“tag:post_punk”
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Unknown Pleasures [音乐] 豆瓣
9.4 (222 个评分) Joy Division 类型: 摇滚
发布日期 1979年1月1日 出版发行: Qwest / Wea
Unknown Pleasures is the debut studio album by English rock band Joy Division, released on 15 June 1979 on Tony Wilson's Factory Records label.[1] The album was recorded and mixed over three successive weekends at Stockport's Strawberry Studios in April 1979 and was produced by Martin Hannett, who incorporated a number of unconventional recording and production techniques into the group's sound. The cover artwork was designed by artist Peter Saville. It is the only Joy Division album released during lead singer Ian Curtis's lifetime. Factory Records did not release any singles from Unknown Pleasures, and the album did not chart despite the relative success of the group's non-album debut single "Transmission". It has since received sustained critical acclaim as an influential post-punk album, and has been named as one of the best albums of all-time by publications such as NME, AllMusic, Select and Spin.
Disintegration [音乐] 豆瓣 Spotify
9.4 (149 个评分) The Cure 类型: 摇滚
发布日期 1989年5月1日 出版发行: Elektra / Wea
The Cure 在1989年推出了这张大热门专辑《Disintegration》。《Disintegration》同时也是 Robert Smith“悲情三部曲”的第二部(第一部是《Pornography》,第三部是《Bloodflowers》),显得黑暗诱人,带着神秘和忧郁,整张专辑有着催眠曲一样的感觉,没有了乐队以前的黑暗绝望的作风,尽管专辑的基调比以前更为忧郁。The Cure 的音乐罕见的变得迷人了起来。好像在无垠的大海里,仰望夜空闪亮的星光,慢慢下沉,痛苦浸透,安详地窒息。铺天盖地的深蓝色键盘,孤寂而灿烂的吉他,黑暗中幻化出彩色光芒的贝司,沉稳压抑而华丽眩目的鼓,还有 Robert Smith 凄美冷艳的歌声......
CUT OFF! [音乐] 豆瓣
8.6 (113 个评分) 重塑雕像的权利 类型: 摇滚
发布日期 2005年1月1日 出版发行: 摩登天空
重塑雕像的权利 (Re-TROS)
主唱/吉他:华东,曾经是PK14乐队的鼓手和声
贝司:刘敏,曾经是四川女子乐队U235乐队的吉他手
OURSELF BESIDE ME的贝司手鼓手:马晖曾经是兰州反刍乐队鼓手
乐队成立于2003年3月,风格为后朋克,受70年代英国乐队 Bauhaus, Joy Division, The Cure等影响。2004年4月开始在北京演出2004年9月与OURSELF BESIDE ME一起全国7个城市巡演2005年1月应邀与瑞典“国际噪音阴谋”同台演出2005年1月签约摩登天空BADHEAD2005年9月在“摩登天空5”中发行单曲“a vision of Chris”2005年10月开始录制第一张EP《CUT OFF!》2005年11月发行EP《CUT OFF!》2005年11月 进行了全国11个城市的第一轮巡演2006年 2月 获“百事音乐风云榜”“最佳摇滚新人”提名。
这就是重塑雕像的权利乐队,风格独特而且实力不凡.
其实,重塑里我比较喜欢的还是他们的女贝司手刘敏,她也因为是女性而格外的引人注目.她曾经是在2000年震撼了整个中国地下音乐界的女子朋克乐队U235的成员.看过他们现场的人都觉得他们的现场感觉很棒,甚至有人说十张专集比不上一场现场的话.我很期待他们的现场,很羡慕那些看过现场的人.
在后朋克以濒临绝种的今天,重塑的出现无论是从听觉还是视觉上无疑都做到了将我们拯救的地步,希望他们能大步向前.因为他们是中国摇滚乐的新希望.
