大概是从1977年的《TEE》专辑开始，Kraftwerk 就一直以四个人的形象作为封面的主题，根据题材的不同做成不同的模样，在音乐会实况专辑和 Bootleg辑也是这样。不管是什么辑，四个人看上去严肃庄重却搞怪十足的模型的确是对专辑欣赏起到一些点拨作用。这个“经典作品”专辑（双碟）收录了不同时期不同语言不同混音次序的单曲，对喜爱 Krftwerk的朋友来说，是具有相当收藏价值的作品。

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

70年代中期，德国的 Kraftwerk 乐队勾勒了以后十几年中无数电子音乐家竭力追随着去实现的宏伟蓝图。从英伦 New Wave 运动到 hip-hop 再到 techno，乐队自己形容的“机器人流行乐”（用电子设备表现出的有催眠节奏的音乐）在电子音乐的每个新的发展阶段都产生了巨大的反响，深刻地影响着20世纪末同时代的流行乐。作为电子乐先锋，他们持久深远的影响无论怎样形容都不嫌夸张。
Kraftwerk 是从60年代末的德国实验音乐团体中脱颖而出的，这个团体也孵化了像Can和 Tangerine Dream 这样的着名乐队。乐队核心成员 Florian Schneider 和 Ralf Hutter 首次相遇时还是西德一所古典音乐学院的学生。他俩起初在一个叫 The Organization 的五人乐队里，1970年乐队发行了专辑 《Tone Float》。接着 Schneider 和 Hutter 就解散了 Organisation，重新组建了自己的乐队并命名为 Kraftwerk（德文意思是“发电站”），开始在他们自己的工作室（后来称为“King Klang”）里制作起了音乐，沉浸在他用最低限度要求电子学创作的还不是很成熟的音乐中。他们1971年的首张专辑 《Kraftwerk 1》，提出了他们独特美学观点的早期雏形，并进行了一些创新的尝试，包括其中用到的由 Schneider 自己设计制作的电子设备。专辑中怪异机械的噪音处理和环境电声操作让当时的乐坛大吃一惊。
接下来的是一系列的人员变换，甚至 Hutter 也一度离开了乐队。但是，到发行专辑 《Kraftwerk 2》 时， Hutter 又回来和 Schneider 一起工作了。这张录音没有用鼓，专辑的节奏部分全部由鼓机来提供，创造出了在那时还没有先例（从纯技术概念来看）的具有明显机械感的音乐，彻底地与传统音乐家背道而驰（正如当时的听众）。然后乐队举办了一些颇受欢迎的现场演出，直到他们第三张具有突破性的专辑，1973年的《Ralf and Florian》的发行。专辑把他们的野心和抱负精炼成一些简单但极有革新理念的动机，他们的音乐变得越来越具有启发性——尽管他们这种轮廓鲜明、科学的形象是完全处在那个时代流行音乐的对立面。
Kraftwerk 在美国发行的第一张专辑，1974年的 《Autobahn》 获得了国际上的巨大成功。标题曲 “Autobahn” 长达22分钟半，剪辑后的单曲版在人们的家里和旅途中处处可闻。在美国这支先前不为人知的乐队却冲上了流行音乐专辑排行榜且居高不下。大部分用穆格电子合成器演奏的第一首序曲打破传统流行音乐的结构和旋律的同时，《Autobahn》 确立了独特的 Kraftwerk 之声。从这张专辑开始，Kraftwerk 便从 Krautrock 中蜕变到了纯电子音乐领域，并成功地闯入了流行音乐界，使电子音乐在主流音乐中找到了永久的立足点。
1975年 Kraftwerk 以一张探讨无线电通讯题材的概念专辑 《Radio—Activity》 再次露面，专辑发行了德文和英文两个版本，预示了乐队在世界范围的流行。
火车旅行是1977年的专辑 《Trans—Europe Express》 的主题，标志着音乐向机械化方向发展的运动正在兴起。《Trans—Europe Express》 对早期的 Hip-hop 产生过重大影响，它把一种比较冷酷严厉的节奏和胆怯神秘的高音调散射结合到了一起，这种效果具有催眠作用。Kraftwerk 善于使用重复部分，这种效果就像是节奏中带有弹性效应。曲子 “Metal On Metal” 就像是吹来一股凉爽的微风。
1978年的专辑 《The Man Machine》 走得更远，在这张唱片里已完全失去了人类触觉。唱片封面的构图取自俄国结构主义大师 El Lissitzky 强硬的对角斜纹布局，它棱角分明的线条正符合 Kraftwerk 想表现的机器、动力等意想，乐队成员身着大红色的衬衫和漆黑色的领带，极富挑战性。这时，Kraftwerk 的成员甚至公开地称自己为机器人，开篇曲 “We Are the Robots” 更是巩固了这个形象。一曲旋律优美、典雅浪漫的 “The Model” 让人百听不厌。整张唱片的曲子结构严谨、编曲精细，乐队操纵起各种电子元素已是驾轻就熟，使这张专辑到达了 Kraftwerk 音乐事业的顶峰。
紧接着乐队便从人们的视野中消失了，经过长期的缺席后发行了他们1981年的专辑 《Computer World》，却没有回到先前的动机，而是针对计算机这一将在全球范围占据统治地位的新技术的沉思——他们的音乐很早就对人类的将来提出了预示。专辑中的单曲 “Computer Love” 冲上了英国流行音乐排行榜榜首，之后他们便又消失了。
沉寂了五年之久，1986年 Kraftwerk 推出了专辑《Electric Cafe》。这时，使用电子合成器和鼓机的流行音乐已经成了主流，乐队卓越的成就也使他们名垂青史。
1991年，Kraftwerk 发行了一张名为 《The Mix》 的重新混音精选辑。以后的几年乐队一直保持沉默，直到1999年末才发表了单曲“Expo 2000”。
回顾 Kraftwerk 的音乐历程，虽然到了后期乐队几乎没有发表什么新作品，但他们在现代流行音乐中的地位绝对是不可动摇的。从另一个角度来看，正是乐队这种寻求突破、不断创新的态度使其后来的音乐受到了限制，他们的完美主义精神为日后的创作设立了一个几乎不可能超越的标准。
Kraftwerk 在70年代中期的三张专辑 《Autobahn》、《Trans—Europe Express》、《The Man Machine》 无疑是乐队最成熟完美的作品。Kraftwerk 的电子音乐摆脱了冗长繁复的结构，采用了小巧、循环的节奏编排，听来极为流畅悦耳。这三张专辑在当时的传统音乐家看来是离经叛道，却震撼了无数有革新理念的实验音乐家，使他们从此改变了自己的音乐道路。New Wave、New Romantic、Ambient、Hip—hop、Techno 甚至工业噪音等音乐都从中得到了启发，音乐家们在 Kraftwerk 音乐思想的指引下层层突破，使得今天的电子音乐极为繁盛。也许不少人还没有听过这三张唱片，但现在人们听到的流行音乐却都渗透着 Kraftwerk 的艺术理念。
Amazon.com essential recording
This is the album pundits like to point to when they accuse Kraftwerk of being digital-age visionaries; an all-too-easy assessment to make in the face of tracks such as "Home Computer" and "Computer Love" (not an ode to one-hand typing!). But to saddle the band with the reputation of sages is to completely miss the low-key wit and all-too-human playfulness of this album. "Pocket Calculator" and "Numbers" (the lyrics: numbers one to eight--period) could be read as tongue-in-cheek ripostes to too much bad "educational" programming, but that would smack of creeping punditry. Computer World is Kraftwerk's most lovable bundle of contradictions: at once its most technologically obsessed album and its most human. --Jerry McCulley
Product Description
1997 Japanese reissue of the German electronic/ techno icon's landmark 1981 album with 'Dentaku' added as a bonus track. Eight tracks total. EMI release. --This text refers to the Audio CD edition.

