夏日美好的星期日午后，来点乐芙莉圣代正是时候！ 为这个时代带来一些幽默感！《Lovely Sunday 乐芙莉圣代》是椅子乐团The Chairs的第二号作品。这支由咏靖、仲颖、伯元三人组成的年轻组合在2017年因为当兵缘故休团，期间结识了音乐制作人黄荣毅，几个大男孩对于音乐的理念一拍即合，激发出强烈的创作火花。一年多的沉淀，终于孵育出这张集复古、浪漫、搞怪、迷幻于一身的摇滚专辑。
本专辑由新生代制作人黄荣毅担任制作，邀请落日飞车鼓手罗尊龙、美国鼓手Cody Byassee及萨克斯風演奏家谢明谚一同助阵，并在录音师陈以霖、Zen以及混音师Andy Baker、黄文萱等金曲阵容的协助下完成制作。
数字发行时间：2018-06-29
实体发行时间：2018-08-01

我们常常祈求一个确切的状态，将自己准确地安放在世界的某个位置上，希望所有追逐的都尽收囊中，期待面对的问题与选择都有对应的答案。
然而我们所希望的、我们习以为常的、我们以为唾手可得的，忽然在某一刻，遁入了迷雾中。
那些人事物似乎很近，却逐渐远去，不知道什么时候又再次掉转方向来到我们面前，但没有人能确定，这是不是最终的...

《宇宙魔法雙聲線搖滾樂隊首張創作專輯：請一揮而就地帶走我所有的能量！》
「我就這樣直接的說吧，之後那一天你會相信；
可能聽著一首歌哭泣，站在很笨的星球只有自己！」
下過雨的地板變得特別幹凈，我仿佛穿梭了一億光年，超越時間的河流、空氣的粒子、靈魂能夠承載的重量，說著無從辨識的語言，回放著他人聽不懂的字句和歌曲，這樣的狀態自在柔軟卻緊緊地包覆著我，
我正式宣布融入人類社會計劃大失敗。
畫面浮現了天空的遼闊、溫度的瞬變、海水的湛藍、森林的憂郁、娜美的胸部、魯夫的橡膠手，我意識到自己再也不能流淚，因為這般震撼徹底貫穿了我的身體，我再也無法表現任何情緒，任何列車都無法帶我抵達這裏，我將一切盡收眼底……我被這一切融化、發酵，我再也不孤單，再也不會因為長太胖而在地球被判死刑，這個人非我不可，勇敢就是自由，我要讓他們的靈魂離開中毒的身體，
你帶路，他們會追隨你！
‧獻給全世界「為愛癡狂」ㄉ啟智兒-"大家都唾棄ㄉ低能婐愛ㄋ"
‧青春電幻「私奔到」偶像劇主打-"城市逃亡羅曼史"
．那ㄍ夏天「離鄉背井」，沒ㄌ愛情又診樣-"甜甜圈之亂"
．婐在安平，靈魂「抽絲」又「剝繭」-"安平之光"
．吃ㄌ「Ｂ群」睡不著，婐只要「你」在婐身邊-"當ㄋ沈睡ㄉ時候告訴婐ㄋ夢到ㄌ婐"
♡ 推薦歌曲：全曲。

2021年1月，八仙饭店发行了第一张独立制作的迷你唱片《极乐大厦揭幕》，名字来自肯尼思·安格的影像：关于荒诞的人间观察和梦的投射。以此描绘一出邪典东方群像: 误闯寺庙的游客，小偷与神棍，末日狂欢旁观者，沉默的大多数，妙法朋克少年神，以及准备就绪的秘密爱人。你是哪一个，或 者哪一个都是你。
词/曲：王帆
编曲：八仙饭店
人声/合成器：王帆
吉他：董林
贝斯/打击乐编程：闫明琛
制作人/录音：闫明琛
混音/母带：廖智辉
封面设计：王帆/张瑞
At the beginning of 2021, 8 Immortals Restaurant released their first DIY album Inauguration of the Pleasure Dome, inspired by Kenneth Anger's namesake movie--all about the absurd observations and the projection of dreams, which fictionalized a group portrait of the quirky Orientals.
All songs & lyrics written by: Wang Fan
All songs arranged by: 8 Immortals Restaurant
Vocals, Synthesizers: Wang Fan
Guitars: Dong Lin
Bass, Drums programming: Yan Mingchen
Produced & Recorded by: Yan Mingchen
Mixed & Mastered by: Liao Zhihui
Cover designed by: Wang Fan & Zhang Rui

Deerhunter's new album Halcyon Digest is coming September 28 from 4AD. As previously reported, the band announced the album's existence to the world by putting up a poster on their website and asking fans to print it out and post it in places where the unsuspecting public could find it.

The third album from the New Zealand quartet blends openhearted lyrics about post-breakup regret with a sugar-rush immediacy and a craftsman-like attention to detail.

The London quartet moves beyond the sardonic post-punk of its debut, exploring new sounds and moods while Florence Shaw reveals hitherto unheard subtleties in her famously low-key delivery.

The British indie rock duo have hooks stuffed with bait and a keen eye for assessing self-delusion. Their debut is the sound of two women stoking mutiny from a slow descent into madness.