当我们谈论他的名字时我们在谈论什么 [音乐] 豆瓣
8.4 (82 个评分) P.K.14 类型: 摇滚
发布日期 2018年10月16日 出版发行: 兵马司唱片
P.K.14 第七张专辑《当我们谈论他的名字时我们在谈论什么》由兵马司发行。 试听与无损数字版本购买地址:
Bandcamp:
Apple Music:
网易云音乐:
P.K.14 是许波、 施旭东、雷坛坛和杨海崧。所有歌曲由 P.K.14 创作并由 P.K.14 和欧阳汉客共同演奏。 欧阳汉客 制作,迈克尔·帕迪斯出品。
2017年10月24日至11月5日在德国柏林汉莎录音棚录音。 尤娜录音并担任磁带操作员,朱利安·赫尔姆斯和菲利克斯·舒巴担任录音助手。
米盖尔·伊伯特在德国柏林汉莎混音室混音。亨里克·扬森在瑞典斯德哥尔摩音频母带棚制作母带。
来自仙女座大管弦乐团的法比亚娜·丝特里弗勒(小提琴), 约翰纳斯·史莱因马赫(长笛, 低音和次中音萨克斯), 丹尼尔·格莱策尔(黑管和低音黑管)以及理查德·科赫(小号) 参与了《影子的秘密》,《二十分钟的路程》以及《因你之名》的演奏,由丹尼尔·格莱策尔编曲。
特邀打击乐:托马斯·赫伦德。特邀小提琴:弗里达·约翰松。
《因你之名》中的长笛由尤纳 斯·库尔哈玛演奏。特邀模块合成器:大卫·容格。
图像设计:查吟,三维图像部分由尤目工作室制作。
摄影:雷坛坛和王路阳。
图案设计来自Dedar, NLXL、Wall&Decò、Cole&Son、Calico、Pierre Frey 以及 Designers Guild。
封套设计和排版:候鸽。歌词翻译:潘佳朗。
谢谢 !
谁谁谁和谁谁谁 [音乐] 豆瓣
8.5 (77 个评分) 青春公共王国 P.K.14 类型: 摇滚
发布日期 2004年1月1日 出版发行: 中国音乐家音像出版社
曾有人说过PK14感觉上就像是一队阴郁的青年,在空虚的生活中捕获的低调剪影一般。当然他们也有吸引人的,就是pk14"穿戴朴素而干净"------ 在脏兮兮的朋克们盛行的98年,这样的字眼,让人喜欢。PK14的这张专辑是在瑞典乌默尔市"第二个家(second home)" 录音工作室混音制作的,瑞典制作人欧阳汉客(乐队为其起的中文名字)为唱片录制亲自前往中国,录制完成之后将母带拿回瑞典进行混音制作,期间制作人与乐队 为了母带的最终效果,曾将母带三次往返中瑞两国,经过多次的沟通制作,最终这张《谁谁谁和谁谁谁》的母带如期制作完成。
前夜的乘客 [音乐] 豆瓣
8.2 (77 个评分) 孤独的利里 Lonely Leary 类型: 摇滚
发布日期 2020年12月21日 出版发行: 兵马司/Indie Works
星期一下午随音乐的中断戛然而止。拉灭电闸、穿过地下室通道重返地面,三个人向三个方向离开。
阳光稀少,天色是灰青的。这是流放在北方的第七个十二月,仍会有早至的黑夜、满街脏雪,以及半小时后如期到来的晚高峰。从地下室钻出来的和从玻璃建筑钻出来的,混成一片,看不出什么区别。一切都在冷空气中静静地颤栗着,这个夜晚,每个夜晚。每一只践踏在人行道上的脚印,每一条汇集于地铁站前的队列,全都指向同一个没有意外的结局——没有告示、没有舞曲,白炽灯和信息瀑布将是那里的全部交代。回归的路程并不算远,但双腿已经命运般去向了错误的航线。
离开队列意味着更多难挨的时间。太冷了,颤栗从鞋底贯穿头顶,脑袋变得比跟腱还要僵硬。这是酒也解决不了的问题。即便被醉意裹挟进某条陌生的岔路,即便以野狗的步子再走下去几公里,剩余的黑夜也根本打发不完。它会有足够的漫长,足够把那些从夏天开始的故事重新再讲上一遍:在那里,一只龋齿的脱落抑或一片街区的覆灭,都不会比一首歌持续得更久。故事的章节随脚步声翻过,一双充血的眼睛恶毒地逼视着。行走、流窜,从一个路口到另一个,从一个恨意到另一个。走到第七个年头,开始有光线从巷子尽头的拐角处倾泻过来——起先是某个公厕窗口的灯,随后是一排饭店,醉汉们瘫坐在玻璃另一侧的杯盘里。穿过铁皮围墙的裂隙,公开的夜晚再次统治了一切。
但那时街上已经没什么人了,只有夜班公交零星驶过,混合一些烧纸的气味从路口处窜起。在橘皮色街灯的木然里,一根烟蒂被碾灭,一支吉他伴着沙的声音扫了起来。
这是北京,这是安定时期的冬季。这是《前夜的乘客》,孤独的利里乐队的第二张录音室唱片。
《前夜的乘客》从2019年12月到2020年5月录制于北京Psychic Kong录音室和太合音乐录音室,由杨海崧负责唱片的制作、录音与混音;Garrett Haines在美国Treelady Studios完成了母带工程。唱片封面与内页由王晓晗设计。唱片由兵马司与Indie Works发行。所有歌曲的创作与演奏来自孤独的利里(Lonely Leary)乐队。
孤独的利里由邱驰、宋昂和李保宁构成。
Technique [音乐] 豆瓣
8.9 (75 个评分) New Order 类型: 摇滚
发布日期 1989年1月1日 出版发行: Qwest / Wea
New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. The band formed after the demise of Joy Division, following the suicide of lead singer Ian Curtis; they were joined by Gillian Gilbert on keyboards later that year.
