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The Secret War 豆瓣
作者: Max Hastings 出版社: William Collins 2015 - 9
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Review
‘This is his war and he writes with an easy assurance, scatter-gunning opinions … Hastings is on form. He has set out to provide thought and discussion and, with his familiar robustness, shotgun at side, he has succeeded’ The Times
Praise for Max Hastings:
‘A work of staggering scope and erudition, narrated with supreme fluency and insight, it is unquestionably the best single-volume history of the war ever written … what makes his book a compelling read are the human stories … at the end of this gruesome, chilling but quite magnificent book, you never doubt that the war was worth fighting’ Sunday Times
‘No other general history of the war amalgamates so successfully the gut-wrenching personal details and the essential strategic arguments. Melding the worm’s eye view and the big picture is a difficult trick to pull off – but Hastings has triumphed’ The Times
‘Majestic … it is impossible to emerge without a sense of the sheer scale of human tragedy … To gather all these anecdotes together is a task in itself, but to assemble them in a way that makes sense is something entirely different … Hastings shapes all these stories, almost miraculously, into a single coherent narrative’ Daily Telegraph
‘In this massive work, the crowning volume of the 10 impressive books he has written about the Second World War, Sir Max Hastings spares us nothing in portraying the sheer bloody savagery of the worst war that the world has yet seen … this magnificent book … is hypnotically readable from the first page to the last’ Sunday Telegraph
‘A fast-moving, highly readable survey of the entire war … Hastings combines a mastery of the military events with invariably sound judgment and a sharp eye for unusual telling detail … this is military history at its most gripping. Of all Max Hastings’s valuable books, this is possibly his best – a veritable tour de force’ Evening Standard
Product Description
Examining the espionage and intelligence stories of World War II, on a global basis, bringing together the British, American, German, Russian and Japanese histories.
Spies, codes and guerrillas played critical roles in the Second World War, exploited by every nation in the struggle to gain secret knowledge of its foes, and to sow havoc behind the fronts. In ‘The Secret War’, Max Hastings presents a worldwide cast of characters and some extraordinary sagas of intelligence and Resistance, to create a new perspective on the greatest conflict in history.
Here are not only Alan Turing and the codebreaking geniuses of Bletchley Park, but also their German counterparts, who achieved their own triumphs against the Allies. Hastings plots the fabulous espionage networks created by the Soviet Union in Germany and Japan, Britain and America, and explores the puzzle of why Stalin so often spurned his agents, who reported from the heart of the Axis war machine.
The role of SOE and American’s OSS as sponsors of guerrilla war are examined, and the book tells the almost unknown story of Ronald Seth, an SOE agent who was ‘turned’ by the Germans, walked the streets of Paris in a Luftwaffe uniform, and baffled MI5, MI6 and the Abwehr as to his true loyalty. Also described is the brilliantly ruthless Russian deception operation which helped to secure the Red Army’s victory at Stalingrad, a ruse that cost 70,000 lives.
‘The Secret War’ links tales of high courage ashore, at sea and in the air to the work of the brilliant ‘boffins’ at home, battling the enemy’s technology. Most of the strivings, adventures and sacrifices of spies, Resistance, Special Forces and even of the codebreakers were wasted, Hastings says, but a fraction was so priceless that no nation grudged lives and treasure spent in the pursuit of jewels of knowledge. The book tells stories of high policy and human drama, mingled in the fashion that has made international bestsellers of Max Hastings’ previous histories, this time illuminating the fantastic machinations of secret war.
