貧窮的小村莊裡，有一個叫伊克巴爾的小男孩，家裡面住著兄弟和母親。為了給家裡人湊錢治病，他決定到城裡的菜市場賣掉心愛的山羊，一個醫生把藥賣給了了小男孩，但是作為回報，他要在醫生朋友的地毯工廠裡上班。小男孩獨特的設計和刺繡能力被醫生的朋友發現，因此被迫加入一個珍貴地毯的製作。在漫長的奴役生活中，他開始計劃帶著小伙伴們逃離魔爪。
（介紹引用自「看電影」雜誌）

Giuseppe lives in a van in the heart of Paris, a few meters from the Beaubourg. He has long since stopped communicating with men and his life is barely affected by the excited pace of the thousands of people who cross the Marais every day. His time, his resources, his physical as well as mental space are dedicated to pigeons, the birds that inhabit the cities, abused animals that the old man defends and feeds suffering daily threats and attacks. Pigeons were considered reliable messengers in the past, but are now the most hated animals by man. In a Paris wounded by the terrorist attacks, people try to react as they
can to fear and loss without losing their soul. Giuseppe, in his microcosm, immersed in his poetics, observes what surrounds him, convinced that the world has already lost its soul. A metropolitan fairy tale about loneliness and the ruins of a society in which every gesture of rebellion seems to dissolve into indifference.
Film Inspired by photo shoots taken in Paris by Nevia Elezovic.

玛丽娅是一个反对阿根廷军事独裁组织里的激进分子，她在一个小市镇上教阅读和写作，她和母亲住在一处破旧的房子里，部分房子还供出租。一个年轻而羞怯的寄宿者费里斯爱上了玛丽娅。他似乎没有过去没有家庭，只是在寻找一个车库——至少他自己这么说的。一天早晨，一班穿制服的军人当着玛丽娅母亲的面把她抓走了。她被带往奥林波车库——在布宜诺斯艾利斯对付平民百姓的众多审讯室之一。为了迫使玛丽娅招认，中心的头头泰格里用上了他最棒的手下人费里斯，那个寄宿者。玛丽娅决定豁出去赌一把，她能够活命的唯一希望是费里斯，她的拷问者。