The film is about the complicated and even paradoxical relationships in the world of academic music. The character of Aleksandr Maslaev represents the Maestro, a kind of modern Mozart, wallowing in corruption, plagiarism, and envy. Once a talented composer, he's totally lost his gift and cynically buys new music from young composers, then plays it under his own name. Yet, the Maestro does not close this chain, for everyone pays his debts...

The workers fight for their rights creating independent union. They know that it is the only way to struggle against the owners of the plant.

A film about the backstage life of an ordinary Moscow bar, where relationships between the owner, the racketeer and the employees are pretty reminiscent of the ones in a family. However, unlike a family, they are connected by a mutual cause, the role in which are far from equal. Submission and humiliation weave through the characters' entire lives.

不敢相信俄罗斯女导演也能拍这样的片子，极度女权主义者，对男人的憎恨和侮辱简直不亚于当年那部《FUCK ME！》，而这还是她的处女作，想必她一定有一个不堪回首的童年。。。:(

The Soviet Russia of old is an immobile head without a body that appears in various locations, clashing with the morals and sentiments of a modern rich man. This man seeks advise from the head but finds that it is annoyingly unresponsive or unhelpful as it sends him on various missions and tests. At times he uses violence or oral rape to get what he wants until he grows too exasperated. Most of the movie consists of improvised dialogue or rants, and meandering scenes in a weapons shop, a railway, and a meeting where the man performs a bizarre magic performance with chickens, eggs and a cardboard box..