“tag:李海燕”
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心灵革命:现代中国的爱情谱系 [图书] 豆瓣 谷歌图书 Goodreads
Revolution of the Heart: A Genealogy of Love in China, 1900-1950
9.4 (18 个评分) 作者: [美]李海燕 译者: 修佳明 北京大学出版社 2018 - 7 其它标题: 心灵革命
本书重点探讨了“爱情”作为一个词汇、一种观念在近现代中国的言说历史。作者主要通过晚明至当代的一些重要文学作品,勾勒了爱情在中国文学叙述中的历史。作者还把爱情放在情感这一更大的背景之下进行考察,提炼出儒家的、启蒙的、革命的三种感觉结构,用以深度描述中国人情感的复杂结构 和互动演变,呈现了近现代中国人如何利用爱情以及情感的话语构建身份、道德、性别、权力、群体乃至国族与世界。本书以其新颖的主题、卓越的分析获得了2009年美国亚洲研究学会的列文森奖。
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Revolution of the Heart [图书] 豆瓣
作者: Haiyan Lee Stanford University Press 2006
This book is an engagingly written critical genealogy of the idea of “love” in modern Chinese literature, thought, and popular culture. It examines a wide range of texts, including literary, historical, philosophical, anthropological, and popular cultural genres from the late imperial period to the beginning of the socialist era. It traces the process by which love became an all-pervasive subject of representation and discourse, as well as a common language in which modern notions of self, gender, family, sexuality, and nation were imagined and contested.
The Stranger and the Chinese Moral Imagination [图书] 豆瓣 Goodreads
作者: Haiyan Lee Stanford University Press 2014 - 11
In the last two decades, China has become a dramatically more urban society and hundreds of millions of people have moved residence in the process. Family and communal bonds have been broken in a country now known as "a society of acquaintances." There has been a resulting breakdown of civility and trust in contemporary China, and the new market economy doesn't offer any solutions.
This book investigates how the Chinese have coped with the condition of modernity in which strangers are routinely thrust together, testing the moral limits of a society known for the primacy of blood relations and familiarity. Haiyan Lee dismisses the easy answers claiming that this "moral crisis" is not merely smoke and mirrors conjured up by paternalistic, overwrought leaders, policy makers, and scholars, nor should it be simply chalked up to the topsy-turvy of a market economy on steroids. Rather, Lee argues that the perception of crisis is itself symptomatic of a deeper problem that has roots in both the Confucian tradition of kinship and the modern state management of stranger sociality.
This ambitious work is the first to investigate the figure of the stranger—foreigner, peasant migrant, bourgeois intellectual, class enemy, dangerous woman, animal—across literature, journal articles, film, television, and popular museum exhibits. Lee's aim is to show that hope lies with a robust civil society in which literature and the arts play a key role in sharpening the moral faculties and apprenticing readers in the art of living with strangers. In so doing, she make a historical, comparative, and theoretically informed contribution to the on-going conversation on China's "uncivil society."
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