英国
Careless Whisper 豆瓣
9.6 (10 个评分) George Michael 类型: 放克/灵歌/R&B
发布日期 1984年1月1日 出版发行: Capitol
乔治·迈克尔(George Michael,1963年6月25日-2016年12月25日),原名乔治斯·基里亚科斯·帕纳约托(Georgios Kyriacos Panayotou),1963年6月25日出生于英国伦敦北部,英国希腊裔创作歌手 。
YosepH 豆瓣 Discogs Bandcamp
Luke Vibert 类型: 电子
发布日期 2003年10月7日 出版发行: Warp Records
2003 album for Luke Vibert (aka Wagon Christ) and his first for Warp (believe it or not). Features 13 amazing tracks including the single 'I Love Acid'. Packaged in digipak format.
I / II 豆瓣
Walleater 类型: 摇滚
发布日期 2015年6月30日 出版发行: Tiny Engines
Animal 豆瓣
7.8 (8 个评分) LUMP 类型: 民谣
发布日期 2021年7月30日 出版发行: Chrysalis Records & Partisan Records
Lump began in 2018, with a collaboration between Mike Lindsay - a Mercury Prize-winning producer and co-founder of band Tunng, and the GRAMMY-nominated singer-songwriter Laura Marling. "The last record was an experiment," says Lindsay. "And I thought we weren't ever going to do another Lump record." As with the first album, Marling would arrive in the studio without having heard any of Lindsay's music, with the hope that it would bring the lyrics an immediacy and a spontaneity. Having begun studying for a Masters in psychoanalysis, she found she drew heavily on her course texts for this album's lyrics. There were other sources too: half-memories, family stories, strange dreams; things she had read, or been told or imagined. Animal was a word Marling threw into a lyric simply to meet a rhythm. But it seemed to capture the mood of the record, and of the band as a whole. "There's a little bit of a theme of hedonism on the album, of desires running wild," she says."Through Lump we find our inner animal, and through that animal we travel into a parallel universe," adds Lindsay.
the Word as Power 豆瓣
Lustmord 类型: 古典
发布日期 2013年6月28日 出版发行: Blackest Ever Black
"Come, let us go down and confound their speech."
The Word As Power is the new studio album by Lustmord, his first for Blackest Ever Black.
Half a decade in the making, it’s an exploration of ritual music without dogma. For the first time in his 33-year career Lustmord places vocals at the centre of his abyssal ambient creations, coaxing incantatory performances out of Aina Skinnes Olsen, Jarboe (ex-Swans), Maynard James Keenan (Tool) and Soriah.
Those looking to properly decode the subject matter of the album are advised to study Simon Fowler’s fiendishly elaborate, double-spread cover illustration. Suffice it to say here that it concerns "the word" as written - signs, ciphers, symbology, semantics, etymology - and as spoken - myths, mantras, chants, invocation and evocation. Of course it’s also about the unwritten, the unspoken; that which exists beyond the reach of language.
Sonically, The Word As Power is even more detailed, expansive and consuming than Lustmord’s followers have come to expect, with voices, electronics, immense sub-bass, field recordings and other acoustic phenomena harnessed and arranged to stimulate feelings of dread and desolation, certainly, but also escape, renewal and rebirth.
The alias of Welsh-born, California-based Brian Williams, Lustmord first emerged as an associate of SPK in the early ‘80s, before embarking on a solo career that has yielded such classics as Heresy (1990), The Place Where The Black Stars Hang (1994) and (with Robert Rich) Stalker (1995). Often seen to epitomize “dark ambient”, it would be more accurate to say that his work simply goes deeper, further, than conventional ambient dares, or is able, to go.
His last major work was 2008’s [Other], which gave rise to two companion albums, [Beyond] and [The Dark Places Of The Earth], and for the past two years he has been engaged with TRINITY, a live project inspired by the first nuclear weapons tests in the New Mexico desert. Lustmord has also contributed to numerous Hollywood films as music and sound designer, and over the past 30 years has collaborated with the likes of Clock DVA, Chris & Cosey, Geir Jenssen, The Melvins, Tool, Aaron Turner, Monte Cazazza and Coil’s Jhon Balance.
