赫莫尔（汉娜·霍克斯特拉 Hannah Hoekstra 饰）是一位热情奔放的女子，她生性热爱自由，无法忍受任何的束缚。赫莫尔的母亲早早就离开了人世，父亲吉斯（汉斯·达格列特 Hans Dagelet 饰）辛辛苦苦将赫莫尔养育成人，因此，赫莫尔和吉斯之间的感情异常亲近，又是甚至超过了亲情。
吉斯和赫莫尔一样，整日过着花天酒地放浪形骸的生活，父女两似乎在较着劲，比拼着更换伴侣的速度，而他们两人对于这样的游戏乐在其中。某日，一位名叫苏菲（里弗卡·罗德森 Rifka Lodeizen 饰）的年轻拍卖官出现在了吉斯的身边，这一次，吉斯似乎动起了真情，这让赫莫尔第一次品尝到了妒忌的滋味。

Two friends attending a messed up high school.

《阿姆斯特丹摩登之恋》这部剧集讲述了六个关于爱，以及爱是如何胜过一切生活中的挑战与艰难。有人意识到自己想要孩子的心愿，有人在面对开放式婚姻带来的挑战，有人在为逝去的所爱哀恸，同时也接受新的爱，调整自己面向未来。不管是哪种形式的爱，其本质都是一样的。

2021 Dutch film directed by Antoinette Beumer

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York.

The main character is the introverted Jude. His past is wrapped in a veil of mystery. Behind the façade of professional success, he lives with unresolved grief as a result of emotional neglect and sexual abuse during his childhood. It has left him with extreme distrust and a feeling of worthlessness. He finds release in compulsive automutilation, causing his body to become more and more exhausted.

How do you live with trauma and pain? Jude has no family, his friends are everything to him. Nevertheless, he finds it impossible to share his past with them. The closer someone gets, the more difficult it is for him to talk about it. For Jude, openness and surrender are equal to abuse. In a constellation like that, intimacy becomes an impossible task. Can friendship provide compensation for the incurred damage? Is it possible to have a romantic relationship without sex? What is love actually able to do?

Jude’s friends are facing a dilemma. How can you help someone who doesn’t want to be helped, while realizing you’re not a real friend if you don’t try to help?

一次疏忽，让她的行踪外洩，家人因此饱受威胁…频频被恶梦吓醒的玛丽亚，远离家人已两年，为了瞭解儿女的最新状况，她冒险打给母亲，以解思念之情，直到某晚，吉米带人持枪上门找碴，蒂娜惨遭枪击，性命垂危，玛丽亚为救蒂娜而被警方逮捕，警方一按指纹发现她竟是“早已身亡”的黑寡妇卡门？！新闻大肆报导，仇家与家人皆知她未死，她将如何保护家人安危呢？！

The name Judas is familiar to many of us. The traitor. The scorned man. A man condemned century after century for his cunning cowardice and who to this day deserves no pardon - or - is that perhaps half a story?
When you hear the name Judas, you think of betrayal. He is the man who agreed to hand over Jesus in exchange for 30 silver coins. That is the official version. However, in the Gospel of Judas, Jesus asks Judas to betray him, which means he did it because Jesus himself had asked him to. And that is strange, because Judas’ deed leads to the crucifixion of Jesus.

Robert Icke became fascinated by this other version of the story: Judas as the true, perfect disciple of Jesus. A play about the positive side of betrayal.

Previously, Robert Icke created an acclaimed contemporary version of Oedipus and The Doctor at ITA. He created a sequel to Ibsen’s A Doll’s House, called Children of Nora.

Penthesilea by Heinrich von Kleist is considered one of the masterpieces of the world theatre repertoire. In this searing drama about a fatal love, a blistering passion churns unstoppably to the surface. Kleist himself wrote about it: 'My innermost being is to be found in it, the whole filth and loftiness of my soul.'
Penthesilea is the queen of the Amazons, a nation of all-female warriors. They were only allowed to reproduce with men whom they had defeated in battle. During the Trojan War, the Amazons do not fight against the Greeks to help the besieged Trojans, but only to capture soldiers. When Amazon queen Penthesilea and the Greek army commander Achilles come face to face on the battlefield, it is love at first sight. From that moment on, Penthesilea will do anything to defeat him.


Eline Arbo is Artistic Director at ITA since September 2023. From 2022 she was already linked to ITA as Associate Artistic Director. From January 2023, Arbo was appointed Ibsen Artist in Residence, an initiative of the Philip Loubser Foundation, which gives directors with an international ambition the opportunity to develop themselves artistically.

In season 24/25, she will create Giovanni's Room (James Baldwin) and The Wall (Marlen Haushofer); re-make The End of Eddy (Édouard Louis) and The Years (Annie Ernaux), which she previously directed elsewhere; and her stagings of The Laws (Connie Palmen), Prima Facie (Suzie Miller), Penthesilea (Heinrich von Kleist) and The Hours (Michael Cunningham) will be reprised.

In her debut novel The Laws, Connie Palmen tells the story of a woman in search of herself. Seven encounters with seven men over seven years. We see how she grows into being a writer and gives meaning to her life thanks to and despite these encounters.
Within the year of publication, this book sold over 400,000 copies. Thirty years later, it has become a modern classic. Eline Arbo makes a contemporary adaptation in which the characters are detached from gender and origin.

For her adaptation of Weg met Eddy Bellegueule (Away with Eddy Bellegueule), Eline Arbo won the Regieprijs 2020 (Directing Award 2020). Last season, she directed the hit performance The Years based on the book by Annie Ernaux, the most recent winner of the Nobel Prize for literature. For ITA, she previously directed The Hours after the novel by Michael Cunningham and Penthesilea by Heinrich von Kleist. Since September 2023, Eline Arbo is Artistic Director at ITA.

Giacomo Casanova's great love Lucia leaves Italy for Amsterdam. When they meet again, she has reinvented herself as a veiled courtesan. As the former lovers reignite their passion, Lucia keeps her true identity a secret.

Nach einer globalen Katastrophe finden sich die Überlebenden in einem Klassen- und Überwachungsstaat wieder: Wer in Arcadia lebt, wird kontinuierlich bewertet, überwacht und mithilfe des 'Bürger-Scores' entsprechenden Lebensverhältnissen zugeordnet.