The story takes place in modern-day eastern Serbia, still fertile ground for various forms of superstition and prejudice. Zorica is a village girl who carries a curse. Ever since her first boyriend mysteriously drowned in the river, men around her are dying in most bizarre ways. The plot thickens when stubborn policeman Maane who doesn't believe in 'village tales' tries to investigate whether Zorica is a serial killer or a girl looking for love.

A young man finds a way to spend his last few days of freedom before joining the army. Set in eastern Bosnia in summer of 1968.

A young student Braca is trying to seduce a beautiful model Iris. Although they are from two different worlds, they both try not to show it. In another story, Šomi and Duje anxiously follow the football match between Manchester and Eastwich. They bet on Eastwich, because their childhood friend Kengur is their goalkeeper. The plot of the third story takes place on the roof of the solitaire, where Avaks and Hibrid are wasting time in anticipation of something happening.

Very strange, near non-narrative film that pays tribute to a poet's little remembered work and death.
I came in on this film by chance not knowing anything about it. The beautiful B&W cinematography stopped me then a ten minute silent scene hooked me. Films like WR;Mysteries of the Orgasm, Closely Watched Trains, Zentropa, early Foreman, even Fellini come to mind while viewing these images of humanity and totalitarian illogic. Anyone who's in the mood for a challenging, 60's style, art film will be very pleased seeing this. It sort of validates the importance of art house cinema and its culture. QUESTION: Can anyone email me with information or insights about the Yugoslav poetry movement? I'd like to learn more about this film and filmmaker. Rarely do you see anything this good on public TV and not have read something about it.