John Hawkes is a master of allusion and sordid subtleties. In *The Cannibal*, Hawkes' apocalyptic vision of post-war Germany attacks the reader in the form of an ever-deepening chill. Readers of Gunter Grass's *The Tin Drum* will find an interesting parallel here in Hawkes' sterile world. This man is one of the greatest, most difficult writers of the twentieth century. I also highly recommend *The Lime Twig.*

While investigating his mentor's life and death, Michael, a voyeuristic fashion photographer, travels through a Dionysian landscape where sex is daydream, women and horses share the same erotic power, and perversity is the rule. An inventive mix of biography, history, erotica, and classic whodunit, Whistlejacket is John Hawkes at his best as he blurs distinctions between death and desire, image and language, art and morality.

Set in an imaginary European city, The Passion Artist takes us into the dream-like interior world of Konrad Vost, a middle-aged widower grieving for his dead wife, devoted to his schoolgirl daughter, and obsessed with the memory and the fate of his mother, who is an inmate in the city s prison. When Vost discovers that his daughter has become a prostitute, and that the women prisoners are in revolt, he embarks on a fantastic series of violent and erotic encounters, exploring the shifting balance of power between the sexes, and the limits of human perversity.

The story within this beautiful limited edition is about Virginie, an 11-year-old girl leading two lives - one as a servant to the aristocratic Seigneur, a creator of erotically receptive women for the decadent nobility, in 1740; the other as the young sister to a Parisian taxi driver, a patron of a circle of prostitutes, in 1945.

Skipper, an ex-World War II naval Lieutenant and the narrator of Second Skin, interweaves past and present—what he refers to as his "naked history"—in a series of episodes that tell the story of a volatile life marked by pitiful losses, as well as a more elusive, overwhelming, joy. The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.