We are pleased to announce Wolf Alice’s debut album ‘My Love Is Cool’ is now available to pre-order on CD and Vinyl. The LP, released on June 22nd, is pressed on gold double heavyweight vinyl with download code and limited edition (first 1000) signed art card.
Long-awaited and feverishly anticipated, Wolf Alice’s debut comes with lofty expectations. Fittingly, then, it’s a record that reaches for the stratosphere. Equal parts gigantic guitars and wistful, wilting beauty, My Love Is Cool is a timeless collection of songs that outweighs any preconceived notions of what Wolf Alice are, or can be.

The album is incredibly broad in range, refusing to be defined by one idea. From the uncompromising Yuk Foo to the infectious Beautifully Unconventional and Don’t Delete The Kisses, a dizzyingly romantic track which shows their progression and maturity as songwriters. Visions Of A Life is not an album of clichés. It is packed with surprises for those who think they know Wolf Alice. A darker, bolder, more diverse release from the biggest breakthrough independent band of recent years.

Coming February 10: the most live-sounding Yo La Tengo album in years, This Stupid World. Times have changed for Yo La Tengo as much as they have for everyone else. In the past, the band has often worked with outside producers and mixers. In their latest effort, the first full-length in five years, This Stupid World was created all by themselves. And their time-tested judgment is both sturdy enough to keep things to the band’s high standards, and nimble enough to make things new. At the base of nearly every track is the trio playing all at once, giving everything a right-now feel. There’s an immediacy to the music, as if the distance between the first pass and the final product has become more direct. Available on standard black vinyl, CD and on limited blue vinyl.

Doolittle is the second studio album from the American alternative rock band Pixies, released in April 1989 on 4AD. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the newly hired producer Gil Norton. Doolittle was the Pixies' first international release, with Elektra Records as the album's distributor in the United States and PolyGram in Canada.

少年的成长意味着什么呢？模仿大人的模样？开始把不言的自证沉甸甸地说出口？还是依旧在打开这篇文稿的时候先问四个问题？生于 90 年代末的缺省乐队的成员，把对现阶段人生的自我解构，一字一句地写在这张唱片里。
对于缺省而言，年少愁云里的超新星爆炸，真空中自我怀疑的死寂，春风中一滴去年的泪水，都是成长的见证。从 2020 年的上一张 EP 开始，缺省便一直在寻找属于自己的语言。这张唱片最初曾被想象为饱含鸿鹄之志的超长篇章，但经历了立场的碰撞、语汇的交融与眼高手低的懊恼， 乐队五人最终回归脚踏实地、整理好肺腑中的一言一句，一弦一弓，带着千百遍的内心垂问与成长的泪痕，真诚地将脚下这片《共同的土地》呈现在大家面前。
也许无需在此拆解音乐背后的种种思路，那些锱铢必较的时刻，无非是在拿着凿石锤雕刻语气。与大振膜间的“空间”少许，弓与琴的狼音，拇指侧沿与十二弦琴的剐蹭，电子平板上无数个被划掉的言语，每个被赶鸭子上架的原音重读。
坦率地说，这是缺省第一次有点知道了“自己在说什么”。他们更加坚定地抛弃了掩藏在混沌声响之中的模棱两可，在拨云见日后用力刻画自然山脉的沟壑、书写居民楼里的热气腾腾、记录焦虑时刻的自我怀疑、重访阴霾骤起时的恐惧。当他们逐渐摸索出自己的语言，便毫无保留地将诚恳与热情注入其中，将习得的种种技巧与方法，夯实为通往故事与情绪的路上基石。
在这三年里，缺省对“内在成长”也有了前所未有的清晰体会。他们回避了所有讨巧的思路，以一种同龄人之中少有的质朴，把这些时日里的感受、想象与铭记的瞬间浇灌进密纹的木质结构中，将其牢牢地扎进土壤，并在周遭燃起坚定的篝火。步入社会依然不算很久的缺省，在乌云密布的掌心里，在人与人的连接与关怀中，通过音乐创作，一砖一瓦地构筑着属于他们的生活，并欢迎每一个人走进来，彼此交换感悟与真心。
文：屹然/方舟

Wallsocket, released September 22, 2023, takes place as an ARG (alternate reality game). Wallsocket is described as a small town in Michigan by underscores. However, Wallsocket, MI does not actually exist.

There's a reason why this record rode a slingshot into the top 50 of Pitchfork's first 90s list without so much as a month passing between its release and the feature's print date: Travis Morrison and the Plan didn't hold a thing back. On this, their third and penultimate album, they recklessly careened through an all-encompassing sonic landscape and nailed every possible, terrifying angle along the way: "What Do You Want Me to Say" seethes with rabid frustration; "Gyroscope" and "The City" are wantonly pop-inflected slices of wistful melancholia; "Memory Machine" and "8½ Minutes" jut out with razor-sharp abandon; "Spider in the Snow" and "The Jitters" swim in demoralization and reflectiveness; "I Love a Magician" is warped by its own maniacal impulses; "Back and Forth" is the flammable, anthemic call-to-arms for a revolution that demands you stop giving a shit. The album's lyric book reads better than half the modern volumes on my bookshelf. Modern R&B should have as much rhythm. Modern rock should have as much balls. --William Morris