热爱电影的雪莉爱做白日梦。这阵子，她满脑子都是「西瓜女」─早期美国电影里一名不见经传的黑人女演员。她在一家租售录影带的小店工作，进进出出的都是同道中人─女同志。某天，一名风情万种的白人女子闯进了她的生命，从此，平淡的生活变成了惊险刺激的游乐场过山车。Cheryl Dunye曾拍过多部录像作品，探讨黑人女同志生活里种族、性别与阶级醒觉的关系。这回她首度拍剧情片，使尽浑身解数，自编自导自演，将大都市女同志社群的生态拍得尖锐生动，抵死幽默处令人捧腹。

故事的主人公是一位在整形美容院工作的女孩，在加入了一个激进的女权俱乐部后，她开始逐渐找到了自己的人生目标……

叻女的生活是梦游、求爱、超凡入性的欲念、每朝睡过了头的呆相、百无聊赖、Grunge音乐；教人发噱之余，她们又处处识得自爱与自嘲。可爱可人的玛斯正急切渴求女伴，求助身旁的朋友逐一打听，找到个活地·亚伦版的女同志：她害羞、神经兮兮又吞吞吐吐──原来她有个多年的远方情人——惟是扰攘一番，两人终又走在一起。叻女钓鱼绝对没有眼泪、没有压力、没有摆明车马的「站出来」；更把「政治正确」束之高阁──女同志去找男人睡觉，为什么不可以？是 Post-PC的年头作崇，去寻开心才是最上算。叻女钓鱼，鱼获累累。@彩虹左岸
很多人看不懂这片，不过个人认为这又是一个90年代黑白同志电影经典，毕竟94年有这样的片不错。

Cleverly titled, and not without some merit, this 1997 flick also has it's hellish features. The sound quality is very poor, and the photography (or the transfer) is muddy. I liked some of the performances, especially by the guys playing Angel and Justin - who register some genuine on-screen chemistry. The script has a few nice ideas (look for the death imagery, some sly, some sledge-hammer obvious) but the dialogue veers toward the cliché more than the clever and in the final reels the subplot about a vain model and his jilted lover turns into silly melodrama. As usual with a Strand DVD, the minimum effort is applied to the packaging. The film isn't quite 'hell' - more like a visit to purgatory.

本片故事以英国地下色情表演行业为背景，节奏明快，百无禁忌，卫道之士与玩世不恭之徒的斗争，从法庭打进卧房。矢志打倒色情业以扭转道德风气的国会议员哈定，派涉世未深的青年彼德潜入一个地下色情表演团体，以便搜集违法事证，向法庭提出控诉。彼德仍是个处男，笃信基督教，平日与母亲相依为命，生活单纯，却一脚踏入以变态性活动为常规的环境中，冲击之大可想而知。哈议员对于彼德获得的情报及证据感到振奋，但另一方面，彼德却逐渐迷上表演团体的负责人唐雅。彼德希望来自纽约的唐雅能跟其他女人一样安定下来，经常在美国和英国各地秘密演出的唐雅··

被恐怖分子劫持的名人记者萨拉·布朗坐在牢房里，等待着她被斩首的录像。萨拉的绑架者希望向世界展示恐怖的真实面目，但他们怎么可能，即使他们还没有看到它?

女人四十如狼? 迈入四十的过气导演Anna住在朋友后院的工作室裡，哀悼著她那一去不赴返的荣光岁月。为了改变现状，Anna灵机一动想要拍一部电影藉此近水楼台先得月，赢得女主角Katia的芳心。
Anna找来她的好友enelope以及Chloe一起参与，然而却出现种种的问题；资金不足，古巴老妈的反对，好友enelope觉得自己比Katie更适合当女主角，Anna还必需面对自己对亲密关係的恐惧，以及内心对同志的抗拒与害怕。这是一部热闹有趣的女同志喜剧，导演AnnaMargaritaAlbelo为了此片，以阴道装扮现身Outfest电影节筹款，更在这部带有自传性色彩的影片中亲自上阵，精彩演出Anna一角；片中其她多位演员Guinevere Turner与Janina Gavankar亦是True Blood、The L Word及Go Fish中的重要演员。

Two middle-aged, lesbian couples accidentally kill a younger lesbian and hide the body, without reporting it to the authorities. Their guilt and long-kept, dark secret comes back to haunt them, as an unexpected stranger shows up in their lives, bringing tension and discord. Little do they know that this mysterious stranger has a plan which includes all four of them.

In the #MeToo era, Hollywood is portrayed as a toxic environment that uses various forms of coercion to get actresses to strip on camera. In her interview series with Jane Fonda and other stars, Kristy Guevara-Flanagan gives women an active role. She gives them a face, a voice, and the feelings that were denied them. Through a wealth of archival material, it also explores the forms of representation of the female body in the American film industry. We follow the work of sex choreographers and coaches who master the techniques of simulating a sexual act or creating the illusion of intimacy during filming. Women are both victims and co-creators of an environment that fetishizes their bodies and turns them into erotic objects.

雷米，一个看起来天真而虔诚的年轻女子，发现自己被逐出了她的宗教崇拜。由于无处可去，她沉浸在停靠站性工作者的地下世界中。在女族长和一位神秘的当地执法人员的注视下，雷米在她紧张的信仰体系和准则之间游走，从而寻找她真正的人生使命。

Fran and Cam, ecstatically reunited after a short break, but Cam faces the consequences of a random act she committed during their split. Gemma and Jude, new lovers torn apart by Gemma's fake fiancé. Just what is it about him that Jude has made it her life's mission to reveal? Brooke and Nicola, married for seven years, are threatened by something and someone. But what and who is it? Enter a world where love, sex, and suspense meet betrayal, cruelty and heartbreak. A world where the survival of love is all that matters. A world where being different is the new normal.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.