伊朗
Second Take 豆瓣
Peyman Yazdanian 类型: 原声
发布日期 2004年11月23日 出版发行: Bak Ground Music
这是伊朗导演阿巴斯的御用作曲家Peyman Yazdanian电影配乐专辑,其中包含三部电影的配乐。分别是Istgaahe Matrook/Deserted Station/荒废的车站,Kaze no jutan/The wind carpet/风之绒毯,White Nights
Portrait of a Dream 豆瓣
1000 Funerals 类型: 摇滚
发布日期 2005年6月6日 出版发行: Self-released/independent
乐队简介:Band : 1000 Funerals
Country : Iran
Genre : Extreme
Style : Black/Funeral Doom Metal
Line-up :
Parichehr ``Pixy`` - Keyboards
Afshin ``Undertaker`` L. - Guitars, Vocals
专辑简介:
Pixy : all keyboards except solos
Undertaker : guitars, clean vocals, lyrics
Cyrus E. : vocals
Avinar : all compositions, mix, keyboards solos, drums, lyrics, covers as
guest
Sumud 豆瓣
Niyaz 类型: 世界音乐
发布日期 2012年5月22日 出版发行: Six Degrees Records
Niyaz blends medieval Sufi poetry and folk songs from Iran, the Indian sub-continent, Turkey, rich acoustic instrumentation, with modem electronics. With two critically acclaimed and best-selling albums, Niyaz has created a 21st century global Trance tradition and have quickly become a standout ensemble in a very crowded world music field. Founded in 2005 by Iranian vocalist /composer Azam Ali, Iranian multi- instrumentalist) composer Loga Ramin Torkian, and two time Grammy nominee American producer! re-mixer Carmen Rizzo, Niyaz is considered by critics to be one of the most groundbreaking groups of its time. With their unique blend of Sufi mysticism and trance Electronica, Niyaz has garnered a solid international fanbase and continues to perform at some of the most prestigious venues and festivals for enthusiastic audiences worldwide.
Niyaz 豆瓣
Niyaz
发布日期 2005年4月19日 出版发行: Six Degrees
Niyaz is an acoustic electronic project that brings together three prominent musical figures to form an exciting new fusion of traditional Persian music and modern electronics..

Vocalist and composer Azam Ali, one of the founding members of the acclaimed group Vas was born in Iran, raised in India and moved to The United State as a teenager.

Multi instrumentalist and composer Ramin (Loga) Torkian of Axiom of Choice was also born in Iran and moved to the United states as a teenager. His extensive travels combined with his in-depth understanding of Persian music and Indian culture and spirituality have enabled him to cultivate a sound that is extremely authentic, yet can lend itself to the modern framework within which the music is created.

Twice Grammy nominee producer/ remixer Carmen Rizzo is one of the most in demand producer- programmers on the electronic dance scene today. He has worked with artists ranging from Ryuichi Sakamoto, Khaled, Seal, Paul Oakenfold & Cirque Du Soleil bringing his unique approach to beats and electronic textures.

These three veteran masters have all experienced success on their own and have found a new common ground in Niyaz where the mystical poetry of Urdu and Persian Sufi poets of the 14th and 15th century forms the lyrical framework for a fresh new musical adventure.
I Will Not Stand Alone 豆瓣
Kayhan Kalhor & Ali Bahrami Fard
发布日期 2012年1月1日 出版发行: World Village
Kayhan Kalhor (Shah Kaman), Ali Bahrami Fard (bass santur)
Serus 豆瓣
Siavash Amini
发布日期 2019年8月2日 出版发行: Room40
“Every night is two nights, according to Maurice Blanchot. The night the body spends in sleep is not the same as the night the dreamer spends in dreams. The sleeping body may lie under the stars, and the dreamer may dream of the stars—even of a journey to the stars—but the night of the dream is a night without stars.”
rom Siavash
The Idea of this album, when I first started drafting it, was to continue what struck me as very interesting yet simple idea; night. I became interested in different definitions of what night is, our perception of it and what night means physically to us as well as symbolically.
I came across the idea of ‘other night’ described by Maurice Blanchot, during my research. It started me recognising night as something we experience as ‘the night of sleep’; it is night that we resist in sleep, by way of dreaming.
Things became more interesting for me during many nights of not sleeping and intoxication, and an eventual nervous breakdown. This experience, culminating in me spending three days in ICU, gave me pause to think about Blanchot’s words.
Slipping in and out of consciousness my mind, which had already experienced a blurring of what one might call the ‘other night’ and the night itself, by being in half sleep most of the time. I felt myself far way from all my surroundings and at the same time being very attentive to some details in the objects around me. It was as if my body and mind where in an in-between state. I can only describe this as being distant or more precisely being in the dark. Objects and people showed themselves out of proportion and mostly dim.
A feeling to describe this sensation, the word for which I only came across later, is ‘Serus’. There was a sense of repetition and familiarity in some feelings and emotions that I had towards some objects like sensing I knew them but not exactly from where or when. It was as if my body was resisting sleep and my sleepy mind was resisting being awake, only to dream of another type of the world that I could be awake in.
Selected Improvisations from Golha, Pt. I 豆瓣
Morteza Mahjoubi 类型: 民谣
发布日期 2021年9月30日 出版发行: Death Is Not The End
A collection of stunning Persian-tuned piano pieces cut from Iranian national radio broadcasts made for the Golha programmes between 1956 & 1965...
Morteza Mahjoubi (1900-1965) was a Iranian pianist & composer who developed a unique tuning system for the piano which enabled the instrument to be played in all the different modes and dastgahs of traditional Persian art music. Known as Piano-ye Sonnati, this technique allowed Mahjoubi to express the unique ornamental and monophonic nature of Persian classical music on this western instrument - mimicking the tar, setar & santur and extracting sounds from the piano which are still unprecedented to this day.
An active performer and composer from a young age, Mahjoubi made his most notable mark as key contributor and soloist for the Golha (Flowers of Persian Song and Poetry) radio programmes. These seminal broadcasts platformed an encyclopaedic wealth of traditional classical music and poetry on Iranian national radio between 1956 until the revolution in 1979.
Presented here is a collection of Morteza Mahjoubi's stunningly virtuosic improvised pieces broadcast on Golha between the programme's inception until Mahjoubi's death in 1965... - mostly solo, though at times peppered with tombak, violin & some segments of poetry.
The vast collection of Golha radio programmes was put together with the incredible work of Jane Lewisohn & the Golha Project as part of the British Library's Endangered Archives programme, comprising 1,578 radio programs consisting of approximately 847 hours of broadcasts. more