2nd EP「明晰夢」
本作は先行配信が行われていたシングル「テニスコート」を含む全8曲を収録。
サポートベースにわじん（Copy）、サポートギターに猪俣龍也が参加。
ジャケットのイラストはドラムの遥によるもの。
販売はCDがニューヤナセのオンラインショップで購入できるほか、ココナッツディスク吉祥寺店でも取り扱われている。

洋蔥啊，層層剝取的感人
仇名者 (原文刊載於破週報197期)
這個來自北方的民謠樂團，成員們有著用生活體會音樂的基本態度，都追尋豐富的生命經驗，塚田高哉是調音師，宇井宏以耕種維生，波多野信子是主婦兼鋼琴老師，片山夫婦則為養護中心的職員與護士，他們在日本80年代反核及市民運動洶湧中相遇組團，更有其革命情慨。在專業音樂訓練的屏障外，創作主要以不同唱腔個性為主，歡樂中有深沉，包容中有前進，咀嚼到的是平穩中不卑不亢的居處之道，子母音韻尤其適合唱述其故事性精彩，並輔以各式樂器。每個孩子都是離鄉所以望鄉，有態度、有音樂，是Tau樂團最珍貴的特色，一直累積用音樂作人與人關係的討論。
收一段笛子鳥鳴，舀起「加德滿都」的奶茶，吉他、打擊樂重現溫馨但或許貧苦的街道，熱鬧地吟唱把不輕鬆唱鬆，Namaste是和你打招呼哦！
「芽生」一曲故名思義應該是一首鼓起力量的歌，原來也是，孩子的誕生刺激塚田想好好活下去，口琴揚起，溫煦、慢慢地唱著大自然的風光。
「蔓藤薔薇」在男合聲中輕快回憶，仍舊是暖調。
「二十三夜的吠檀多傳說」衍自印度典故，為強調其戲劇性，塚田特別加重低音鋼琴，”二十三夜的月光照進床邊 旅客哭了一陣子原來是場夢 還好只是一場夢”，生而無常，不禁清朗到讓人莞爾一笑。
「三番方節」由波多野信子領唱關於有點憂傷的礦場生計；「光」是野道玲子觀賞獐耳細辛花的夢迴，靈動的鋼琴獨奏曲；而「在星空下」遙想在車諾堡核災中相連的孩子。
「森林裡的人啊」特別有原住民味道，塚田的歌聲不會天真到無法自拔，或自溺到令人懷疑，坦率，所以聽來舒服；「喜鵲之歌」打著手鼓，男女小孩都非常同樂，真實。
趁著冬意春意試探，正不是加溫這段聆聽的時分。

中森明菜，日本知名女歌手與女演員，出生於日本東京都大田區，成長於東京都清瀨市。 在1980年代的日本歌謡曲全盛時期，她是最紅的歌星之一，曾有21支單曲與連續13張唱片專輯登上公信榜第一名。也是80年代日本唱片銷量最高的偶像歌星。

脱离电気グルーヴ两年之后，砂原良徳发行的第2张作品。

本格活動開始から1年足らずで"THE FIRST TAKE"に出演し、公開から1週間で300万再生を突破するなど、10代を中心にファンダムを急速に拡大中の"悲しみをたべて育つバンド"あたらよが、新曲「祥月」を本日9月22日にリリースした。

第5段シングルとしてリリースされた新曲「祥月」。タイトルの"祥月"とは故人が一周忌以後において亡くなった月を指す言葉で、いなくなった"君"を想う主人公の気持ちを歌った疾走感の中に切なさを感じる曲となっている。

公開されたジャケットは、満月が写った今の季節にぴったりな幻想的なジャケットとなっておりカメラマンのサカグチヤマトが担当した。

tricotが新曲「Dogs and Ducks」をリリース。
本楽曲は、予測不能なバンドサウンドと中毒性のある歌詞がリンクした作品となっており、tricotの中でも人気曲の「おちゃんせんすうす」を彷彿させるシュールで独自の世界観が表現されている。