我们究竟应该面对谁去歌唱 [音乐] 豆瓣
8.5 (77 个评分) 类型: 摇滚
发布日期 2005年1月1日 出版发行: 摩登天空
介质为1CD!内附中文歌词!
本光盘收录了11首歌曲,是腰乐队七年来首张专辑,抛弃“形式主义”还原摇滚的“社会意义”,以史诗性的叙述方式囊括了荒谬与疯狂、摇滚乐与自省的歌,也超越了“歌唱”的简单,用面对群众演说的“吟颂”方式作领袖挥舞状地戏谑与诘难,是一张悲壮的可以哭出来的唱片!
01 紧张
02 民族
03 日常
04 歌唱
05 曲目
06 小城
07 严肃
08 可乐
09 致敬
10 再见
11 不哭
Wish [音乐] 豆瓣
9.1 (78 个评分) The Cure 类型: 摇滚
发布日期 1992年4月21日 出版发行: Elektra / Wea
i don't care if monday's blue
tuesday's grey and wednesday too
thursday
i don't care about you
it's friday i'm in love
For The First Time [音乐] 豆瓣
8.4 (74 个评分) Black Country, New Road 类型: 摇滚
发布日期 2021年2月5日 出版发行: Ninja Tune
Black Country, New Road return today with the news of their signing to Ninja Tune, who will release their much-anticipated debut album "For the first time" on February 5th 2021.Recorded with Andy Savours (My Bloody Valentine) during the early part of this year and then finished at the end of the nationwide lock-down, the album is the perfect capturing of a new band and all the energy, ferocity and explosive charge that comes with that whilst also clearly the work of a group who have no interest in repetition, one-note approaches or letting creative stagnation set in. Featuring six new songs including reinterpretations of early tracks "Sunglasses" and "Athens, France", "For the first time" is a sonic time capsule that somehow manages to bottle the past, the present and the future.
“We wanted it to sound exactly how we love to sound live,” says saxophonist Lewis Evans. “This is basically representative of our first 18 months”, continues frontman Isaac Wood.
Indeed the band found they had to stop themselves running too far ahead in order to document this album in a way that felt as truthful as possible.
“We see this as being a stop in the road” explains Isaac. I've always been interested in a really honest portrayal of what a band is and what they've been working on. I think it's really nice if people can see an artist like: this was them in the early days, this was their next phase and that they're quite clear and honest about genuine progression as people and musicians.”
The band have today also shared the new track, "Science Fair", alongside an interview with The FADER.
Minimalist and foreboding, "Science Fair" opens around their rhythm section, precise percussion and bass locking in to allow a residual build from the rest of the band, viola and sax loop and layer over fits and squalls from dual guitars, a synth break and an ever-anxious narrative laid down by Isaac Wood. Climbing towards his desperate exclamation of - "it's black country out there!" - the song caves in on itself during a blistering, caustic final breakdown. Already a live favourite, "Science Fair" is paired to a video directed by Bart Price who said the following about its themes:
"When developing the music video for 'Science Fair', I was thinking about fictitious worlds that we visit through our screens, such as the American high school. Despite our lack of direct experience, these worlds become a universal means of communicating about and understanding things like what it means to grow up, or what it means to be in a friendship group, or to be in love. I wanted to create such a world around Black Country, New Road, placing their music at the heart of a small American town, that in a sense we’ve all been to and lived in."
