The Sentinel is a Canadian-produced television series that aired on UPN in the United States from 1996 to 1999. It premiered on March 20, 1996, and ran for 65 episodes (three and a half seasons).
It has reaired on Syfy.

在一个无风的隆冬夜晚，爸爸带着女孩一块去拜访森林里的猫头鹰。月亮高高地挂在天空，映着整个天是如此的光亮，远处传来火车的汽笛声，又长又低还带着点忧伤，回应这汽笛声的是阵阵狗吠声……一路上女孩一点声音也不敢有，因为爸爸不断地提醒她：拜访猫头鹰一定要非常安静才可以。空荡荡的雪地上，两人就这么一前一后地走着，只留下长短不一的脚印。爸爸和小女孩如置身在梦境般的宁静中，悄悄地追寻着猫头鹰的行踪。 这是怎么样的一段冒险？他们能否找到向往已久的猫头鹰？绘者以广角大视野的表现方式，将冬天静谧冷沁的感觉，真实地呈现出来，更把父女相互依存及传承的感觉表现无遗。

大山里的孩子
托笔尖诉说
孤独与渴望
诗便在他们心中流淌
黑夜隐身了
星空不忍淹没灵性的光芒
《大山里的小诗人》是由人民日报出版社携手中国银联策划出版的一套公益诗歌作品集，辑录了生活在大山里的孩子们的诗歌200余首。全书分归期、童心、野望3辑，所有征集诗歌，均来自中国银联诗歌POS机公益项目。该公益诗歌项目旨在让山里孩子们的才华被看见，让更多的人关注留守儿童的内心世界，帮助他们的才华继续成长。

This play takes readers back and forth between the 19th and 20th centuries. Set in a large country house in Derbyshire, a cast of characters from each century play out their respective dramas. The text explores topics such as the nature of truth and time and the difference between the classical and the romantic temperament, and the disruptive influence of sex on our orbits in life.

Both an exploration of character and a reflection on the meaning of history, "Memoirs of Hadrian" has received international acclaim since its first publication in France in 1951. In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

A survey of popular culture in 16th century Italy. Ginzburg’s study The Cheese & The Worms: The Cosmos of a Sixteenth-century Miller, first published in 1976, is one of those fascinating micro-histories which explores the remote lives of unknown and forgotten people. The story of Menocchio is one of a peasant life of obscurity but also one of strange and powerful ideas – confused and half-baked even – but powerful enough to bring him into conflict with the Inquisition and thereafter to the final purgatorial flames.
“I have said that, in my opinion, all was chaos … and out of that bulk a mass formed – just as cheese is made out of milk – and worms appeared in it, and these were the angels, and among that number of angels, there was also God, he too having been created out of that mass at the same time ….”
This was Menocchio’s own version of Genesis, recounted at his first interrogation: it has perhaps something in common with modern chaos theory. Sadly, the inquisitors did not appreciate the idea that God might have started out as a worm in a primordial curd. Nonetheless, this was Menocchio’s oft-repeated explanation, one he never recanted. More than an independent mind, Menocchio’s was a rebel spirit, harshly critical of Church and clergy and determined to have his say. His ‘learning’ was a fascinating hotch-potch of superstition, oral tradition, ‘strong’ ideas, misunderstood reading, peasant radicalism, paganism and ‘cottage cheese cosmology’. Ginzburg’s book details the patient mechanism of the Inquisition in Counter Reformation Italy as it sought to eradicate suspected heresy and heretical groups rather in the same way that Stalin suspected counter-revolution everywhere.
Bruno burned for the books he had written; Menocchio burned for the books he had misunderstood. Both burnings demonstrate among other things the truth of the old adage; a little learning can be a dangerous thing. Menocchio’s roasting generated more heat than light but at least it did not contradict the Laws of Thermodynamics. Today in Montereale the visitor will find the Domenico Scandella Social Centre. In the piazza there is a monument in the form of a large wheel of cheese with one slice missing. Our heretic has become a hero. Stephen Dedalus said of Bruno that, heretic or not, ‘he was terribly burnt’; so was the poor miller from Friuli.

金克木是著名的学者、诗人和散文作家，进入80年代以来，其散文随笔的创作达到高潮。本书收他的散文、读书札记和文化随笔40篇。
金克木的散文学理丰厚，视野开阔，沉稳厚重而不失机敏谐趣，是学者与诗人完满的融合。

本书收入温家宝同志1968年至1985年在地质系统工作期间的工作、学习笔记160余篇，手迹影印件632幅。这是作者从现存45本、400多万字的笔记中摘选的。本书还收入作者撰写的回忆文章24篇，照片50余幅。本书所收笔记、回忆文章及照片均为首次公开发表。

本書收錄了美國哈佛大學教授/台灣學者王德威先生的一組共四篇論文：《傷痕書寫，國家文學》、《重讀張愛玲的〈秧歌〉與〈赤地之戀〉》、《歷史與怪獸》、《歷史記憶與大學之道》。
本組四篇文章對傷痕書寫與國家文學分別提出不同角度的解讀；檢討一九四九年以來身處不同境地的中國作家負載着當代政治，重新打造了一種傷痕書寫，體現國家在追尋現代性過程中被斵傷、撕裂的遭遇；進而叩問：傷痕與國家機器的關係何在？我們需要什麽樣的傷痕論述與國家文學？更重要的，在告別傷痕的同時，我們如何檢討國家文學，以免成爲下一個時代的「預知」傷痕紀事？

欢迎加入希腊文学习者的行列!即使你以前从来没有学过任何一门外语，本书的目标也是要帮助你学习阅读并理解通用希腊文。书中所使用的原则和方法，能使你在学习过程中迅速地进步。
通用希腊文形成的最重要文献就是诞生于公元一世纪前后的《新约》，大家常常把通用希腊文称为新约希腊文。所以，通用希腊语对读者和释经者始终具有独特的吸引力。
本书分为二十六章，各类语法知识点都划分成易掌握的单元，每一则语法都有充分的解释和丰富的例证说明，包括需掌握的核心词汇列表以及根据课文材料而设计的练习题。完成前面十七章的学习之后，你就可以开始阅读一些从希腊语《圣经》中选出的段落；在全部课程结束的时候，你将可以在不必经常查阅字典的前提下阅读绝大部分的《新约》。
本书对通用希腊文语法和基础词汇的简明解释以及大量的练习将使你对希腊文的语言结构有基本的理解，可以查阅基于希腊文的《圣经》注释和其他作品，在继续学习中不断成长，将为今后语法课程的学习打下坚实的基础，也为后续“实用的”释经课程学习做好准备。
本书适用于个人或小组的学习，作为进修教材或者便利的参考书。在大多数教学环境下，每周一课，可以使用整个学年，同时留有充足的时间用来做辅助的测试和复习。
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