Starting with the story of SilverHair, the last of the few remaining mammoths that have survived in a Siberian evolutionary backwater the MAMMOTH trilogy is the story of the mammoths of history and legend. It is their story built on their own myths and traditions. Conscious and intelligent, the mammoths of this trilogy have, within the limits of their nature, their own culture and oral mythology, even a creation myth, which they will use to tell their story, understand their world and try to cope with the encroachments of mankind. In Book One Silverhair must lead the last surviving family of mammoths to safety when a party of Russian sailors is shipwrecked on the Siberian island the mammths have hidden on through the millennia. The hope for the future lies in her skill and wit and with the calf she is carrying.

From their beginnings foraging at the feet of the dinosaurs, through the apocalypse of an asteroid strike, through countless years of the day to day life and death dramas of survival of the fittest, to the rise and fall of mankind and the final destruction of earth by the expanding sun, the primates have survived. This is their story. EVOLUTION follows the ebb and flow of the fortunes of one group of creatures as they change and adapt to their world somewhere on the horn of Africa. It turns the story of Darwinian evolution into a constant drama, a daily life and death struggle, a heroic story of life's endurance. It is a story that transcends generations, species, mankind and, in the end, the Earth itself. In the tradition of Olaf Stapledon and HG Wells.

From Arthur C. Clarke, the brilliant mind that brought us 2001: A Space Odyssey, and Stephen Baxter, one of the most cogent SF writers of his generation, comes a novel of a day, not so far in the future, when the barriers of time and distance have suddenly turned to glass.

When a brilliant, driven industrialist harnesses cutting-edge physics to enable people everywhere, at trivial cost, to see one another at all times—around every corner, through every wall—the result is the sudden and complete abolition of human privacy, forever. Then the same technology proves able to look backward in time as well. The Light of Other Days is a story that will change your view of what it is to be human.


At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This book constitutes a major reappraisal of the late Anglo-Saxon state on the eve of its demise. Its principal focus is the family of Ealdorman Leofwine, which obtained power in Mercia and retained it throughout an extraordinary period of political upheaval between 994 and 1071. In doing so it explores a paradox: that earls were extraordinarily wealthy and powerful yet distinctly insecure. The book contains the first extended treatment of earls' powers in late Anglo-Saxon England and shows that although they wielded considerable military, administrative and political powers, they remained vulnerable to exile and other forms of political punishment including loss of territory. The book also offers a path-breaking analysis of land tenure and the mechanics of royal patronage, and argues that the majority of earls' estates were held from the king on a revocable basis for the duration of their period in office. In order to compensate for such insecurities, earls used lordship and religious patronage to construct local networks of power. The book uses innovative methods for interpreting the representation of lordship in Domesday Book to reconstruct the affinity of the earls of Mercia.It also examines how the house of Leofwine made strategic use of religious patronage to cement local power structures. All this created intense competition between the earls of Mercia and their rivals for power, both at court and in the localities, and the book explores how factional rivalry determined the course of politics, and ultimately the fate of the late Anglo-Saxon state.

1916: the Western Front, France. Private Percy Blakeney wakes up. He is lying on fresh spring grass. He can hear birdsong, and the wind in the leaves in the trees. Where has the mud, blood and blasted landscape of No man's Land gone?
2015: Madison, Wisconsin. Cop Monica Jansson has returned to the burned-out home of one Willis Linsay, a reclusive and some said mad, others dangerous, scientist. It was arson but, as is often the way, the firemen seem to have caused more damage than the fire itself. Stepping through the wreck of a house, there's no sign of any human remains but on the mantelpiece Monica finds a curious gadget - a box, containing some wiring, a three-way switch and a...potato. It is the prototype of an invention that Linsay called a 'stepper'. An invention he put up on the web for all the world to see, and use, an invention that would to change the way mankind viewed his world Earth for ever. And that's an understatement if ever there was one...
...because the stepper allowed the person using it to step sideways into another America, another Earth, and if you kept on stepping, you kept on entering even more Earths...this is the Long Earth. It's our our Earth but one of chain of parallel worlds, lying side by side each differing from its neighbour by really very little (or actually quite a lot). It's an infinite chain, offering 'steppers' an infinite landscape of infinite possibilities. And the further away you travel, the stranger - and sometimes more dangerous - the Earths get. The sun and moon always shine, the basic laws of physics are the same. However, the chance events which have shaped our particular Earth, such as the dinosaur-killer asteroid impact, might not have happened and things may well have turned out rather differently.
But, until Willis Linsay invented his stepper, only our Earth hosted mankind...or so we thought. Because it turns out there are some people who are natural 'steppers', who don't need his invention and now the great migration has begun..
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