，身披康城及奧斯卡終身成就獎的榮光，這位自小不甘循規蹈矩的女孩活到九十依然故我。兒女口中的操控狂，同事眼中嚴厲而不失妙趣，伊高揚、柯德莉迪雲等同行讚她觸覺敏銳創意非凡；事業、婚姻、人生灑脫隨心而行，華妲人如其戲朗朗如現。

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. To get lost with her in the lights, bodies, faces, and chaos of New York, overcrowded and multi-ethnic, there was Pier Paolo Pasolini.
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第68届戛纳国际电影节法国当地时间2015年5月24日，第68届戛纳国际电影节落下帷幕。 法国导演雅克·欧迪亚的《流浪的迪潘》摘得金棕榈大奖，匈牙利导演拉斯洛·杰莱斯的处女作《索尔之子》获得评审团大奖，华语导演侯孝贤凭借《刺客聂隐娘》赢得最佳导演奖。法国文森特·林顿凭借《市场法律》获得最佳男演员奖，美国影片《卡罗尔》中的鲁妮·玛拉和法国影片《我的国王》中的艾玛纽尔·贝克特则并列获得最佳女演员。最佳剧本由墨西哥导演米歇尔·弗兰克的《慢性》获得，希腊导演欧格斯·兰斯莫斯凭借《龙虾》获得评委会奖。贾樟柯导演的《山河故人》则最终颗粒无收。

Nineteen people with differing degrees of visual impairment – from mild nearsightedness to total blindness – discuss how they see themselves, how they see others and how they perceive the world. Unusual images, of burning trees or empty deserts, link the interviews, which vary from deep to funny to poetic.