战国秦汉时期的学派问题研究，ISBN：9787303137022，作者：李锐 著

本書收錄傅斯年1919-50年間寫給親屬、師友及政治、外交、教育、學術各界人士的書信。由於傅斯年身份多樣（北大、台大校長，中研院史語所所長、中研院總幹事，國民參政會參政員、立法委員等要職），並參與或主持中英款庚會、中基會文史科學術審查工作。這批書信是觀察中國近代政治、外交、教育、學術研究的發展，以及研究「傅斯年」的重要史料。

How does China project its image in the world? Why and how has the world come to form certain impressions of the Chinese and their way of life? These are issues that preoccupy Chinese citizens in the globalizing 21st century as they travel overseas, riding on the capacity of the country’s newly acquired economic power. In Visualizing China, the authors join forces to launch a broader inquiry aimed at a synergistic understanding of the larger story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, spanning … read morefrom the 1840s to the 1960s, and devote special attention to modern Chinese practices in the visualization of things Chinese.

《恋地情结》作为段义孚的成名作，主要讲述人与周围环境的关系。随着城市的建设和发展，人们感受到了环境的巨大变化。但是，这些关注，更多是从环保和生态的角度，而对于人在情感上与环境的关联，很少触及。段义孚的这本书恰恰就是从这一点上来论述。环境不仅作为人们的资源攫取地和需要加以适应的物理场所，环境也是人在实践中建构的人文场所，人将他的价值、情感置于其中，人文丰富了大地景观的生态状况，地方景观丰富了人的情感体验。本书用一些明确的概念来理解和解释人与地方的这种情感关联。

【前言】より
唐代史を研究する上で墓誌は貴重な一次史料である。だがそれらの全容や所在を體系的に把握できる態勢が整っていない。もしもそれらを一堂に網羅できるのであれば、研究に資するところは必ずや大きいはずである。そのような個人的な關心と必要性に基づいて、1997年に『唐代墓誌所在総合目録』（墓誌5,482點、墓誌蓋344點の合計5,826點を收載）を出した。幸いなことにそれは一定の評價が得られた上、できれば墓誌檢索の索引もほしいとの要望がもたらされた。そこで2004年に墓誌索引を加え、またその後の情報を盛り込み體裁も改めた『新版唐代墓誌所在総合目録』（6,828點收載）を刊行した。しかしその後も墓誌資料集類は次々と出版されるため、それらの收集や整理を新たに成立した明治大學東アジア石刻文物研究所（2006年4月）の仕事とし、5年という時?の經過をまって、ここに「増訂版」として學界に送り出すことにした。
『新版 唐代墓誌所在総合目録（増訂版）』は、唐代（618～907）の期?中に中國領内で作成された墓誌(銘)を、2008年末までに刊行された關係圖書などから取り出し、年號別、年代順に分類配列して、その所在状況を明らかにしたものである。これにあわせて前『新版』の誤りを可能な限り修正し、また『新版』にならい、卷末には墓誌名索引を用意した。なお情報量の?加と利用の便から、2頁見開きで使用する形式をとる縱型B5版に改めた。上述したように、この『増訂版』は二つの面から情報が追加されている。一つはいうまでもなく從來名前が知られなかった墓誌の所在を掲げたことである。もう一つはすでに『新版』に名前があがっていた墓誌に、さらに所在情報を?補したことである。私たちはこの兩面の情報を同じレベルで重要であると認識し、可能な限り把握に努め收載した。この『増訂版』によって研究の進展に一層貢獻できることを願っている。
ここで參考までに、『増訂版』に新たに追加、?補された墓誌・墓誌蓋の各合計、および本書掲載の總數をあげておくと、以下の如くである。
①新たに追加された墓誌・墓誌蓋：1,909點
②前『新版』所載の墓誌・墓誌蓋に所在データを?補したもの
：1,819點（箇所）
③新たに追加・?補した墓誌情報の總數
：3,728點（1,909點＋1,819點）
④當『増訂版』所載の墓誌・墓誌蓋の總數
：8,737點（新版6,828點＋1,909點）

