Berta Isla and Tomás Nevinson meet in Madrid. Young and in love, they quickly decide to spend their lives together - never suspecting that they will grow to be total strangers, both living under the shadow of disappearances.
Tomás, half-Spanish and half-English, has an extraordinary gift for languages and accents. Leaving Berta to study at Oxford, he catches the interest of a certain government agency, and its mysterious agent, Bertram Tupra. Tomás is determined to evade the agent's attentions but his fate is sealed by a series of escalating events that will affect the rest of his life - and that of his beloved Berta. Finishing his time at Oxford, he returns to Madrid to marry her, already knowing that the life they planned has been lost forever.

Two brown girls dream of being dancers—but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.<br /><br />Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother's unexpected death sends her down a treacherous path in pursuit of youth and beauty. Can she escape her mother's fate--and find a connection that is more than skin deep?
For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother's considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother's demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother's) obsession with the mirror--and the great shimmering depths (and demons) that lurk on the other side of the glass.
Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, Rouge explores the cult-like nature of the beauty industry--as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, Rouge holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.

The definitive biography of beloved author, Roger Deakin
Roger Deakin, author of the immortal Waterlog and Wildwood, was a man of unusually many parts. A born writer who nonetheless took decades to write his first book, Roger was also variously - and sometimes simultaneously - maverick ad-man, seller of stripped pine furniture on the Portobello Road, cider-maker, teacher, environmentalist, music promoter, and filmmaker. But above all he was the restorer of ancient Walnut Tree Farm in Suffolk, the heartland which he shared with a host of visitors, both animal and human, and wrote about - as he wrote about all natural life - with rare attention, intimacy, precision and poetry.
Roger Deakin was unique, and so too is this joyful work of creative biography, told primarily in the words of the subject himself, with support from a chorus of friends, family, colleagues, lovers and neighbours.
Delving deep into Roger Deakin's library of words, Patrick Barkham draws from notebooks, diaries, letters, recordings, published work and early drafts, to conjure his voice back to glorious life in these pages. To read this book is to listen in to a dream conversation between a writer and those who knew him intimately.

The unmissable sequel to the bestselling, award-winning, multi-adaptation hit The Lost Words
Kindred in spirit to The Lost Words but new in form, The Lost Spells is a pocket-sized treasure, a new collection of 'spells' - acrostic poetry and artwork - by beloved creative duo Robert Macfarlane and Jackie Morris.
Written to be read aloud, calling to forest, field, riverbank, ocean, and also to the heart, these 'spells' summon back what is often lost from sight and care, and inspire protection and action on behalf of the natural world. From Jay to Jackdaw, Oak to Barn Owl, Silver Birch to Grey Seal, they capture the special, individual spirit of each plant and creature. Above all, they celebrate a sense of wonder, bearing witness to nature's power to amaze, console and bring joy.

Irresistibly funny, wise and thought-provoking, The Bee Sting is a tour de force about family, fortune, and the struggle to be a good person when the world is falling apart . . .
The Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife Imelda is selling off her jewellery on eBay while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home.
Where did it all go wrong? A patch of ice on the tarmac, a casual favour to a charming stranger, a bee caught beneath a bridal veil - can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?

From renowned author Paul Theroux comes a fascinating, atmospheric novel inspired by George Orwell's years in Burma.
There is a short period in everyone's life when his character is fixed forever . . . ' George Orwell
Eric Blair stood out amongst his fellow police trainees in 1920s Burma. Nineteen years old, unusually tall, a diffident loner fresh from Eton, after five years spent in the narrow colonial world of the Raj – a decaying system steeped in overt racism and petty class-conflict – he would emerge as the George Orwell we know.
Drawing on all his powers of observation and imagination, Paul Theroux brings Orwell's Burma years to radiant life, tracing the development of the young man's consciousness as he confronts the social, racial and class politics and the reality of Burma beyond. Through one writer, we come to understand another - and see how what Orwell called 'five boring years within the sound of bugles' were in fact the years that made him.