いわゆる、女優さんの余技と思うなかれ。
坂本龍一さんがここまで力を入れてトータルプロデュースした女性ボーカルはいないのではないか?
とにかく坂本龍一さんをはじめとする作家さん達の半端無い音作りと詞の世界には圧倒されます。
そのバックアップに劣らない中谷美紀さんの声のクオリティにも涙腺をくすぐられます。
ヒップホップ、テクノ、ジャズ…色んな要素が組み込まれた一枚。
中谷美紀さんが好きな人、坂本龍一さんの音が好きな人は、必聴だと思います。

SRUIN117
Russian/Japanese/American experimental ritualistic black metal entity 夢遊病者 (Sleepwalker) emerge from slumber with "Noč Na Krayu Sveta" a two song/half-hour EP of liquefying hallucinogenic sonic alchemy and transcendental avant-garde excellence. In the vast two-song composition 夢遊病者 morph into their most abstract and defiant state yet, reaching a state of near-ethereal cinematic deconstructionism that only leaves vague traces and queues of their primordial and vast melting pot of influences. Within, black metal, kraut, noise rock, free-jazz, drone, middle-eastern incantations and ritualistic psychedelia are melted down in a lysergic kaleidoscopic frenzy of sounds and then sublimated to reach a new zenith of masterful immateriality which consecrates the band at its most ambitious and confrontational state yet. Challenging the listener's senses and perception at multiple levels, "Noč Na Krayu Sveta" pries the mind open to enter its deepest levels, defying its boundaries and expectations almost with arrogant unpredictability, crossing thresholds of experimentalism and of creative ambition we hadn't yet fathomed in the band's still short but extraordinary career, but which we can now gaze into in complete awe and wonder. The result... something standing astonishingly between Ved Buens Ende, Zeni Geva, Bohren And Der Club of Gore, Galloping Coroners, Urfaust, and The Kilimanjaro Darkjazz Ensemble.
As with much of the 夢遊病者 catalog, the root entity of inspiration for this release was a person, which then expanded out into the idea of how this person exists in the Sleepwalker universe and interacts with the world old and new. Are they open, kind, selfless, self-sacrificing and good natured—or are they cold, self-protective, brutish and menacing?
Noč Na Krayu Sveta (Night at the Edge of the World) plays with the notion of this dichotomy, interpolating the idea that what comes at night can be both devastating and exhilarating, driven by unsurmountable and inexplicable loss or an ecstatic revelation, an end or a new beginning. In continuing from the last release, to further magnify the self-referential and collaborative spirit of the band—other musicians, friends and fans, even family members were tapped to appear on the album. We are forever humbled and honored by them taking their time to contribute. This was a labor of love, loss, joy and disgust that we hope, in some abstract way, will make its proper connection.

【期間限定盤】
■CD+DVD
■スリーブケース
※2020年9月30日までの期間生産限定

1982年初版LP。非洲民歌专辑，包括很多很难学的唱法，实在让人惊叹。
日本の合唱界でまことにユニークな存在の芸能山城組が,およそ非西欧的な構造をもつアフリカ各地の合唱的歌唱に挑んだ力作。モロッコからボツワナに至るアフリカの歌をこなしてしまうその気迫のほどにおそれいるが,やはり日本人の合唱である意義が大きい。

