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彼得·冯·康德 (2022) [电影] 豆瓣 TMDB
Peter von Kant
5.9 (20 个评分) 导演: 弗朗索瓦·欧容 演员: 德尼·梅诺谢 / 伊莎贝尔·阿佳妮
其它标题: Peter von Kant / 彼特的苦泪(港)
炙手可热的导演对偶然结识的英俊小生一见倾心,当他把男伴拉拔成银幕新星时,却也陷入万劫不复的深渊。影片重新诠释德国新浪潮巨匠赖纳·维尔纳·法斯宾德的《柏蒂娜的苦泪》,并以法斯宾德本人形象将主角性别由女转男。
除了找来《无耻混蛋》德尼·梅诺谢与影后伊莎贝尔·阿佳妮同台飙戏,更邀来原作传奇女星汉娜·许古拉现身客串,堪称是向法斯宾德献上了最大胆的致敬。
还原与给予 [图书] 豆瓣
Réduction et donation:recherches sur husserl, heidegger et la phénménologie
作者: [法] 让-吕克·马里翁 译者: 方向红 上海译文出版社 2009 - 8
自笛卡儿以降的近代西方哲学,以意识哲学占据主导地位。而海德格尔的横空出世,则让存在论几乎成为现代哲学的代名词。
与此同时,以德里达、勒维纳斯、H·亨利为代表的一批法国哲学家,不约而同地以现象学的方法踏上了超越存在论的道路。
马里翁以独特而全新的眼光,重新审视了胡塞尔和海德格尔的早期思想,以及前者对后者在微观意义上的影响。通过严格的文本学考察,马里翁指出,胡塞尔在《逻辑研究》中所做出的突破,被海德格尔正确地理解为“被给予性”。
然而在此基础上,海德格尔在《存在与时间》中所进行的还原的努力,却以失败而告终。这种失败的原因,恰在于海德格尔没有认识到“还原越多,给予越多”。
1915年的卡蜜儿 (2013) [电影] 豆瓣
Camille Claudel, 1915
7.2 (5 个评分) 导演: 布鲁诺·杜蒙 演员: 朱丽叶·比诺什 / Jean-Luc Vincent
其它标题: Camille Claudel, 1915 / 卡蜜尔的最后岁月(港)
1915年冬天,51岁的卡蜜儿·克洛岱尔的精神状况出现极大的问题,她出现了被迫害妄想症,认为旁人嫉妒她的才华而欲加害于他,甚至连她的旧情人、比其年长24岁的雕塑大师奥古斯特·罗丹也不例外。在罗丹的建议下,卡蜜儿被送到了法国北部的一家小型精神病院里进行治疗,影片记录下了她在一个个无尽的不眠之夜中的生活状态,她渴望自己的艺术才华能够得到理解和认可,同时也期盼着她深爱的弟弟、著名诗人保罗·克洛岱尔前来探访。
可见者的交错 [图书] 豆瓣
La croisée du visible
作者: [法] 让-吕克·马里翁 译者: 张建华 漓江出版社 2015 - 8
作法国当代哲学家中不可忽视的人物,让-吕克•马里翁的国际声誉正在逐步上升,国内学界对他的研究兴趣也日渐增长。他的哲学思考与现象学、宗教密不可分,这一点也充分体现在这本关于绘画的专著中。马里翁区分了绘画中的可见者和不可见者,阐释了圣像画和普通绘画的关系,圣像和偶像、观看与凝视的关系,等等,论辩严密又极富洞察力,对于研究美学、艺术和哲学的人都有很高的研读和参考价值。
笛卡尔与现象学 [图书] 豆瓣
作者: 方向红 / 黄作 2020 - 8
笛卡尔是法国哲学的灵魂人物,围绕着他的对话与阐释,形成了现代欧陆哲学史的内在线索。20世纪以来,胡塞尔和海德格尔从现象学角度对笛卡尔进行的解释,推动了当代欧陆哲学的发展,不过在马里翁看来,这两位德国哲学家都没有从笛卡尔自身出发去理解,相反,他深耕笛卡尔文本,从中寻觅思想资源,为当代法国现象学注入了新的活力。
本书收录了马里翁2017年访华时所做的一系列演讲和访谈,以法文中文对照的形式,为读者呈现出法国哲学研究的最前沿内容。马里翁从怎样理解笛卡尔的“自我”出发,就现象学对笛卡尔的依存、笛卡尔哲学中的感受性问题、现象学在神学与美学中的效用等主题进行了探讨,呈现出马里翁“给予性现象学”的独特视野。同时,他还针对德法哲学传统、法国当代哲学流派、法国哲学与中国哲学交流的可能性,表达了自己的关切。
摇滚学徒 (2017) [电影] 豆瓣
Rock'n Roll
6.5 (13 个评分) 导演: 吉约姆·卡内 演员: 吉约姆·卡内 / 玛丽昂·歌迪亚
其它标题: Rock'n Roll / 摇滚救明星(台)
吉约姆·卡内自编自导自演的法国喜剧,也是他的自传电影,影片讨论中年危机,吉约姆·卡内在片中扮演自己,被合作演员告知“不够摇滚卖不了电影”,他失落了一阵,后来他决定跟法国著名歌手约翰尼·哈里戴学习如何成为“真摇滚”。之后让老婆与演员玛丽昂·歌迪亚对画风突转为摇滚风的卡内惊讶不已。吉约姆·卡内真正突破了自己,成为了真正“摇滚专家”。
美丽东西 (2001) [电影] 豆瓣
Les Jolies choses
导演: 吉勒·巴盖特-布赫内 演员: 玛丽昂·歌迪亚 / 斯托米·巴格西
其它标题: Les Jolies choses / Pretty Things
玛丽和露西这两个性格截然不同的双胞胎姐妹,一时彼此讨厌,一时互相爱慕。露西是个外向的美女,喜欢出风头;玛丽则相当保守,性格忠厚。一天,露西得到了机会去灌录唱片,她朋友尼古拉说她不懂唱歌。而玛丽却拥有一副好嗓子,于是她只身前往巴黎代替姐姐上台演唱。当玛丽和尼古拉一起回到家时,竟然发现露西已经从窗口跳了下去……
Being Given [图书] 豆瓣
作者: Jean-Luc Marion 译者: Jeffrey Kosky Stanford University Press 2002 - 7
Along with Husserl's "Ideas" and Heidegger's "Being and Time," "Being Given" is one of the classic works of phenomenology in the twentieth century. Through readings of Kant, Husserl, Heidegger, Derrida, and twentieth-century French phenomenology (e.g., Merleau-Ponty, Levinas, and Henry), it ventures a bold and decisive reappraisal of phenomenology and its possibilities. Its author's most original work to date, the book pushes phenomenology to its limits in an attempt to redefine and recover the phenomenological ideal, which the author argues has never been realized in any of the historical phenomenologies. Against Husserl's reduction to consciousness and Heidegger's reduction to "Dasein," the author proposes a third reduction to givenness, wherein phenomena appear unconditionally and show themselves from themselves at their own initiative. "Being Given" is the clearest, most systematic response to questions that have occupied its author for the better part of two decades. The book articulates a powerful set of concepts that should provoke new research in philosophy, religion, and art, as well as at the intersection of these disciplines. Some of the significant issues it treats include the phenomenological definition of the phenomenon, the redefinition of the gift in terms not of economy but of givenness, the nature of saturated phenomena, and the question "Who comes after the subject?" Throughout his consideration of these issues, the author carefully notes their significance for the increasingly popular fields of religious studies and philosophy of religion. "Being Given" is therefore indispensable reading for anyone interested in the question of the relation between the phenomenological and the theological in Marion and emergent French phenomenology.
