1995年7月，斯雷布雷尼察。艾达是联合国的一名翻译。当塞尔维亚军队入侵波什尼亚克飞地并接管那里的权力时，她和她的家人和其他成千上万的人一样，在联合国营地寻求保护。激烈的政治谈判开始了，阿伊达不得不进行翻译，通过翻译她得知了致命而残酷的信息。但尽管信息的爆炸性极强，她还是坚持着逃脱迫在眉睫的命运的希望。

波斯尼亚战争期间，尚在念书的少女艾丝玛（Mirjana Karanovic 饰）身心受到巨大创伤。战争结束后的12年里，她独自抚养女儿莎拉（Luna Mijovic 饰）长大，微薄的收入不足以支付女儿的学费，但母女二人的生活依然充满欢乐。
然而艾丝玛内心深处却始终未走出战争的阴影，她必须经常去当地的妇女中心接受治疗。和母亲相反，莎拉则是一个活泼好动、性格像小男生的女孩。她始终认为父亲是一名烈士，在战争中献出了宝贵的生命。
学校即将组织郊游，规定烈士家属可以免费。而莎拉却无法提供任何相关证据，她因此受到同学们的质疑和嘲笑。在女儿的再三追问下，艾丝玛不得不去面对那令她难以忘怀的黑暗过去……
本片荣获2006年柏林电影节最佳影片金熊奖、人道主义精神奖和和平电影奖，2006年布鲁塞尔欧洲电影节最佳女主角（Mirjana Karanovic）。

An Australian tourist discovers the silent legacy of wartime atrocities when she arrives in a seemingly idyllic little town on the border of Bosnia and Serbia. From Jasmila Zbanic, director of the Golden Bear winner Grbavica.

卢娜（泽琳卡·切维特西克 Zrinka Cvitesic 饰）和男友阿马尔（莱昂·鲁塞夫 Leon Lucev 饰）相恋多年，两人一直很希望能有一个孩子，可是这个愿望始终没有实现。阿马尔因为一次疏忽而在工作上捅了娄子，遭到了半年的停职，与此同时，他发现他和卢娜一直没有孩子是因为自己的身体原因，陷入了绝望之中的阿马尔决定接受好友巴里亚（厄明·布拉沃 Ermin Bravo 饰）的邀请，前往亚布拉尼察做一份兼职。
虽然阿马尔的离开让卢娜感到十分的不舍，但她还是衷心的祝福了他，之后，卢娜前往亚布拉尼察去探望阿马尔，却发现此时的他已经成为了一名虔诚的穆斯林教徒。

