根据Jean Cocteau的剧本改编成的电影。
Excellent Argentinian Saslavsky started his career in Spain with this adaption of a story by Cocteau. Set in Tangier but shot in Spain, the plot concerns a woman (Felix) who loses her memory after killing her husband who was about to divorce her because of her affair with Maurizio (Gassman). The dazed murderess befriended by a young engineer (Brazzi) but her lover catches up with her and forces her to reveal where her rich husband's jewels were hidden. Since she put them in the coffin together with the corpse, the murder is discovered but Gassman becomes the main suspect and, in a desperate bid to escape, he is killed. The end sees the unfortunate adulteress sink into madness as she embraces the dead body of the only man she really loved. The plot is unraveled through numerous flashbacks and punctuated with dream sequences full of hallucinatory images of witches, clutching hands emerging from a grave, the black-clad widow being pursued by a dwarf in a brilliant white cemetery, and the symbolic black crown itself: the formation of ravens as they circle above a corpse. The movie was released in Italy as 'La corona nera'. Saslavsky made other films in Europe but none justified the reputation which had preceded him on his arrival from Argentina. Produced by Suevia Films, Madrid.

Act 1
The Narrator greets the audience, explaining the nature of the drama they are about to see, and setting the scene: Thebes is suffering from a plague, and the men of the city lament it loudly. Œdipus, king of Thebes and conqueror of the Sphinx, promises to save the city. Creon, brother-in-law to Œdipus, returns from the oracle at Delphi and declaims the words of the gods: Thebes is harboring the murderer of Laius, the previous king. It is the murderer who has brought the plague upon the city. Œdipus promises to discover the murderer and cast him out. He questions Tiresias, the soothsayer, who at first refuses to speak. Angered at this silence, Œdipus accuses him of being the murderer himself. Provoked, Tiresias speaks at last, stating that the murderer of the king is a king. Terrified, Œdipus then accuses Tiresias of being in league with Creon, whom he believes covets the throne. With a flourish from the chorus, Jocasta appears.
Act 2
Jocasta calms the dispute by telling all that the oracles always lie. An oracle had predicted that Laius would die at his son's hand, when in fact he was murdered by bandits at the crossing of three roads. This frightens Œdipus further: he recalls killing an old man at a crossroads before coming to Thebes. A messenger arrives: King Polybus of Corinth, whom Œdipus believes to be his father, has died. However, it is now revealed that Polybus was only the foster-father of Œdipus, who had been, in fact, a foundling. An ancient shepherd arrives: it was he who had found the child Œdipus in the mountains. Jocasta, realizing the truth, flees. At last, the messenger and shepherd state the truth openly: Œdipus is the child of Laius and Jocasta, killer of his father, husband of his mother. Shattered, Œdipus leaves. The messenger reports the death of Jocasta: she has hanged herself in her chambers. Œdipus breaks into her room and puts out his eyes with her pin. He departs Thebes forever as the chorus at first vents their anger, and then mourns the loss of the king they loved.

讲述了一个被忽视的女人的孤独，她在与情人的电话中……

讲述了一个被忽视的女人的孤独，她在与情人的电话中……

讲述了一个被忽视的女人的孤独，她在与情人的电话中……

A revelational sexual encounter with a young artist sets protagonist Leo off on a spiral of questioning his relationship with boyfriend Raul, ultimately breaking things off. While a desperate Raul tries to talk his ex into returning over the phone, Leo’s gaze keeps darting to the center of the room he has found himself in. There, a coffin rests with its door open. In the pursuit of a fulfilling life, what are we willing to sacrifice?

巴黎之巅，埃菲尔铁塔二层，一对新婚夫妇正要行礼，却被接连不断的荒诞打断，现实与幻觉、技术与情感、庄重与滑稽交缠,婚礼终成一场超荷尔蒙盛宴的大游行。这部剧用光怪陆离的情节与游戏的语调，揭示了文明表象下的荒谬本质，讽刺了现代社会的虚假秩序与人类的集体幻想。