瑞典2区5月11日发行伯格曼首度授权拍摄的纪录片《完全伯格曼》（Ingmar Bergman Complete），由瑞典女导演Marie Nyrerod拍摄，分为“伯格曼与电影”（Bergman and Film）、“伯格曼与戏院”（Bergman and Theatre）、“伯格曼与法罗岛”（Bergman and Fårö Island）三大部分，今年已86岁高龄的导演，首次将回顾自己超过60年的电影生涯，特别让人感兴趣的是他晚年隐居于法罗岛神秘而寂寞的岁月。这套纪录片也将于5月16号作为“戛纳经典”（Cannes Classics）环节隆重上演。

One of those movies that keeps you awake at night and makes you wonder about things like bio-terrorism and stuff like that... Like your own safety in those "what if" situations... Absolutely every single segment of this movie is shocking and frightening... Music theme containing some middle-East motifs keeps playing in your mind from the very first minute of the movie, and stays in it even after you have watched it. Horrifying story of pilgrim who came back and brought along one of the deadliest diseases known to men surely sounds scary, but what makes it even more creepy is the fact that it's based on true story... The event that made the whole world vulnerable, and reminded us that no matter how strong we appear to be, there's always one invisible enemy we cannot fight and cannot defeat. Cast is terrific, some of the best Yugoslavian actors had their career highlights in this movie... Especially brilliant role of Rade Serbedzija. If you like this type of movies, this is a movie that you just cannot miss... And if you don't... Well..rent it out anyway. Highest recommendation.

Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert - and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to death his fiancée, Pauline Thibault. Together with another patient, Professor Osvald Vogler, they set up a film project: the living talkie. Before long, they set off on a frantic tour with their film, "The Joy of the Joyous Girl"...

猪与珍珠——马卡维耶夫煽动佳作


小女孩问动物园的猴子：你为什么住在这里？这里比你原来住的地方好吗？猴子面无表情。

玛里琳是个家庭主妇，整天在家搞卫生，伺候轮椅上的老爷爷和两个儿女，老公马丁每日工作，对玛里琳的性要求也十分冷淡，受到压抑的玛里琳时常显得有点异样。

(.......省略 自己想吧)

玛里琳终于回家了，全家和阿萨姆医生围坐在桌前，马丁十分欣慰又恢复了正常，医生宣称这是个必要的经历，而脑海中闪现着蒙蒂纳哥形象的玛里琳则说：“以后还会有的”。然后把水果分给家中的每一个人。
字幕：水果有毒。本片根据真实事件改编。

前南斯拉夫“贝尔格莱德学派”著名导演马卡维耶夫，自1965年推出自己的处女作以来，赢得了世界影坛的关注和赞赏。虽然有人认为他的作品对情色渲染过重，煽动性强不够客观，矫揉造作等多种缺点，但不可否认马卡维耶夫是60年代以后南斯拉夫电影最重要的代表人物之一，也是世界级的著名导演。马卡维耶夫的作品一向比较关注现实，常以看似出离现实的寓言式故事令人反思普通人生活中的荒谬和现实的阴暗低沉。
这个面带微笑的冷酷结尾不由让人想起前捷克名导福尔曼70年代末的名作“飞跃疯人院”，但比之还要残酷，虽然影片最后字幕说明根据真实事件改编，但导演自己的用心却也实在是再明白不过的了。

A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now.

在根据莎士比亚戏剧《暴风雨》改编的这部影片里，导演格林纳韦充分发挥了奇思异想，展现出大有前途的想象力。普罗斯佩罗在自己的脑海中虚构《暴风雨》的画面，每当剧中人物出场的时候，他就替他们说出了他们的台词。影片完全可以看作是《暴风雨》的另一个新的版本。演员的表演很有分寸，令人赏心悦目，观众也会有一种享受盛宴的感觉。当然影片给观众所提出的挑战也非同一般，显然只有熟悉莎士比亚的《暴风雨》的观众才能更好地欣赏它。