Lost and Found is a film project for which six young filmmakers from Central and Eastern Europe have each developed a short film on the theme of generation. Together, these six short films make a whole cinema evening. Unique thereby is the selection of young directors, who are currently among the most talented in the Central and Eastern European region. Also special is that five of the short films (four short narrative films and one short documentary) are visually framed by an independent animation story. The filmmakers made their films with local producers in their home countries; postproduction was carried out in Germany. The theme generation is the thread running through the whole film. It mirrors a new selfunderstanding of young filmmakers in Central and Eastern Europe. Traditions and national history are viewed in a new way and cinematically narrated. The concept of generation was not intended to neutralize the differences between the countries, but to create a fascinating frame for comparison. The stories were written in accordance with this thematic guideline especially for this project. Partner countries in Central and Eastern Europe were selected that have their own film culture, but in which available production structures are meager, due to economic and/or political developments.
"Lost and Found" was initiated by relations, an initiative project of the Kulturstiftung des Bundes (German Federal Cultural Foundation), which develops and fosters art and culture projects in various countries in Eastern Europe and Germany.
Short films are often more difficult to script and direct than full-length features. Not only must the message be as poignant as in a mainstream movie, but it must also be conveyed succinctly in a tight period of time.
Lost And Found showcases five new shorts from Eastern Europe, each as entertaining, fresh and inspiring as the one before. There is also a sixth, Gene + Ratio, which runs intermittently between the others, that can be viewed as its own piece, or as a link between the featured shorts.
Gene + Ratio deals with the need for water, or a thirst of some sort. Alternately featuring insects, possibly fleas, and a filthy looking feline, it serves well merging the other shorts into one piece. On its own, it is rather disturbing and baffling, in particular the clip where a tiny man is licking the camera lens, which turns into a cat lapping up a saucer of milk. It is almost enough to make you feel violated. There is also a bath sequence, involving the cat and its mistress... let's just say it makes Paris Hilton's nude photo shoot with her dog covering her unmentionables look like a Jane Austen book cover. The film is strange enough to be compelling, yet is in danger of being ignored as the audience take this opportunity to recover from the previous short and prepare themselves for the next.
The Ritual is a lovely depiction on the theme of generation, marriage and children. Goeshe is Bulgarian, but marrying a French girl. His parents are preparing for the wedding party and are determined to give him the best reception he could wish for. Sounds of the younger world are transposed into the older, making for a beautiful film which shows that both old and new can live in harmony. What is a pleasant surprise is that the younger couple strives to make the in-laws happy in as much as the parents attempt to give their son the best, which is a delightful change from Hollywood blockbusters, where there is either a monster-in-law, or an upstart sibling who doesn't care what parents think. This is the only short, I believe, to use two languages. It is a pleasure to watch.
Turkey Girl is my favourite of the collection. It manages to combine light comedy with themes of growing up and letting go - the very essence behind the idea of Lost And Found. Tatiana is a girl who must bribe her mother's doctor so that he gives his patient a second operation. It is difficult enough to know how much to offer, or hold back, how to fold the money, which pocket to keep it in. Her father also tells her to butcher her favourite pet and friend - a turkey - as an offering. For her mother's sake, Tatiana knows that she must do this, but as she tells her boyfriend (whom she is "just friends with", by the way), this is no ordinary turkey. He can tell the difference between a circle and a square. Turkey Girl will appeal to animal activists, philosophers, teenagers emerging fresh from puberty, or anyone who has ever had to make a sacrifice
Birthday is part documentary, part exploration of childhood innocence. It focuses on two girls on either side of the destroyed bridge at Mostar. Dunja loves strawberry ice cream and goes to a Muslim school, where she is taught that when the birds sing they chant their praises to Allah. Innes likes the colour pink and goes to a Catholic school that has no Bosnian children in it. Both girls love Jennifer Lopez. They are interviewed on similar subjects - why Mostar is divided into an east and a west (neither really understands) and the obvious point of the story is well put: these girls have birthdays a day apart and if they ever met would be indistinguishable. Since it is unlikely to happen, while they are still children, the camera poses as their Yugoslavian bridge. Presented in a light fashion, taking on the after-effects of the Bosnian war, this is a rueful examination of the way in which society inflicts its own differences within itself.
Shortlasting Silence is the darkest of the five. It conveys themes of loneliness, suicide and incest in a story of a man going to visit his dead mother. It is done so tastefully that all the audience should feel is a shiver at the sinister atmosphere created when the psychologist is the victim of his own making. There is an unsettling empathy for the protagonist, who knows all the advice to give and yet cannot take it himself. There is a definite potential for this to develop into a feature film, as its themes, though well portrayed, are yet to be fully explored... but perhaps that is our role as the audience.
Fabulous Vera begins with a shot of an incredibly bored woman on a tram. This is essentially Vera's difficulty. She's past middle-age, the man she loved left her, her daughter is emigrating to Cuba with a lover she has known barely three days and she must smile constantly at passengers on trams asking whether they would like to purchase tickets. Her boredom is juxtaposed with that of a policeman, sitting in his car, with so much time on his hands that he can afford to finish the embroidery started by his late wife. Milena Dravic performs well, particularly when Vera hijacks her own tram and puts her foot down, taking her life up a gear, and, when the brakes don't work, finding herself unable to stop, as she spirals out of control. This comedy examines the trouble with mid-life crises and the wonder of second youth.
These shorts are fantastic. Although my favourite is Turkey Girl, each are so appealing it is difficult to chose.

2013年，突变的虫草菌肆虐美国，真菌将人类宿主变成了攻击性超强的吃人怪物。20年后，人类文明已面目全非，幸存的人类为了生存自相残杀。一天，乔尔（佩德罗·帕斯卡 饰）和泰丝（安娜·托芙 饰）接了一个赏金任务，反抗组织“火萤”的首领玛琳（梅尔·丹德里奇 饰）要他们离开由军队保护的隔离区，护送一个14岁的女孩艾莉（贝拉·拉姆齐 饰）穿越化为废墟丛林的大都市去火萤的研究基地。可他们不知道的是，女孩身上隐藏着一个关系到人类文明延续的秘密……