Credited as the inventors of modern British satire, this Terry Johnson film charts the searing highs and lows of Peter Cook and Dudley Moore (Rhys Ifans and Aidan McArdle), these two extraordinary and different comedians, whose careers and private lives often swung in as uncontrolled and anarchic turns as their wit. From their first meeting as Cambridge undergraduates in 1960, through their beginnings on Beyond The Fringe, the drama follows their infamous journey from the heady sixties, including their TV performances as the legendary Pete and Dud and Derek and Clive, up until Cook's death in 1995.

故事发生在20世纪的60年代末，霍华德（瑞斯·伊凡斯 Rhys Ifans 饰）是一位大学教师，一个名叫朱迪（科洛·塞维尼 Chloë Sevigny 饰）的美丽女孩出现在了他的生命力，就此彻底改变了他的一生。为了吸引朱迪的注意，霍华德的脑袋里产生了一个疯狂的念头，他辞去了教师的职位，竟然摇身一变当起了毒贩。
贩毒生活充满了惊险与刺激，霍华德凭借着自己的聪明才智和专业知识逐渐建立起了牢不可破的毒品网络，一时之间，他成为了街头巷尾报纸杂志上的奇谈。然而，随着时间的推移，就当霍华德的名气越来越大之时，在巨大的压力之下，这位传奇毒贩的精神也走到了濒临崩溃的边缘。

莫里斯·弗利特克罗夫特(里朗斯)是一位坚定的乐观主义者，46岁的他是一名起重机司机、前喜剧特技潜水员，偶然获得了1976年英国公开锦标赛预选赛的资格。他一生中从未打过一场高尔夫球，最终打出了121分的最低记录，被组委会禁赛。
莫里斯并未就此罢休，多次通过猫捉老鼠游戏获得参赛资格，并用越来越滑稽的假名来伪装。他的行为让当局头痛不已，自己则成为了民间英雄、世界上最勇敢并广受欢迎的体育弱者。

影片中的故事发生在五十年代的洛杉矶，米基·洛克饰演的小号手奈特被带到沙漠，并且脑袋上被一只枪顶着。恰好一位土著“从天而降”解救了他，从此他踏入了一个不那么真实的世界。他遇见了梅根·福克斯饰演的莉莉，一个货真价实的天使，她的工作是在马戏团表演空中飞人。奈特疯狂的爱上了她，他试图劝服她相信真实的生活比活在别人的幻想中复杂得多……

美丽而面带忧郁的高中女孩菲·德鲁赛（苏菲·特纳 Sophie Turner 饰）和父母生活在一栋老旧阴暗的公寓中，她的家庭笼罩在绝望的气氛中，父亲（Rhys Ifans 饰）患有重病，对女儿充满恐慌和担忧；母亲（Claire Forlani 饰）找不到继续的希望，只得在外另结新欢。菲平日里就如同一只孤独且容易受伤的小鸟，战战兢兢。在新近一段时间里，她发现似乎总有一个和自己极其相像的女孩逡巡在她的周围。经历了一系列事件后，菲从母亲那里获悉了她从不知晓的秘密。似乎从这一天起，她的心结终于解开，然而一切并未就此结束。
那个和菲一模一样的女孩，终于出现在她的面前……

比历史上任何的震颤、愉悦、高潮都强烈51倍的蓝色化合物，2千万的交易，为蓝色药丸疯狂的城市。这一切都开始于1971年，艾尔默·麦科尔罗伊(萨缪尔·杰克逊)毕业的当天，在开车回家的路上吸大麻被当场擒获，于是一眨眼的功夫，他的药剂师执照之梦，象他手里的青烟一样飘散了……

Residents of a fictional Welsh community share stories and poems of their life in their seaside town.

Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his American wife.

A man (which is also the narrator of the story) works for a Scottish company building fences. He's made foreman of a crew which consists of two sullen and lazy Scotsmen, Tam and Richie. The three of them are sent to England on a special job where they spend their days laying fence, often quite lackadaisically, and their nights drinking up all their wages in local pubs. They leave a trail of dissatisfied customers in their wake, but fortunately, a series of accidents contrives to also leave these customers quite dead, and buried, unceremoniously, beneath fence posts.

毒液和埃迪（汤姆·哈迪 Tom Hardy 饰）迎来至暗时刻。一边是人类神秘组织的穷追猛打，一边是外星共生体大军入侵地球，他们一心同体，花式解锁海陆空作战新形态。面对两边的疯狂追捕，这对亡命搭档将被迫做出毁灭性决定，为他们的最后一舞拉下帷幕。

