哲民（苏志燮 饰）本是一名优秀的拳击手，现在却依靠白天送水晚上看更来谋生。哲民看更第一晚邂逅了美丽阳光的女生静华（韩孝珠 饰），遗憾的是静华的视力日渐退减再发展下去就是失明。沉默的哲民在静华面前慢慢打开心扉，两人由此相恋。原来哲民是一名孤儿，曾误入歧途做了打手 并因此入狱。如今的哲民决心从头来过，重新走上拳击生涯，一步步实现着他和静华设计的将来。然而，静华的眼疾越来越严重等不及她们去慢慢实现梦想。与之同时，哲民发现那场导致静华眼膜受损的车祸竟和自己当年的行差踏错有关系。强烈地内疚感使得哲民决定铤而走险参加地下拳击比赛，只为最快为静华筹到医疗费。静华能复明吗？哲民能活着和静华重聚吗？

This extraordinary catalogue accompanies a major traveling exhibition of 128 works of bronze, jade, and clay dating from the thirteenth century B.C. to the second century A.D. The majority of these stunningly sophisticated works of art--among the most unusual and spectacular produced anywhere in the ancient world--all come from a startling archaeological discovery made just fourteen years ago at the previously unknown site of Sanxingdui in Sichuan province. The discovery of this Bronze Age civilization fundamentally changes our understanding of Chinese history. Representing fifteen hundred years of cultural production, these striking objects are extraordinarily varied, ranging from a monumental standing figure and an almost life-size bronze horse to ritual vessels, masks, and bronze heads of fantastic-looking supernatural beings, finely honed jade knives and ritual blades, and marvelous clay statuettes. Most have never before been seen in the United States. The exhibition and catalogue represent a unique international effort to continue the study of ancient Sichuan. Under the leadership of Robert Bagley, an international team of scholars contributes eight essays on the archaeological discoveries at Sanxingdui, the art historical importance of these objects, and the new history of ancient China they tell. Contributors are Michle Pirazzoli-t'Serstevens, Jessica Rawson, Lothar von Falkenhausen, Alain Thote, Jenny F. So, Michael Nylan, and the Seattle Art Museum's Curator of Chinese Art, Jay Xu. In addition to the essays, there are individual entries for each object, nearly all of which have been newly photographed for this publication. Ancient Sichuan contributes to a revolutionary change in perceptions of ancient Chinese civilization, providing an unprecedented opportunity to explore the art, material culture, and spiritual life of ancient China. EXHIBITION SCHEDULE: Seattle Art Museum, Seattle May-August 2001 Kimbell Museum of Art, Fort Worth September 2001-January 2002 Metropolitan Museum of Art, New York March-June 2002 Royal Ontario Museum, Toronto August-November 2002

《中国移民史(第2卷)(精)》是目前国内外最完整、系统的中国移民史，论述了自先秦时代至20世纪40年代发生在中国境内的移民，对其中主要的移民运动，一般都说明其起因、迁移对象、迁移时间、迁入地、迁出地、迁移路线及方向、定居过程和产生的影响，并尽可能作定量分析，总结其规律。全书约260万字，共分6卷：第一卷为全书导论和大事年表。导论界定移民的定义和全书的研究范围，确定中国移民史的分期、移民的类型和特点，阐述研究中国移民史的意义，并介绍研究中国移民史的基本方法和手段。大事年表则列出自公元前21世纪至公元1949年间可考的主要移民及有关大事。第二卷至第六卷分别为先秦至南北朝时期、隋唐五代时期、辽宋金元时期、明时期、清和民国时期的断代论述，均列有大量统计表格和地图。各卷的后记对相关的学术史和作者的研究方法作简要的说明。各卷按统一的体例撰写，但具有相对的独立性。《中国移民史(第2卷)(精)》可供历史、人口、地理、社会、经济、文化、民族、地方史等学科的专业人员，政府有关部门，大专院校的教学和科研人员使用，也可作为相关学科研究生的教材。第一卷可作移民史概论教材和工具书。
本卷为全书导论和大事年表。导论分别界定《中国移民史(第2卷)(精)》所用移民的定义和涉及的时间范围和空间范围，划分中国移民史的阶段，归纳出历代移民的类型和特点，从移民对中国历史重大贡献的角度阐述研究中国移民史的意义，介绍研究中国移民史的基本方法和手段。这是对移民史理论和方法论的总结，可作为中国移民史研究的重要参考书，也可作为移民史概论的教材。大事年表列出自公元前21世纪至公元1949年间可考的主要移民及有关大事，既可查对全书的内容，也可单独用作工具书。

The essays in Conceiving the Empire explore the mental images, ideas, and symbolical representations of 'empire' which developed in the two most powerful political entities of antiquity: China and Rome. While the central focus is on historiography, other related fields are also explored: geography and cartography, epigraphy, art and architecture, and, more generally, political thought and the history of ideas. Written by a collaborative team of experts in Sinology and Classical Studies, the volume focuses the attention of the emerging discipline of East-West cross-cultural studies on an essential feature of the ancient Mediterranean and Chinese worlds: the emergence of 'empire' and the enduring influence of the 'imperial' order.