Ambient-Techno
Amber 豆瓣
8.4 (19 个评分) Autechre 类型: 电子
发布日期 1994年11月7日 出版发行: Warp
Limited re-pressing vinyl on the Warp label.
Lux 豆瓣
8.3 (6 个评分) Venus Ex Machina 类型: 电子
发布日期 2021年1月29日 出版发行: AD 93
Venus Ex Machina is a composer, sound designer and interdisciplinary artist. We're thrilled to present her debut album Lux, due for release in January 2021.
Lux is a digital sanctuary, a choral ambience, layered electronics, no in-put mixer scree, a requiem for an earth beset by environmental change.
Mastered by Rashad Becker
Cut by Beau at Ten Eight Seven
Designed by Alex McCullough and Noah Baker
Now Is 豆瓣
Rival Consoles 类型: 流行
发布日期 2022年10月14日 出版发行: Erased Tapes
The London electronic musician’s painterly, atmospheric production style yields deftly layered headphone music adorned with occasional dancefloor flourishes.
Shall We Go On Sinning So That Grace May Increase? 豆瓣
6.8 (5 个评分) The Soft Pink Truth 类型: 电子
发布日期 2020年5月1日 出版发行: Thrill Jockey
Boomkat Product Review:
The Soft Pink Truth is Drew Daniel, who also forms one half of acclaimed electronic duo Matmos.
"Shall We Go On Sinning… began as an emotional response to the creeping rise of fascism around the globe. Daniel explains: “The election of Donald Trump made me feel very angry and sad, but I didn’t want to make ‘angry white guy’ music in a purely reactive mode. I felt that I needed to make music through a different process, and to a different emotional outcome, to get past a private feeling of powerlessness by making musical connections with friends and people I admire, to make something that felt socially extended and affirming.”
Those musical connections make this record what it is; vocals provided by the chorus of Colin Self, Angel Deradoorian and Jana Hunter form the foundation of most of the tracks, sometimes left unchanged as with opening line (“Shall”) or the sensuous R&B refrains on “We”, other times shrouded in effects, morphing into new forms. Stately piano melodies written by Daniel’s partner M.C. Schmidt as well as Koye Berry alongside entrancing vibraphone and percussion patterns from Sarah Hennies push tracks toward ecstatic and melodic peaks, while rich saxophone textures played by Andrew Bernstein (Horse Lords) and John Berndt are used to add color and texture throughout. The album’s overall sound was in part shaped by Daniel hosting Mitchell Brown of GASP during Maryland Deathfest. Daniel borrowed Brown’s Roland Space Echo tape unit which he then used extensively throughout to give the album a flickering, ethereal quality. The melodies, jubilance, and meditative nature of album provides a much-needed escape from the contemporary hell-scape. The process of creating Shall We Go On Sinning So That Grace May Increase?, in and of itself, is the Soft Pink Truth’s way of championing creativity and community over rage and nihilism."