Imagine a world very close to our own: where women are not safe in their bodies, where desperate measures are required to raise a daughter. This is the story of Grace, Lia, and Sky kept apart from the world for their own good and taught the terrible things that every woman must learn about love. And it is the story of the men who come to find them - three strangers washed up by the sea, their gazes hungry and insistent, trailing desire and destruction in their wake.

Hypnotic and compulsive, The Water Cure is a fever dream, a blazing vision of suffering, sisterhood, and transformation.

Landmarks is Robert Macfarlane's joyous meditation on words, landscape and the relationship between the two.

Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

From the author of the nationally bestselling Strangers saga comes a heartrending story of two Michif sisters who must face their past trauma when their mother is called out for false claims to Indigenous identity.

June and her sister, lyn, are NDNs—real ones.

Lyn has her pottery artwork, her precocious kid, Willow, and the uncertain terrain of her midlife to keep her mind, heart and hands busy. June, a Métis Studies professor, yearns to uproot from Vancouver and move. With her loving partner, Sigh, and their faithful pup, June decides to buy a house in the last place on earth she imagined she’d end back home in Winnipeg with her family.

But then into lyn and June’s busy lives a bomb their estranged and very white mother, Renee, is called out as a “pretendian.” Under the name (get this) Raven Bearclaw, Renee had topped the charts in the Canadian art world for winning awards and recognition for her Indigenous-style work.

The news is quickly picked up by the media and sparks an enraged online backlash. As the sisters are pulled into the painful tangle of lies their mother has told and the hurt she has caused, searing memories from their unresolved childhood trauma, which still manages to spill into their well curated adult worlds, come rippling to the surface.

In prose so powerful it could strike a match, real ones is written with the same signature wit and heart on display in The Break , The Strangers and The Circle . An energetic, probing and ultimately hopeful story, real ones pays homage to the long-fought, hard-won battles of Michif (Métis) people to regain ownership of their identity and the right to say who is and isn’t Métis.

A book that refuses to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted-literally-by a former lover, the writer of a series of lectures about art and literature.
A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a diction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.
Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form from ancient cave painting to 1960’s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights-on the relations of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway
'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song. It is dark, ever so dark, nimble and lethal. It is a triumphant libretto of mythic modernism for our poisoned age. Ness is something else, and feels like it always has been' Max Porter, Booker-longlisted author of Lanny and Grief is the Thing with Feathers
Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent.
But something is coming to stop him.
Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. Ness has lichen skin and willow-bones. Ness is made of tidal drift, green moss and deep time. Ness has hagstones for eyes and speaks only in birds. And Ness has come to take this island back.
What happens when land comes to life? What would it take for land to need to come to life? Using word and image, Robert Macfarlane and Stanley Donwood have together made a minor modern myth. Part-novella, part-prose-poem, part-mystery play, in Ness their skills combine to dazzling, troubling effect.
Robert Macfarlane is the author of The Lost Words with Jackie Morris, The Old Ways and Underland, among other books.
Stanley Donwood is an artist and the author of Slowly Downward and Household Worms. His next books are There Will Be No Quiet and Bad Island.

Ghosts don't exist.
They don't. End of.
Story, however.
It is haunting.
Everything tells it.
It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost.
Is it imaginary? Is it real?
Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom.
What to do? She phones her sister.
In a chiaroscuro dance through our increasingly antagonistic era, Glyph asks if we’re attending to the history that’s made us and to the history we’re making. A funny, warm and clear-eyed take on where we are now, Glyph is about what our imaginations are for and how, in a broken, brutal and divided time, we rekindle care, solidarity, resistance and openness.
This anti-war novel, Ali Smith’s most soulful, playful and vital yet, is a work of lightness that goes deep to counter the forces currently flattening the modern world.
A standalone novel, it’s family to Gliff (2024).