Three girls in high school made a prank on the fourth girl and caused her to be expelled from the high school with her teacher. After 20 years they got together in a high society environment.

Celal Tan is a well-respected constitutional law professor who lives in a provincial city has two children from his first marriage. Many years after the death of his first wife, he married a woman much younger than him, a university student, whose life he has saved in some way. In the third year of their marriage, the extremely tragic story of Celal Tan and his family begins after a big crisis happened in front of the whole family. While trying to hide the secret, the family falls into absurd and tragicomic positions. Regardless of all happenings, Celal Tan tries to keep the family together.

Istanbul is under quarantine. Felek and Kerim find the best way to make profits in this period. They will access people's computers and introduce themselves as government officials, making them confess their "crimes". However, the city in question is Istanbul and all kinds of people live here.

Although it sounds good in theory, the miracle of becoming the Son of the Sun doesn't in practice turn out the way Fikri Şemsigil expects. His whole life depends on this one "big" day, but the consequences of this miracle disappoint Fikri as his life is turned upside down. To rid himself of this so-called miracle, Fikri decides to explore its source but there's still the big problem with the woman in the building across the street!

Derya和Aziz因国家任意权而失业并搬到伊斯坦布尔与Aziz的父母住在一起后，他们的婚姻面临压力。他们和13岁的女儿Ezgi必须重新定义他们的生活方式。

在 1995 年，艾丝拉发现了一张她在 20 世纪 40 年代拍摄的婴儿照片，于是决定回到 40 年代去寻找她的母亲和家人。尽管艾哈迈德警告她不要篡改时间，但艾丝拉和艾哈迈德还是来到了 1941 年。艾丝拉立即开始寻找母亲，而艾哈迈德意识到他们制造了时间裂缝。此外，哈立德发现了时间旅行，并从 1919 年来到 1941 年，一心想要寻找他对艾丝拉的爱。他的再次出现将会带来更多的混乱。

CAN witnesses a murder in a small town.The police don't allow him to leave after his testimony.On the other hand,a quarantine is declared due to rabid dogs.The whole town turns into purgatory with no exit is almost at the edge of insanity.

十四岁少年阿赫梅遵循父亲意志，低调住进宗教宿舍，学习当个好穆斯林。白天外出至一般学校接受自由的西化教育，班上的女同学让他春心萌动；下课后深怕被侧目，他秘密返回男舍学习诵经祷告，被长老严厉管训，仿佛游走在两个颠倒的世界。对宿舍生活备感压抑，里面的底层青年伸出温暖双手，和他结为莫逆，少男间躁动的荷尔蒙，却也让友谊催化出暧昧情愫⋯⋯

Thou Gild'st the Evenis about the ordinary sorrows, worries, and troubles of the townsmen with extraordinary abilities. In a small Anatolian town, life goes on; Cemal is an assistant referee in football matches, Yasemin works in an egg factory, Defne is a street vendor who sells books, Doctor Irfan is occupied with his patients. In this town with two suns and three full moons in the sky, Cemal -who can see through walls- has no expectation out of life and looks for a way out with Yasemin -who can move objects remotely with her fingers- as he was trying to deal with his distress. However, Defne, who can freeze time will muddle things up; Yasemin's immortal boss's actions will contradict the invisible elementary school teacher's advices who is trying to ease the worries of Cemal.
—iksv

一个五十多岁的男人，每天走在长长的铁道上，像个铁路的守护者，但他其实是为了找寻自己失踪的孩子。一切都因为十八年前，警察带走了他的儿子，从此没有下落。
儿子究竟去了哪里？痛苦的十八年，他不停地写信给内政部与警察总部抗议申辩，毅力惊人。即使不幸与孤独笼罩着他，他仍不放弃任何蔓延渗透的可能。美丽如诗篇般的影像，对照着老人心中的疤，也反讽着恐怖无解的政治迫害。

Fikret (Uğur Polat) is a melancholic divorcé who leads a lonely life. Dedicated to his work of 22 years, he is the director of Turkey’s oldest zoo in the historical yet somnolent capital of Ankara.
Like much of the country, the institution is undergoing a process of privatization, but one obstacle stands in the way: its oldest inhabitant, the Anatolian leopard, an endangered species indigenous to the region and protected by law. Though boiling on the inside, Fikret keeps his brewing discontent at the sweeping conservative reforms bottled.
On New Year’s Eve, tipsy and bored, he finds himself paying a visit to the leopard, though he soon realizes his old friend is bereft of life. Determined to hide the inconvenient truth, Fikret and his assistant Gamze (Ipek Türktan) conspire to fake the leopard’s escape, setting in motion an absurd charade that inevitably turns the ensuing capture attempt into a three-ring circus while rousing Fikret’s long-buried idealism.
Director Emre Kayiş’s debut feature wraps a poignant Kafkaesque scenario in a Kaurismäkian package. The dark comedy — with its impeccably woven realist and surrealist threads — is a sharp metaphor for the contemporary Turkish state. Illuminating the emotional turmoil of people alienated and crushed by modern development in the name of so-called progress, who after decades of uphill battles with the prevailing social bureaucratic powers are themselves under threat of extinction, Kayiş pokes a sleeping bear, challenging us to fight for what we believe in before it’s too late.