Bergman's fourth production of Strindberg's play. Bergman presented Old Man Hummel as the mastermind in a web of crimes and lies. His hands covered in bloody rags, perhaps a reference to the murder he once committed and possibly also to Strindberg himself, who suffered from psoriasis while writing the play.
There were other biographical allusions in the production: an image of the house at Karlavägen 10, were Strindberg once lived (at the time it was also Bergman's Stockholm address) was projected on the black cloth that framed the stage, and the sparse décor included a statue whose features were somewhat reminiscent of the actress Harriet Andersson.
The production was staged without intermission on The Royal Dramatic Theatre's small Målarsalen. In the programme Bergman referred to The Ghost Sonata as 'a piece of fantasy', a term Strindberg had used in a letter to theatre director Victor Categren in 1908. Musically, the play has usually been associated with Beethoven's 'Gespenstersonal' but Bergman used Bela Bartok as musical accompaniment, though his fourth reading of Strindberg's play had the dark mood of Beethoven's piece.

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema.

著名摄影指导兹尼夫基斯特导演的处女作，根据真人真事改编。描写一八六零年的一个瑞典农民家庭，实在饿得没办法，遂偷了主人家的牛来充饥。东窗事发之后，一家之主被捉去坐牢，太太为了养育小孩，亦不得不跟人通奸，甚至怀孕生子。丈夫出狱回家看到这种情形，内心挣扎好久，终于还是接受了无奈的现实。

Kristin is the daughter of a prominent landowner in medieval Norway. She grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. She accepts the fact that her father has arranged for her to marry the son of another landowner. Kristin's beauty and purity create violent emotions around her. There are envy and attempted rape, murder and revenge. She seeks refuge from the world in a convent, awaiting the time for her marriage. Here the passion of her life strikes, the knight Erlend Nikulaussonn. He, an accomplished seducer, also falls hopelessly in love. They have to cross not only convent walls to meet, but social boundaries as well. Their love cannot be kept secret, and suddenly the innocent Kristin is the centre of a scandal. Her fiance withdraws from their engagement, her father rages, and Erlend's former mistress tries to poison her. The affair grows into a political issue, and finally some of the country's most dignified leaders persuade Lavrans to give in. The lovers win each other, but it is in front of a charred altar in a burnt down church, and their happiness has a double edge. Written by The Norwegian Film Institute

Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls.

电影《萨拉邦德》的纪录片

A Swedish couple are trapped in their marriage and way of life. Locked up in their bourgeois inferno.

玛丽是律师，约翰是精神学讲师，二人结婚十余载，最初像一对恩爱的中产夫妻，与互相折磨的另一对夫妻成强烈对比。但后来他们自己的婚姻也出现了危机，各自分开发展。当他们再见面时，两人都惊异于对方的从容自信。

律师玛丽安（丽芙•乌曼Liv Ullmann 饰）与精神学讲师约翰（厄兰•约瑟夫森Erland Josephson 饰）结婚十余载，育有两名女儿，生活幸福平稳。朋友皮特（金•玛思索Jan Malmsjö饰）与卡特里娜（毕比•安德森Bibi Andersson 饰）的婚姻生活却濒于解体。感慨万千的玛丽安发现自己怀孕，没曾想约翰竟倾向于打胎。有一天约翰突然向玛丽安提出自己爱上了一名叫宝拉的女子，二人痛苦分居。在协议离婚的过程中，二人的愤懑不满纷纷爆发，直到多年后，玛丽安与约翰才终于体会到爱情是什么。

Through the eyes of ten-year-old Alexander, we witness the delights and conflicts of the Ekdahl family, a sprawling bourgeois clan in turn-of-the-twentieth-century Sweden.

1988 film by István Szabó

一个由催眠师沃格勒率领的剧团在前往斯德哥尔摩途中的一个小镇上，被当地的警察局长和相关人等扣留盘查，他们被勒令要当众表演魔术，以验证是否存在超自然现象。结果他们的耍宝把戏露馅，但在逗留过程中他们却经历了许多意想不到的奇遇和变化，最终剧团受到国王的召见而重新上路。