A Number
Wednesday, 10th September 2008
9pm to 10:10pm (70 mins)
BBC1
Tom Wilkinson and Rhys Ifans lead in this shattering meditation on human identity. The playwright Caryl Churchill adapts her original play, examining the issue of human cloning via a thought-provoking, surprising and haunting father-son drama.
Salter, a man in his early 60s, is confronted by his adult son, Bernard (aka 'B2') who has discovered that genetic replicas of himself exist. Salter initially blames the cloning on an unscrupulous hospital and assures 'B2' that he is the original of the clones. Later, another, angrier son, 'B1', shows up on 'Salter's' doorstep. 'B1' confronts 'Salter' and their interaction reveals that 'B1' is actually the original: as a young widower, Salter treated 'B1' poorly out of grief and decided to start over with a new version of his son.
As more of Salter's lies about his dark past are unveiled, the brothers' illusions are stripped away and they begin to question their individuality, culminating in a climax both shocking and tragic.
For a television adaptation, the performances of Wilkinson and Ifans are up there with the original stage production that I saw at the Royal Court Theatre where the two protagonists were played by Michael Gambon and Daniel Craig. However I was left disappointed with the final scene here which I feel has taken the easy option of applying the tricks of television rather than rely on careful staging and the quality of the script which is what I was used to, and what I was expecting. That said, that's just me, and don't let me put you off downloading what is at the end of the day I very good piece of drama. If the Beeb could pull this off on a regular basis, then we'd all be much happier in our lives.

英国BBC电视台1999年粘土卡通片，整部影片笑料不断，戏谑了《烈火战车》、《淘金记》等经典影片的桥段。整个影片一如戈氏在阿特曼时期的泥塑卡通风格，卡通人物造型拙朴而不失趣味，的确是美日公式卡通之外的另类清新之选。 活泼可爱圣诞鹿，见到爱人口吃吃，节食健身练体能，斗志毅力一百分！ 叮当、叮当，一年一度的圣诞节又来了，拥有灵敏鼻子的洛比去到圣诞老人远在北极的家乡，准备加入“人气驯鹿组”。但是洛比受到其他鹿的排挤，使他误认为自己体能不足，没资格成为他们的一份子，于是带着失望、沮丧的心情离去，幸好给他遇上一班支持和鼓励他的朋友，使他重新振作，努力锻炼体格，并以胜出一年一度的驯鹿竞赛为目标，获得同仁和心上人的认同。

故事背景设定在《权力的游戏》中事件发生的约两百年前，讲述坦格利安家族的兴衰史。

讲述中情局的柏林分部出现了情报被泄露的情况， Richard Armitage饰演的丹尼尔奉命调查，但他越深入地查下去，就发现水越深，很多人的命运可能被永久改变...

The play is a farce based on events involving a real person, Giuseppe Pinelli, who fell - or was thrown - from the fourth floor window of a Milan police station in 1969. He was accused of bombing a bank (the Piazza Fontana bombing).
The events of the play itself, however, are fictional. The play opens with Inspector Bertozzo interrogating The Maniac, a histrionic character, on the first floor of the police station. The Maniac, however, constantly outsmarts the dim-witted Bertozzo and, when Bertozzo leaves the room, intercepts a phone call from Inspector Pissani. The phone call lets the Maniac know that a judge is due at the police station to investigate the interrogation and death of the anarchist. The Maniac decides to impersonate the judge, and successfully does so. He gets the police to re-enact the events, in the actual fourth floor room, and also involves a woman journalist who is trying to probe the events. The play ends with two alternative endings, one with Feletti (journalist) leaving the four policemen to be bombed and in the second, Feletti uncuffs the men who in turn handcuff her to the window frame leaving her to die. The Maniac then leaves the audience to decide what ending is best.

The play is a farce based on events involving a real person, Giuseppe Pinelli, who fell - or was thrown - from the fourth floor window of a Milan police station in 1969. He was accused of bombing a bank (the Piazza Fontana bombing).
The events of the play itself, however, are fictional. The play opens with Inspector Bertozzo interrogating The Maniac, a histrionic character, on the first floor of the police station. The Maniac, however, constantly outsmarts the dim-witted Bertozzo and, when Bertozzo leaves the room, intercepts a phone call from Inspector Pissani. The phone call lets the Maniac know that a judge is due at the police station to investigate the interrogation and death of the anarchist. The Maniac decides to impersonate the judge, and successfully does so. He gets the police to re-enact the events, in the actual fourth floor room, and also involves a woman journalist who is trying to probe the events. The play ends with two alternative endings, one with Feletti (journalist) leaving the four policemen to be bombed and in the second, Feletti uncuffs the men who in turn handcuff her to the window frame leaving her to die. The Maniac then leaves the audience to decide what ending is best.

基于戴安娜·奈德所著畅销自传《Find A Way》，她在70年代被视为世界上最杰出的长距离游泳选手，曾打破数个世界纪录。2013年，64的岁的奈德在最好的朋友和35名热心支持者的帮助下，不带防鲨笼完成了青年时期多次失败过的毕生梦想：横渡从古巴到佛罗里达的110英里海域，是第一个达此成就的人。
这片危险海域有世上首屈一指的鲨鱼、毒性极强的水母、无法捉摸的洋流、涡流，50年代开始就游泳健将尝试，奈德也差点丧命，经过了五次挑战最终成功。

The last days of the poet Dylan Thomas as he dreams and drinks.

斯诺登2004年应征入伍、后被派遣到伊拉克战场，因不幸在训练时双腿受伤，斯诺登退役回国后应聘加入中情局。之后，他又进入国安局工作，并意外发现政府在“9·11”事件后对公民电话和社交网络实施大规模监控计划，于是泄露了大量机密文件。事发后，斯诺登遭当局通缉，便逃到香港。此后，他几经辗转逃至俄罗斯寻求庇护。