"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles
The diptych The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati) (2001–03) is a segue from Workers, Peasants (2001) and Straub and Huillet’s third film based on the writings of Elio Vittorini. The film returns to Vittorini’s Marxist novel The Women of Messina (1973) about a community founded after World War II by workers and peasants from different regions of Italy. In the film, the commune is threatened by the pressures of a restructured post-war world, of its laws and politics, and by the forces of history from which they had hoped to protect themselves.

Dolando (2003), was made as a gesture from the filmmakers to their crew. One of the film’s actors, Dolando Bernardini – who also starred in From the Cloud to the Resistance (1979) – sings a capella three verses from Torquato Tasso’s Jerusalem Delivered (1581).

The Return of the Prodigal Son/Humiliated will be screened in its original 35mm format.

Programme

The Return of the Prodigal Son/Humiliated (Il Ritorno del figlio prodigo/Umiliati), Dirs. Jean-Marie Straub and Danièle Huillet, Italy, 2001–03, 64 min., Italian with English subtitles.

Incantati, Dirs. Jean-Marie Straub and Danièle Huillet, 2002, Italy/France/Germany, 35mm, 6 min., Italian with English subtitles.

Dolando, Dirs. Jean-Marie Straub and Danièle Huillet, 2003, Italy/France/Germany, 7 min., Italian with English subtitles.