张乾琦
倒时差 Jet Lag 豆瓣
作者: 张乾琦 / Chien-Chi Chang HATJE CANTZ
In Jet Lag, Magnum photographer Chien-Chi Chang weaves together a visual summation documenting the mundane moments and ultimate disconnection during life on the road. Chien-Chi uniquely signs the title page of each book differently using a variety of stamps to show his appreciate and thanks to readers.
“It’s kind of what comes to my mind. I don’t really have a preconceived idea except for just initially signing my name,” he said. “Every time I go to a new place, I try to acquire new stamps from the local stores.” His stamp collection includes a hedgehog, ants, Chinese symbols, the Magnum Photos stamp and even some stamps from his kids. As Chien-Chi once referenced, you don’t take every breath the same way, so why sign each book the same?
“Today is Monday, so this must be Zurich.” For those who travel a lot, the world becomes a steel-and-concrete construct of interchangeable flight crews, hotel rooms, and check-in counters. In this jet-setting life, the most important thing is that the power adapter fits. For Jet Lag, award-winning photographer Chien-Chi Chang has created succinct black-and-white images of globalized disconnect. In these photographs, reality is less a touchstone than a distraction: the crucial space is “between.” Planes and beds and flickering screens provide the only continuity, and there is little human warmth except the body heat of the passenger in the next seat and the sounds coming through the wall from the adjacent room.
Chien-Chi Chang 豆瓣
作者: 張乾琦 Ivy Liu/Premier Foundation 2002 - 3
These Taiwanese wedding pictures are not the celebratory nuptial norm that are the bread and butter of photographers everywhere, but rather a jaundiced look at the institution and the industry of marriage. A couple is caught in a net of spray-string confetti; a bride poses among ruins; a chain of wedding couples kisses in a zoo with caged elephants behind them; and a post-nuptial couple, in all their Western finery, sleep soundly, and separately, in the back of a limousine. I do, I do, I do reveals conflicts that the artist, a 41-year-old unwed man with three younger sisters and no brothers, feels about the notion of marriage and all the traditional family pressures that it entails.