A massive documentary that chronicles the creation of Autumn Sonata (from September 5, 1977 until November 7, 1977). The documentary was shot by Arne Carlsson.

The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.

约翰与玛丽安，一对登上《妇女时尚世界》的模范夫妻。
『我们几乎不吵架，就算吵也是理智地听对方说些什么，然后再达成合理的妥协。』

然而突然有一天，这座中产阶级高知家庭的城堡轰然倒塌。
『我想要甩掉你已经足足想了四年。』

『我不在乎告诉你我有多讨厌这两个愚蠢、放纵、没大脑、懒惰、自私的女儿。』
他们分居、离婚，与不同的情人恋爱、再婚，却永远也找不到灵肉合一的完美婚姻。

『你永远不能向一个人保证忠实，无论你忠实与否。』

『说到感情，我们都是文盲。』

匆匆又数年，在一个晴朗的午后，约翰与玛丽安分别避开自己在法律意义上的伴侣，又一次幽会在一起……

『这是一场属于心灵层次的集体性交。』

根据英格玛·伯格曼同名电影改编而成的舞台剧。

1973年，丽芙·乌曼和英格玛·伯格曼在交往多年后分手了。随后 英格玛·伯格曼花了数月时间创作，写下了一对夫妻长达二十多 年的生活点滴故事，也就是《婚姻 生活》。通过此故事，伯格曼又再一次和大家分享了他耀眼职业生涯的辉煌一笔。

当爱情生活和个人空间发生冲突的时，伯格曼的言语仿佛就刺中了我们生活的要害。

这个故事让我们见证相爱的两个人如何越走越远，这样的相处创造了什么又毁灭了什么。没有事后回溯，没有结果善后，只是当下的时刻。对话简明扼要，仿佛手术刀一样精确。剥去一切不必要装饰陈设之后最原始的生活状态。两者互相吸引又互相生厌，渴望又嫌恶，背叛的性、谎言和妥协。

Drawing on 30 years of marriage to five spouses, Ingmar Bergman acknowledged a strong connection to the lead characters of his masterful 1973 film. Johan and Marianne seem the perfect couple. Yet the illusion is soon shattered during this blisteringly perceptive study of a relationship breaking down.

Illuminating Bergman’s world, Ivo van Hove’s theatrical adaptation invites audiences to intimate onstage spaces in which three sets of actors portray Johan and Marianne at different ages. Simultaneous performances converge, bringing their universal battle for love, identity and understanding to a surprising conclusion.

Van Hove’s inventive transfers of cinematic works to the stage, including Antonioni Project, have immersed European audiences.

'As good as theatre gets; combining astonishingly inventive stagecraft with glorious acting’ Guardian on Roman Tragedies at the Barbican (2009)

3 hours 20 mins / including a 25-min interval

Drawing on 30 years of marriage to five spouses, Ingmar Bergman acknowledged a strong connection to the lead characters of his masterful 1973 film. Johan and Marianne seem the perfect couple. Yet the illusion is soon shattered during this blisteringly perceptive study of a relationship breaking down.

Illuminating Bergman’s world, Ivo van Hove’s theatrical adaptation invites audiences to intimate onstage spaces in which three sets of actors portray Johan and Marianne at different ages. Simultaneous performances converge, bringing their universal battle for love, identity and understanding to a surprising conclusion.

Van Hove’s inventive transfers of cinematic works to the stage, including Antonioni Project, have immersed European audiences.

'As good as theatre gets; combining astonishingly inventive stagecraft with glorious acting’ Guardian on Roman Tragedies at the Barbican (2009)

3 hours 20 mins / including a 25-min interval

Drawing on 30 years of marriage to five spouses, Ingmar Bergman acknowledged a strong connection to the lead characters of his masterful 1973 film. Johan and Marianne seem the perfect couple. Yet the illusion is soon shattered during this blisteringly perceptive study of a relationship breaking down.

Illuminating Bergman’s world, Ivo van Hove’s theatrical adaptation invites audiences to intimate onstage spaces in which three sets of actors portray Johan and Marianne at different ages. Simultaneous performances converge, bringing their universal battle for love, identity and understanding to a surprising conclusion.

Van Hove’s inventive transfers of cinematic works to the stage, including Antonioni Project, have immersed European audiences.

'As good as theatre gets; combining astonishingly inventive stagecraft with glorious acting’ Guardian on Roman Tragedies at the Barbican (2009)

3 hours 20 mins / including a 25-min interval

《婚姻风景》展现了一对结婚十年的“模范夫妻”，如何面对爱情的死亡，如何走向婚姻破裂，如何在离婚后又成为“情人”的一幕幕场景，这些场景犹如一道婚姻的风景线，将两性关系中最为复杂的“婚姻关系”赤裸裸地呈现在观众面前。正如瑞典戏剧大师斯特林堡所说：“世界上没有比相互仇恨的夫妻更可怕的关系了”。