這是CD再版發行，原版於1978年面世，開宗明義Ambient系列第一張專集(其實1975年11月發行的Discreet Music才是Eno第一張Full Length Ambient大碟)。令人心平氣和的音樂。

Out of print in the U.S.! 1984 album from the kings of ambient music: American pianist Harold Budd and British music chameleon Brian Eno. EMI.

Boomkat Product Review:
The Soft Pink Truth is Drew Daniel, who also forms one half of acclaimed electronic duo Matmos.
"Shall We Go On Sinning… began as an emotional response to the creeping rise of fascism around the globe. Daniel explains: “The election of Donald Trump made me feel very angry and sad, but I didn’t want to make ‘angry white guy’ music in a purely reactive mode. I felt that I needed to make music through a different process, and to a different emotional outcome, to get past a private feeling of powerlessness by making musical connections with friends and people I admire, to make something that felt socially extended and affirming.”
Those musical connections make this record what it is; vocals provided by the chorus of Colin Self, Angel Deradoorian and Jana Hunter form the foundation of most of the tracks, sometimes left unchanged as with opening line (“Shall”) or the sensuous R&B refrains on “We”, other times shrouded in effects, morphing into new forms. Stately piano melodies written by Daniel’s partner M.C. Schmidt as well as Koye Berry alongside entrancing vibraphone and percussion patterns from Sarah Hennies push tracks toward ecstatic and melodic peaks, while rich saxophone textures played by Andrew Bernstein (Horse Lords) and John Berndt are used to add color and texture throughout. The album’s overall sound was in part shaped by Daniel hosting Mitchell Brown of GASP during Maryland Deathfest. Daniel borrowed Brown’s Roland Space Echo tape unit which he then used extensively throughout to give the album a flickering, ethereal quality. The melodies, jubilance, and meditative nature of album provides a much-needed escape from the contemporary hell-scape. The process of creating Shall We Go On Sinning So That Grace May Increase?, in and of itself, is the Soft Pink Truth’s way of championing creativity and community over rage and nihilism."

大卫·林奇-电视原声《双峰》Angelo Badalamenti作品

国内外で大ヒットしたプレステ2のホラー・アドベンチャー・ゲームの続編『サイレントヒル2』のオリジナル・サントラ。キャラクターの心情を表現したメロディアスなBGMも話題になっている。

REUNION「久别重逢」 EP
在机缘巧合之下，来自SOTI峙听的音乐人 UNTECHCIRCLE 和 jan Silen 与中国重量级艺术家张武运产生了化学反应，并有幸为张武运的「久别重逢」艺术展览制作配乐。即将推出的《REUNION》EP将这段配乐分为五个部分呈现，运用了大量的正弦波音色、微声（Mircosound）以及田野录音（Field Recording），将声音的质感与画作相互呼应。

SOTI One Year Anniversary：环日一周
大地与土壤、天空与氧气在经历三百六十度的视角变化后，再次回到原地。
身处的行星在时间尺度下经历了一个动荡的太阳年。
时针与过去预谋。
365日前的今天，SOTI诞生于一团模糊的雾。
明与暗交汇的迷雾里，她与划过的每一秒之间的联系都显得朦胧不清，却又不时触碰碎片般的讯息。混沌中她以己为针，光阴为线，穿引细小碎片构画出她深邃梦幻的电子乐构象。
这样一个抽象的环境里，SOTI峙听发布了一周年全新合辑。八位制作人分别给出了他们的表达。
Undersea Light海底光线：就像为了找寻爱和同伴的深海白鲸 再经过数载的寂寞游弋后 终于寻找到对方时所发出的灵体光芒 —廖凯
7'24'': 其实 没有因果性 也没有答案 —Aplx
Singularity: 库珀落入奇点的所见所闻 —Cci
Time And Air时间与气: 几种情绪 几段声音 —Angry5JaR
Deus ex Machina: 如果说神是理想化的极致 那么这就是一场降神仪式 也是理想与现实的对话 —Dada
beehive: 疫情宅家期间的一个小习作 标题取自73年的电影《蜂巢幽灵》—Broken Thoughts
Fujitive Dust: 慌逃的浮尘被海浪推走 生命就在狭缝里游离 —UNTECHCIRCLE
kon ike: 睁开眼睛 所有图像都在你眼中 颜色随泪流失 只剩下黑 灰 白 追悼追不上了 — jan Silen
统筹：Belinda
监制：晚风、UNTECHCIRCLE
视觉设计：jan Silen

2017年発売『async』以来、約6年ぶりのオリジナルアルバム。いまだ続く闘病生活の中、日記を書くように制作した音楽のスケッチから、12曲を選び1枚のアルバムにまとめた作品集。各曲のタイトルは、曲を制作した日付。ジャケットは「もの派」を代表する国際的な美術家、李禹煥 (リ・ウファン)氏が本作のためにドローイングを制作。坂本龍一の71歳の誕生日となる2023年1月17日にリリース。

The experimental artist’s fifth solo album is among her best, a beautiful collection of minimalist ambient compositions in which no line extends for long without dissolving into an inky blot.

NEW BLUE SUN represents a continuation of adventure and discovery for me. Even inherent in the meaning of my name André 3000, there is a wonder or looking forward to the new or what is next. This discovery has happened many times in my life and career and it’s very exciting to witness. I say 'witness' because I am also watching it happen along with you all and I never really know what will come or how I will respond or interpret the inspiration. We all have aspirations, ideas or plans but isn’t it the most awesome when life surprises us in a way that becomes greater than anything we could have imagined? New Blue Sun and the process in which it was recorded is that discovery and witnessing being played out in real time, alive, breathing, and improvised. It’s much more than 'Andre’s flute album'. Ha.

DREAM_76
初めて私はあなたを見た。

Artwork: Rúrí (ISL)
Producers: Paul Corley & Sigur Rós
Writers: Georg Hólm, Jónsi & Kjartan Sveinsson
Bass: Georg Hólm
Cello: David Lale, Laura Moody, Max Ruisi, Nathaniel Boyd, Patrick Johnson & Reinoud Ford
Copyright ©: Von Dur Limited
Double Bass: Eloise Riddell, Gwen Reed, Nicola Davenport & Siret Lust
Engineer: Birgir Jón Birgisson, Chris Bolster, Farrokh Shroff, Freddie Light, Ivan Handwerk, Nate Haessly, Paul Corley, PJ Munley, Sigur Rós, Ted Jensen & Zack Zajdel
Exclusive License: BMG
Phonographic Copyright ℗: Von Dur Limited
Piano: Kjartan Sveinsson
String Arranger: Sigur Rós
Video Director: Johan Renck
Viola: Alison D'Souza, Freya Hicks, James Heron, Jennifer Wilkinson, Jordan Bergmans, Lowri Thomas & Matthew Kettle
Vocals: Jónsi