Gripping and furious, Native Son follows Bigger Thomas, a young black man who is trapped in a life of poverty in the slums of Chicago. Unwittingly involved in a wealthy woman’s death, he is hunted relentlessly, baited by prejudiced officials, charged with murder and driven to acknowledge a strange pride in his crime. Native Son shocked readers on its first publication in 1940 and went on to make Richard Wright the first bestselling black writer in America.

“If one had to identify the single most influential shaping force in modern Black literary history, one would probably have to point to Wright and the publication of Native Son.” – Henry Louis Gates Jr.
Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Richard Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America. This edition--the restored text of Native Son established by the Library of America--also includes an essay by Wright titled, How "Bigger" was Born, along with notes on the text.

African-American author Richard Wright's book The Color Curtain: A Report on the Bandung Conference (Cleveland and New York: World, 1956) is based on his impressions and analysis of the postcolonial Asian-African Conference, which was a gathering of representatives from 29 independent Asian and African countries, held in the city of Bandung, Indonesia, April 18–24, 1955. In addition to drawing on its author's experience as a reporter at the conference, The Color Curtain bases its analysis of the postcolonial world on Wright's interactions with several modern Indonesian writers and intellectuals. Since its publication in 1956, Wright's Indonesian travelogue has been a prominent first-hand account of the Bandung Conference.

The God That Failed is a classic work and crucial document of the Cold War that brings together essays by six of the most important writers of the twentieth century on their conversion to and subsequent disillusionment with communism. In describing their own experiences, the authors illustrate the fate of leftism around the world. Andre Gide (France), Richard Wright (the United States), Ignazio Silone (Italy), Stephen Spender (England), Arthur Koestler (Germany), and Louis Fischer, an American foreign correspondent, all tell how their search for the betterment of humanity led them to communism, and the personal agony and revulsion which then caused them to reject it. David Engerman's new foreword to this central work of our time recounts the tumultuous events of the era, providing essential background. It also describes the book's origins and impact, the influence of communism in American intellectual life, and how the events described in The God That Failed continue to affect public discourse today.

"Wright presents a compelling story of a black man's attempt to escape his past and start anew in Harlem. Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes.
As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright's second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright's construction of the criminal mind as intelligent, introspective, and transformative."
In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad."

is a classic work and crucial document of the Cold War that brings together essays by six of the most important writers of the twentieth century on their conversion to and subsequent disillusionment with communism. In describing their own experiences, the authors illustrate the fate of leftism around the world. Andr' Gide (France), Richard Wright (the United States), Ignazio Silone (Italy), Stephen Spender (England), Arthur Koestler (Germany), and Louis Fischer, an American foreign correspondent, all tell how their search for the betterment of humanity led them to communism, and the personal agony and revulsion which then caused them to reject it. David Engerman's new foreword to this central work of our time recounts the tumultuous events of the era, providing essential background. It also describes the book's origins and impact, the influence of communism in American intellectual life, and how the events described in
continue to affect public discourse today.

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape.
tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic.
Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

作者的自传。据美国Harper & Row出版社1966年版译出。

“Edited by Arnold Rampersad, a professor of English at Princeton, this superb edition of Wright’s major works and some minor ones restores the second part of Black Boy and cuts in Native Son demanded by the book club in 1939. It also includes a chronology so complete that it reads like a biography in miniature as well as unusually explicit notes on the differences between Wright and the publishing world 50 years ago.”— Alfred Kazin, The New York Times

The God That Failed is a classic work and crucial document of the Cold War that brings together essays by six of the most important writers of the twentieth century on their conversion to and subsequent disillusionment with communism. In describing their own experiences, the authors illustrate the fate of leftism around the world. André Gide (France), Richard Wright (the United States), Ignazio Silone (Italy), Stephen Spender (England), Arthur Koestler (Germany), and Louis Fischer, an American foreign correspondent, all tell how their search for the betterment of humanity led them to communism, and the personal agony and revulsion which then caused them to reject it. David Engerman's new foreword to this central work of our time recounts the tumultuous events of the era, providing essential background. It also describes the book's origins and impact, the influence of communism in American intellectual life, and how the events described in The God That Failed provide important lessons today.