Osorezan (La Montagne de la Peur)
Date de sortie 1976
Tracklist
01 geinoh yamashirogumi - osore-zan (mountain of fear)
02 geinoh yamashirogumi - dou no kenbai (copper sword dance)
Info sur le titre de l'album Osore-zan
Sur l'ile de Honshu dans l'arriere pays de TOHOKU, un volcan est l'attraction principale
de tous les passionnes de sueurs froide. 'la Montagne de la Peur' : un volcan qui fume sans cesse, et
dont le cratere (qui porte un lac immobile symbolisant les enfers bouddhiques) accueille chaque annee
des sorcieres-mediums, les itako. Ces jeunes femmes, souvent aveugles, sont formees par des pretresses
chamanes pour servir de porte-paroles des morts pour les familles.
Autour du Mont Osorezan, elle s'installe proche des vapeurs et entament un ceremonial ou s'elevent des voix
d'outre-tombe (est-ce le meme procede que pour la pythie de Delphes : une mise en transe par l'effet des fumees volcaniques ?).
Photo du site touristique :
Commentaire
Ce disque est une bombe. Une comete. Mais qui ne vaut que pour le premier instrumentale.
La seconde face est plus experimentale et risque d'en derouter plus d'un sauf si vous vous mettant dans l'ambiance flippante.
Tout de suite, ferme vos volets, fermez les yeux, et plongez dans l'horreur.
Car on flippe litteralement en ecoutant l'album. Imaginez-vous en pleine nuit, au pied de cette montagne, seul.
Du brouillard. Le vent dans les arbres. Et...je vous laisse a votre imagination pour la suite
Prologue : 0 a 2:18
Un cri dechirant vous fait sursauter, puis une douce percu annonce la couleur.
Basse electrique ensuite, et cris des itako. Soudain une femme a la voix douce chante
une priere tres melodique alors que les cris des fantomes et vent l'accompagnent.
Arrivee du synthe. Silence.
Developpement
[U]Intro :[/U]
Bruit de pas, et. Riffe de guitare electrique. Batterie. Que la melodie est belle. Des voix feminines, des voix de fantome, riffs plannant de guitare.
L'intro monte crescendo jusqu'a l'explosion qui est le plus beau moment du disque.
[U]Explosion lyrique[/U] a partir de 8:13
(le plus beau morceau de Geinoh Yamashirogumi)
Percu et basse annonce la couleur et la fantastique chorale commence comme une ballade de l'horreur.
Les Pink Floyd n'ont qu'a bien se tenir.
Gros solo melodique a la guitare (a partir de 9:28) - Un pure bonheur qui n'a rien a envier au Pink Floyd, c'est encore mieux ici.
Solo synthe a partir de 13:25
Retour des voix, cris dechirants melodiques, un pur bonheur artistique. Je rappelle que ce disque a ete compose en 1976. :blink:
Final (16:13 a fin)
Superbe melodie douce. Les voix ne sont plus flippante mais reposante. La conclusion est tres belle, puis, comme une
voix qui pleure, une femme chante une melopee japonaise ancienne, magnifique.
>>>
Geinoh Yamashirogumi (The Yamashiro Art Group) are a collective of about 200 people working in cultural anthropology, ethology, molecular biology and other related fields. From the 1960s they studied musical cultures from around the world, mastering something like 80 different musical systems. Listen and you would never know they were Japanese as they sing Bulgarian polyphony, or play Balinese gamelan. At the same time they play their own world mix of sounds in a hi-tech environment. Their music is mostly east Asian sounding, a sort of techno-gamelan rock, with Buddhist chanting, thundering Japanese drums or a collection of Tibetan instruments. They are probably best known for creating the soundtrack to the classic animated film 'Akira' an incredible collage of sounds that mixed gamelan with church organ and rock guitar. Osorezan (Ghost Mountain) comes with a health warning as it starts with a chilling scream, before developing into a collage of Japanese voices, gamelan, electric guitars and more weird screams. Track 2 has more vocal styles including shomyo (buddhist chants) and kecak (chanting) from Bali. Truly astonishing.

