人生的悲哀不是历经坎坷，而是在奋力拼搏之后却发现命运早已注定。
印度加尔各答市某个红灯区，这里贫穷和疾病蔓延，人们的生活没有任何希望。然而最令人不忍的是那些妓女的孩子，他们不仅要承受他人歧视的目光，还要过早去面对自己那早已被注定的黑暗命运。
美国导演兼摄影师泽娜•布里斯基（Zana Briski）罗斯•考夫曼（Ross Kauffman）在这里找到8个妓女的孩子，教授他们使用照相机。这一台台小巧精密的机器点燃了孩子们的艺术天分，在阴霾的街区呈现出一片纯洁无邪的天地……

锡金是关于锡金的国家，通过萨蒂亚吉特•雷伊导演的1971年印度的纪录片。这部纪录片是由锡金的却嘉（国王）一次委托时候，他觉得锡金的主权是受到来自中国和印度的威胁。雷人的纪录片是关于锡金的主权。这部影片是由印度政府，在锡金在1975年与印度于2000年合并取缔，电影的版权转移到艺术和锡金的文化信任。该禁令终于被对外事务（MEA）部于2010年9月取消2010年11月在加尔各答电影节的导演说，拍戏时，第一次的纪录片，他收到禁制令，锡金法院再次禁止这个电影。

我想我喜欢的始终是那份像夏天一样炙热的感情。至于白船他们作为演员不可能永远只被这两个角色困住，当我看到预告的时候先是激动万分，随即有一点失落，因为我很难从现在这个英俊帅气的船身上找到闹闹的青涩和烂漫。那个小平头200斤大腿和基友们弹吉他唱歌的音乐社社长，长大了更帅气也更成熟了。这可能是成长的过程是不可逆的，所以我想算了船会长大，闹闹又何尝不是呢，能够现在发糖让我们怀念一下初心，怀念一下曾经追剧的欢乐时光也没什么不好。而白白深情的杏仁眼真的还是那个学生会秘书长啊～

In 1932, on the occasion of Tagore's 70th birth anniversary, New Theatres, one of the prominent filmmaking studios, arranged the filming of Natir Puja - an adaptation of Tagore's poem Pujarini, which the poet had staged in 1927. This was the only time that Tagore was so closely associated with cinema with the screenplay being written under his guidance by nephew Dinendranath 'Dinu' Tagore and the master composing the background music, with students of Santiniketan acting in the film. Tagore not only directed this dance-drama shot over four days, but also played an important role in the film. Though the film in its entirety has been lost, a portion has been found and restored.
Over the years, close to a 100 films, more than half in Bengali, have been made on Tagore's works, making him one of the most adapted writers of all times. This number would have been bigger if many films had not been lost forever. Also many don't even mention Tagore. Adaptations of Tagore's work just don't seem to stop with many more projects being announced in the last few years, ever since Tagore's work came into public domain.
Rabindranath Tagore's contribution to cinema thus screams for a more serious attention from scholars of cinema, literature and history itself.
DVD

Documentary on director Satyajit Ray, featuring an extensive interview and clips from his films, and location shooting of his film "The Home and the World."

1972 documentary film by Satyajit Ray