Despite having just those two early singles to date, Black Country, New Road - their name originally found on a random Wikipedia generator - have made an impressive impact on fans and critics alike. Declared “the best band in the world” by The Quietus, with glowing reviews from The New York Times to The Guardian, a cover feature for Loud & Quiet, a live BBC 6 Music session, selling out shows across the country (including 1700 tickets in London), being invited to festivals around the world including Primavera and Glastonbury, and finding themselves on French TV sandwiched between Sonic Youth’s Kim Gordon and Radiohead’s Ed O’Brien.
Their live performances gaining legendary status among fans of the emerging scene that coalesced around vaunted south London venue The Windmill, and which gave rise to many of their peers and contemporaries such as Fat White Family, black midi and Squid, artists with whom they have variously supported, toured with and collaborated with over the years.
我不要别的历史 [音乐] 豆瓣 Spotify
7.6 (68 个评分) 海朋森 类型: 摇滚
发布日期 2015年4月20日 出版发行: 兵马司
《我不要别的历史》是来自成都的五人乐队海朋森(Hiperson)首张全长录音室专辑,由杨海崧在Psychic Kong录音棚于2014年7月录制完成,分为双张LP(12首歌曲)及单张CD(11首歌曲)两种介质版本,2015年4月20日由兵马司唱片发行。
虽然乐队的成员都是刚刚二十岁出头的年轻人,但是随着一次又一次的现场表演,诚恳的赞誉早已不期而至。早在一年半以前,豆瓣音乐如此描述他们:“海朋森有着丰富的歌曲结构,声嘶力竭的演唱以及诗化的歌词,在越来越模式化、快餐化的世代里,海朋森展现出了一种真正的摇滚乐的姿态。”
而在唱片中,乐队成员们的独特气质、深厚的音乐底蕴和艺术学院背景则得到了更多的展现:他们有律动感十足的节奏组,如小鹿在森林里跳跃;他们有利落爽快的吉他riff,伴随几乎刺穿耳膜的吉他音效,在所有这些之上,女主唱的人声尖锐、直白、自信,就像是年轻的宣言,抛弃和超越某种由权威诉说的历史,坚定地唱着对成人世界的怀疑。
他们不拘泥于摇滚乐本身的形式,更不是浪漫派:“我不要别的历史”,没有矫揉和梦幻。这不是很简单的事情:在21世纪的第二个、也是诞生无数贫乏无趣的十年中,他们仍用母语说出想说的话,并在乐队的第一张作品中,面向摇滚乐最诚实、敏感与诗意的内核。伴随着这些歌曲,海朋森已经悄然向着最伟大的摇滚乐歌者迈步。
春夏秋冬 [音乐] 豆瓣
8.0 (75 个评分) 海朋森 类型: 摇滚
发布日期 2019年8月13日 出版发行: 海朋森
《春夏秋冬》中的《草莓》《夏天的气息》《流浪儿歌》《凉山》是四首陈思江的诗,其中最早的写于八年以前。我们想象它们会经过海朋森,回到公交地铁里、街道上、各种各样的客厅书房里。它们将回到噪音之中,像麻线回到麻线堆里。 做这四首歌时海朋森分隔成都、伦敦两地,没有用太理想的器材,大部分歌在东伦敦的一间小卧室里被陈思江唱进了录音笔里。另一方面,这四首诗歌似乎又和四季有关,所以我们叫它《春夏秋冬》。就让我们把它当作在下一张全长专辑出来之前给大家的礼物吧!
In the Flat Field [音乐] 豆瓣
9.0 (55 个评分) Bauhaus 类型: 摇滚
发布日期 1980年1月1日 出版发行: 4AD
In the Flat Field was released on 3 November 1980 by record label 4AD. It was met with a negative response from critics, but topped the UK Independent Albums Chart and made the UK Albums Chart for one week, peaking at No. 72.
The album was first released on CD by 4AD in April 1988, with eight bonus tracks including three non-album singles: "Dark Entries", "Terror Couple Kill Colonel" and a cover of T. Rex's "Telegram Sam." Five of these bonus tracks had been previously compiled on the 4AD EP in 1983.