另一只眼看鸦片战争 豆瓣
作者: 瞿巍 出版社: 广西师范大学出版社 2015 - 1
作者在中英两国原始档案和其他中外著述的基础上,以轻松流畅的笔调、严肃缜密的学术态度,从战前中英两国两百年的交往史、战争的爆发与经过,以及战后两国的谈判等方面,全景式展示真实的中英关系和鸦片战争,提出或重新回答这段历史中的诸多疑问。
★本书以轻松的笔调,严肃的态度,带你回顾那段对民族命运影响深远的历史,提出或者重新回答这段历史中的诸多疑问,写普通人读得懂的真实历史。
★本书以中英两国档案资料以及中外相关著述为基础,在中英两百年的交往的大背景下,综合中外双方对中英关系和鸦片战争的不同观点,理智客观地解读中英在战前、战中和战后的各种纠纷与冲突,全景式展示与历史教科书完全迥异的、不为人知的中英关系和鸦片战争。
★全书以故事化的表达方式,力图达成最大限度的阅读愉悦。同时,全书坚持学术的严肃和严谨,在各个重要的数据、细节甚至故事本身,绝不虚构任何环节,绝不想象历史情境,力求无一字无来历。
◎ 焦点推荐
鸦片战争,真的是“鸦片”的战争吗?它可不可能有其他的名字,比如“茶叶”战争,或者“棉织品”战争?
鸦片到底是战争的诱因,还是战争的真正原因?战争的原因到底是什么?战争到底要解决什么问题?在战前两百年的交往史上,是什么导致了中英之间冲突不断?
战争是可以避免的吗?如果可以,怎么避免?如果不可以,为什么?
鸦片到底是如何进入中国的?英国与中国,到底谁该为鸦片的大肆泛滥承担最大的责任?
鸦片的出现,到底是偶然还是必然?中英两百多年的贸易,到底呈现怎样一种态势,从最纯粹的贸易的角度上看,鸦片对中英贸易的重要性到底在哪里?
林则徐到底是一个民族英雄,还是一个鲁莽、轻率和自大自傲的人?
林则徐的禁烟方式正确吗?他没收外国商人鸦片的行为恰当吗?作为他的对立方,英国要求鸦片赔偿合理吗?他的禁烟达到目的了吗?
英国人真的害怕林则徐吗?这场战争天朝有可能打赢吗?失败到底是必然,还是因为皇帝胆怯和软弱,罢黜了坚决主战的林则徐、邓廷桢,或者是因为主和派大臣们的屈膝投降,甚至,仅仅是因为将领们的临阵脱逃?
领事裁判权、协定关税、最惠国待遇等重大的不平等条款,到底是在枪炮的威逼之下,被英国侵略者强力掠夺,还是在和平安稳的谈判桌上,被天朝的官吏心情愉快地轻松奉献?到底是弱国无外交,还是落后无外交?
鸦片战争前,中英贸易已经持续了整整两百年。只有回到两百多年的那段历史,才能真正全面地理解这场战争,理解战前、战后的中英关系。
指责他人当然必要,但我们更需要的,是严格和理性的内省:在这场战争中,在中英两百年的交往中,我们到底犯了哪些错?这些错误是在怎样的情况下出现的?如何看待这些错误?更为重要和具有现实意义的是:我们还会继续犯错吗?我们还在继续犯错吗?
龟兹文明 豆瓣
作者: 张平 出版社: 中国人民大学出版社 2010 - 10
《龟兹文明:龟兹史地考古研究》为作者有关龟兹史地考古调查和发掘研究的论文集,内容涉及龟兹史前文化、人种、地方铸币、汉唐古城、佛教遗址等诸多方面,对龟兹学的研究多有参考价值。
The Aesthetic Brain 豆瓣
作者: Chatterjee, Anjan 出版社: Oxford University Press 2013 - 11
The Aesthetic Brain takes the reader on a wide-ranging journey through the world of beauty, pleasure, and art. Chatterjee uses neuroscience to probe how an aesthetic sense is etched in our minds and evolutionary psychology to explain why aesthetic concerns feature centrally in our lives. Along the way, Chatterjee addresses fundamental questions: What is beauty? Is beauty universal? How is beauty related to pleasure? What is art? Should art be beautiful? Do we have an instinct for art? Chatterjee starts by probing the reasons that we find people, places, and even numbers beautiful. At the root of beauty, he finds, is pleasure. He then examines our pleasures by dissecting why we want and why we like food, sex, and money and how these rewards relate to aesthetic encounters. His ruminations on beauty and pleasure prepare him and the reader to face art. He wanders through the problems of defining art, understanding contemporary art, and interpreting ancient art. He explores why art, something that seems so useless, also feels fundamental to our humanity. Replete with facts, anecdotes, and analogies, this empirical guide to aesthetics offers scientific answers without deflating the wonders of beauty and art.