The Word As Power will be released by Blackest Ever Black in June 2013 on CD (BLACKESTCD004) and limited edition, gatefold double-vinyl (BLACKESTLP004). This is the pre-order page for the CD version.
All material conceived and produced by B. Lustmord apart from 'Babel' and 'Chorazin' which are based on traditional elements.
Heard Under Orphan Eyelid 豆瓣
Daniel J. Gregory 类型: 电子
发布日期 2020年1月29日 出版发行: n/a
Heard Under Orphan Eyelid by Daniel J. Gregory, released 29 January 2020
Recorded direct to mobile phone November and December 2019.
Under a Violet Moon 豆瓣
9.1 (25 个评分) Blackmore's Night 类型: 民谣
发布日期 1999年1月1日 出版发行: Steamhammer Us [Spv]
少见的夫妻档乐团。老公 Blackmore 来自当年叱吒风云的硬摇滚乐团 Deep Purple,70年代新古典吉它宗师的地位无可动摇。老婆 Night 是一位名不经传的民歌手,原来在 Blackmore 的乐队中作背景和声。二人成婚后妻改夫纲,Richie Blackmore,响誉乐坛三十年的吉它英雄,被老婆改造成中世纪牧羊人,玩起了民谣。曾几何时的电琴咆哮变成了真琴私语.... women, thy name is devil....
99年专辑 Under a Violet Moon 是乐队的代表作,是一张欧洲民歌的巡礼专辑,收录了从英德到波兰俄国,西班牙到意大利各式曲风的作品。同名歌曲是一首匈牙利风格的浪漫舞曲,温馨醉人,加之 Night 甜美的歌喉娓娓唱来,顽石都要点头,何况Blackmore.... women, thy name is angel....
硬式摇滚吉他之神带您跨越音乐时空 编织如梦似幻的文艺复兴浪漫情怀
2021年8月14日 听过 简介痴撚线?
英国
Untitled 28 豆瓣
Lucy Claire 类型: 电子
发布日期 2019年9月20日 出版发行: 1631 Recordings
Electro Glide in Blue 豆瓣
Apollo Four Forty
发布日期 1997年9月9日 出版发行: Sony
Vinyl Classics reissue of the electronica act's 1998 album. The CD looks like vinyl, and includes slipcase. Epic. 2004.
暮之女王的拥抱 豆瓣
Cradle of Filth 类型: 流行
发布日期 1997年1月21日 出版发行: Fierce Records
Cradle of Filth are an English extreme metal band, formed in Suffolk, England in 1991. The band's musical style evolved originally from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic metal and other metal genres.
2021年8月29日 听过 male frog哈
英国
Languid Gongue 豆瓣
Luke Sanger 类型: 电子
发布日期 2021年8月13日 出版发行: self-released
Balmat’s first release comes from Luke Sanger, a Norwich, UK-based artist whose two decades of electronic music-making have encompassed a range of tools and techniques, from MaxMSP to modular synthesis. Along the way he has built an extensive catalog encompassing ambient atmospheres, abstract soundscaping, and more. With Languid Gongue, he puts multiple approaches into play. Experiments in microtonal composition balance out pieces in standard tunings, while esoteric electronic machines merge with familiar acoustic treatments and microphone techniques.
The result is a constellation of his signature sounds: freeform new-age fantasia; spring-loaded toytronic arpeggios; quartz-driven braindance clockworks. Drifting between consonant, almost lyrical compositions and shape-shifting textural sketches, the album drifts with the nonchalance of a sky-high cirrus cloud, and it glows as if illuminated from within. When we heard the material, we knew that it was the perfect choice to launch the label. To us, it sounds like a roadmap for points unknown.
credits
released August 13, 2021
Written and produced by Luke Sanger.
Mastered by Pedro Pina.
Cover artwork by José Quintanar.
Designed by Basora.
Dedicated to Hollie, Betsy, Reuben, Violet and Bootsy.
BALMAT01.
©️ & ℗ Balmat 2021
license
all rights reserved