On 19 October 2009, 4AD/Beggars Banquet reissued the album as an "Omnibus Edition", featuring the 24-bit John Dent remastered CD of the original nine-track album in a replica mini-LP sleeve (with corresponding inner sleeve featuring the lyrics), plus a 16-track bonus disc of singles, outtakes, alternate recordings and original versions. The set came inside a semi-long box, coupled with a 48-page book that included comments from band members, photos, complete lyrics, complete tour date information for 1979 and 1980, and an essay by Andrew Brooksbank on the formation and creation of the band, the singles and the album.
or journalist Andy Gill, the dark atmosphere of the record was reminiscent of previous works by groups like Siouxsie and the Banshees, Adam and the Ants, and Joy Division. In his AllMusic review, critic Ned Raggett described Bauhaus as a "glam-inspired rock band", said that singer Peter Murphy channeled both Iggy Pop and David Bowie, and compared Daniel Ash's guitar playing to Mick Ronson's. Raggett noted that the album concluded with "a dramatic ending" with the song "Nerves"
Entertainment! [音乐] 豆瓣
8.9 (55 个评分) Gang of Four 类型: 摇滚
发布日期 1980年1月1日 出版发行: EMI Int'l
Some of the most powerful, energized, and memorable music of the U.K.'s potent post-punk era of the late '70s and early '80s came from the trailblazing band Gang of Four, and it all started with 1979's stellar Entertainment! Dave Allen, Hugo Burnham, Andy Gill, and Jon King fused punk, funk, explosive prog-rock, and literate and often incendiary lyrics into a signature, groundbreaking sound that would influence countless bands to come. The original album's brilliant 12 tracks are now remastered and bolstered with four tracks from the rare Yellow EP, plus four never-before-released-songs-making this watershed disc sound bigger and better than ever.
The Best of Joy Division [音乐] 豆瓣
9.7 (56 个评分) Joy Division 类型: 摇滚
发布日期 2008年3月24日 出版发行: London Records 90 Ltd.
Limited two CD edition of the 2008 compilation from the Manchester Post-Punk legends featuring a bonus disc that includes eight tracks recorded at two separate Peel Sessions in 1979. The main CD features 14 of their best tracks including the seminal 'Love Will Tear Us Apart', 'She's Lost Control' and 'Transmission'. Joy Division were formed in the wake of the Punk explosion in England and by 1980 they were the hottest band in the UK. In May of 1980, on the eve of their first US tour, lead singer Ian Curtis committed suicide. The film Control by director Anthon Corbjin details the life of Ian Curtis, and is one of the best-reviewed Rock biopics ever. Rhino UK.
The Idiot [音乐] 豆瓣
9.1 (43 个评分) Iggy Pop 类型: 摇滚
发布日期 1977年1月1日 出版发行: Virgin Records
James Newell Osterberg Jr., better known as Iggy Pop, is an American singer, songwriter, musician, and record producer. Designated the "Godfather of Punk", he was the vocalist and lyricist of influential proto-punk band the Stooges, who were formed in 1967 and have disbanded and reunited multiple times since.
獣化 [音乐] 豆瓣
7.9 (56 个评分) Snapline 类型: 摇滚
发布日期 2018年11月29日 出版发行: 兵马司唱片
獣,简体汉字“兽”的异体字,保留“犬”边表意,狐狼之属。
獣化,不管各种神话传说体系如何定义,表现为反进化。若以守恒律为定理,其中必有舍得。
世界再次混沌。獣们渐渐觉醒。像通人语的白泽,晓万物却至宅,从不出现除非值得。像爆裂的夔,释放方丈光芒,激荡滚滚天雷。像决绝的獬豸,看得清一切诡辩,算得尽万种因果,杀伐果断。亦或是像种种神奇的飞禽走兽,施展千万种绝技,不问世事为何,不存矫揉造作,不挣扎于虚妄,也不胡乱逼逼,直至太阳熄灭。
就是獣化两个字,再无其他解释。咐咐。
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Snapline 的第三张专辑《獣化》于2018年11月29日正式发行。这张专辑是乐队去年夏天专程赴日本东京GOK Studio录制的,录音、混音以及母带制作工作均由近藤祥昭完成。
词、曲、编曲、制作:Snapline
录音棚:GOK Studio
录音、混音、母带:近藤祥昭
绘画:吴笛
设计:贺子珂
发行介质:CD、LP
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