17 songs for 17 paintings of the forest.
On the 17th September 2021, Anoice, an instrumental music band featuring a dark and cinematic sound, will release their sixth album 'The Hidden Forest'. Because of the effects of the spread of coronavirus, Anoice decided to cancel all upcoming tours in March last year, and after that, released new works from Anoice and the members' solo/side projects; Yuki Murata, RiLF, Films, Mizu Amane, Cru, and Tokyo Ambient Collective and took charge of soundtracks for movies and TV drama series, but have now finally completed Anoice's new album after the longest ever production period in their history.
This album 'The Hidden Forest' took inspiration from 17 paintings of the forest painted by Naoko Okada, and includes 17 songs with the same title as each of the paintings, with a total length of 72 minutes. It consists of mainly beautiful neo-classical songs played by a piano and string quartet such as the first lead single 'a perfect day for a funeral' and 'second coming', and also spectacular songs with dynamic drums like the powerful ground, such as the second lead single 'quiet wish' and 'the promised day' and sometimes quiet ambient music made of collaboration with the nature sounds such as 'into the light' and 'trickery and butterflies'. You can find similar themed melodies and patterns of the codes, with similar instrument formations through the whole album, but no two are identical, just like the leaves of trees within the forest.
In addition, one of the biggest features of this album production process is having used not only recording studios but also power of nature such as forests and rivers. You may be able to feel as though you are standing quietly in the forest via the songs with the sounds of animals such as birds, owls, insects, and flogs and the nature such as wind, water, and squeaking trees which were sometimes recorded in a foggy forest, sometimes in a dark forest in middle of the night, and sometimes in a forest where a strong wind blew.
This album with the tension in the air will be hopefully be remembered in history as one of the most beautiful dark music albums of all time.
The album 'The Hidden Forest' will be released not only on normal jewel case, with a special booklet containing prints of the 17 paintings by Naoko Okada, but also number-limited A4-sized box version which includes separately extraordinary-printed 17 paintings, a visual card which will be enable to access to the digital streaming services for the album, an instant photo, and a copy on compact disc. The instant photos were taken by Anoice's members during their album recording days in the forests is each only one and has signatures by Anoice and Naoko Okada.
We hope you spend a chilled time taking in the 17 paintings whilst listening to the 17 songs which took inspiration from them, and feel The Hidden Forest.

僕らを無敵にする、音楽の魔法。indigo la End待望の1st albumが完成。
2月から始まる「スペースシャワー列伝 JAPAN TOUR 2013」にも出演!
4月発売の「さよなら、素晴らしい世界」、9月発売の「渚にて」と立て続けに作品をリリースし、3部作完結編とも言える初のフルアルバムを遂にリリースする。本作には初期からの人気曲で正式な音源化を切望する声が多数寄せれていた「大停電の夜に」、「She」に加え、疾走感溢れるバンドサウンドと突き刺さるギターリフ、透明で力強い歌声が絡み合う「sweet spider」、SWEET LOVE SHOWER2012のステージで初披露し美しいメロディーで観客を魅了した「抱きしめて」を始め、全曲がリードトラックと言える程の音楽だけを惜しみ無く収録した、正に珠玉の1stアルバム。一層煌びやかに、力強く成長を遂げたindigo la End第1章の完結編。明確な音楽への愛と、尽きない意欲が、魔法と共にこの作品には込められている。

Credits
A&R – 宇佐美明子*
Art Direction, Design, Executive-Producer – 則武輝彦*
Management [Caretaker] – 竹内絵美*
Mastered By – 風間萌*
Mixed By – あだち麗三郎*, 葛西敏彦*
Promotion [Sales] – 池田尚哉*
Recorded By – 杉山明弘*, あだち麗三郎*, 片岡敬*
Technician [Piano Rental & Tuning] – 三ケ田美智子*

冨田菜々風（とみたななか）のグループ初となるソロ曲

Artwork – Shuhei Tsuji
Engineer – Yukio Kojima
Libretto By – 秋山清
Liner Notes – 桃山晴衣, 土取利行
Photography By – Keiichi Tahara
Santoor, Esraj, Performer [Kachappi], Koto [Taishogoto], Tambura, Lute [Lotar], Vocals, Music By – 土取利行
Shamisen, Performer [Damian], Harmonium, Vocals, Music By – 桃山晴衣
Recorded on June 1 & 2, 1989 at Isehara Shimin Bunka Kaikan.
Inclues a 17 page booklet containing liner notes, scripts and a biography of the artist Takehisa Yumeji, who is the subject of the music.