Marion and Derrida on the Gift and Desire [图书] 豆瓣
作者: Jason Alvis Springer International Publishing AG 2016 - 1
This book examines the various encounters between Jean-Luc Marion and Jacques Derrida on "the gift," considers their many differences on "desire," and demonstrates how these topics hold the keys to some of phenomenology's most pressing structural questions, especially regarding "deconstructive" approaches within the field. The book claims that the topic of desire is a central lynchpin to understanding the two thinkers' conflict over the gift, for the gift is reducible to the "desire to give," which initiates a turn to the topic of "generosity." To what degree might loving also imply giving? How far might it be suggested that love is reducible to desire and intentionality? It is demonstrated how Derrida (the generative "father" of deconstruction) rejects the possibility of any potential relation between the gift and desire on the account that desire is bound to calculative repetition, economical appropriation, and subject-centered interests that hinder deconstruction. Whereas Marion (a representative of the phenomenological tradition) demands a unique union between the gift and desire, which are both represented in his "reduction to givenness" and "erotic reduction." The book is the first extensive attempt to contextualize the stark differences between Marion and Derrida within the phenomenological legacy (Husserl, Heidegger, Kant), supplies readers with in-depth accounts of the topics of the gift, love, and desire, and demonstrates another means through which the appearing of phenomena might be understood, namely, according to the generosity of things.
The Reason of the Gift [图书] Goodreads 豆瓣
作者: Jean-Luc Marion 译者: Stephen E. Lewis University of Virginia Press 2011 - 9
This book represents a continuation of Jean-Luc Marion's work on givenness as a foundational concept. A former student of Jacques Derrida, Marion is known for his work in seventeenth-century French philosophy, for his theory of "God without being," and for his reformulation of phenomenology. Marion's groundbreaking work on givenness is articulated through attentive readings in a striking array of philosophical texts. The four pieces collected here, based on the fall 2008 Richard Lectures at the University of Virginia, expand upon and go beyond the lines of Marion's previous work and exemplify the intersection of his own constructive brilliance with his talent and rigor as a historian of philosophy. Reengaging philosophers long central to Marion's own work (Husserl, Heidegger, Levinas) and highlighting the significance of lesser-known but decisive influences (Natorp, Rickert, Meinong), these lectures will be valuable to readers interested in the ongoing conversation seeking to bridge the divide between Continental and analytic philosophies, particularly through the exploration of common points of origin. These pieces tackle some of the most pressing debates in contemporary European philosophy and offer students of Marion material to ponder as they seek to further understand his influences. Taken together, these essays form an important volume by a major figure in contemporary philosophy.
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