"Das Model" (spelling on all releases of the album up to the 2009 remaster: "Das Modell"; English version title: "The Model") is a song recorded by the German group Kraftwerk in 1978, written by musicians Ralf Hütter and Karl Bartos, with artist Emil Schult collaborating on the lyrics. It is featured on the album, Die Mensch-Maschine (English version title: The Man-Machine).
First released as a 7" single in Germany (B-side: "Neonlicht"), under its English translation the song was eventually included on the B-side of the "Computer Love" single released in 1981, which reached no. 36 in the UK charts. When radio DJs started playing the B-side, EMI re-issued the single in 1981—apparently against the band's wishes—with "The Model" as the A-side. It reached no. 1 in February 1982 and spent a total of 21 weeks in the top 75 of the UK Singles Chart.

Kraftwerk is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre.

Reissue of the third album by one of the worlds most influential electronic acts of all-time, originally released in 1973 on Warner Brothers. Crown. 1995.

Kraftwerk 2 is the second studio album by German electronic band Kraftwerk, released in January 1972.
Kraftwerk 2 was entirely written and performed by founding Kraftwerk members Ralf Hütter and Florian Schneider in late 1971, with the sessions produced by the influential Konrad "Conny" Plank.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

Reissue of original 1970 album by this Kraut rock group featuring Ralf Hutter & Florian Schneider-Esleben who broke away to form Kraftwerk. Includes one bonus track, 'Vor Dem Blauen Bock'. Crown. 1996.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.