"本书收录石守谦教授自1994至2007年间陆续发表的十五篇论文，共分五个单元，以元明绘画为主，上溯五代，下及二十世纪。作者以中国绘画史的论述架构为经，以不同研究论题为纬，探索并示范中国绘画的研究方法。
自二十世纪中期以来，关於中国绘画研究的方法与模式已有长足发展，其中以风格学的形式分析贡献最力，在时代风格的确立与特定风格系谱的建立方面，成果卓著，但另一方面也出现了局限。作者对此作了回顾与反思，质疑以西方狭义的「再现」（representation）标准来研究中国绘画的适当性，进而提出「画意」作为一种观看中国绘画的方式。「画意」一词原出自中国传统画史，但作者试图从艺术品与观者互动的角度予以考量，力求将作品还原至创作初始的文化情境来理解其「画意」。全书以「画意」一旨贯串，於风格分析的基础之上，一方面开展新议题，一方面对传统的议题提供新视角，如以族群冲突、交融的观点解析丰富多元的蒙元绘画、或以区域竞争的角度观察地方画派等，其中对於「文人画」发展的重新审视与解读，更是前所未发之真知灼见。
作者就不同研究个案的题材与性质，选择切入视角与适当的研究方法，同时展现了艺术史微观的深入与宏观的渊博。本书不仅可提供中国绘画爱好者一窥中国绘画精髓的管径，更为中国艺术史提供一组多元、开放而可行的研究方法，是不容错过的一部佳著。"

公元前52年，罗马共和国正值鼎盛时期，执政官庞贝（里克•沃登 Rick Warden 饰）坐守都城，盟友凯撒（塞伦•希德 Ciarán Hinds 饰）征战高卢。期间，第13军团屡立战功，主将乌里纳斯（凯文•马克德 Kevin McKidd 饰）有勇有谋，手下波罗（雷•史蒂文森 Ray Stevenson 饰）虽嗜酒如命，却忠肝义胆。适逢凯撒得胜，屋大维遵母命赴前线慰问，不想途中遭劫，被经过的乌里纳斯和波罗救下。13军团凯旋，乌里纳斯与阔别8年的妻子相见，却各怀心事。波罗偶然间发现了乌里纳斯妻子红杏出墙的事实，为了保护长官的名誉，波罗在屋大维的帮助下，逼出了真相。凯撒准备独揽大权，一直等待时机。庞贝看出了他的野心，与元老院众人商议，其中以西塞罗为首的贵族势力，坚持认为凯撒为共和国叛徒，应诛杀之。而此时，凯撒的大将安东尼（杰姆斯•鲍弗 James Purefoy 饰）接任了护民官，与庞贝一伙展开周旋……

日本の東洋史学の創設者、那珂通世。本書は那珂の生涯を縦糸に、同時代の東洋学第一世代の諸学者群像をも調べ抜いて、その時代社会との関わりをまとめた貴重な労作。アジア研究の起源を描く。

In 1968, the director of USAID coined the term “green revolution” to celebrate the new technological solutions that promised to ease hunger around the world—and forestall the spread of more “red,” or socialist, revolutions. Yet in China, where modernization and scientific progress could not be divorced from politics, green and red revolutions proceeded side by side.
In Red Revolution, Green Revolution, Sigrid Schmalzer explores the intersection of politics and agriculture in socialist China through the diverse experiences of scientists, peasants, state agents, and “educated youth.” The environmental costs of chemical-intensive agriculture and the human costs of emphasizing increasing production over equitable distribution of food and labor have been felt as strongly in China as anywhere—and yet, as Schmalzer shows, Mao-era challenges to technocracy laid important groundwork for today’s sustainability and food justice movements. This history of “scientific farming” in China offers us a unique opportunity not only to explore the consequences of modern agricultural technologies but also to engage in a necessary rethinking of fundamental assumptions about science and society.
“Sigrid Schmalzer creates an entirely new vision of the meaning and significance of “scientific farming” in China during the Mao era.….[A] must-read not only for modern China scholars but also for those who are interested in the history of science as political and social process, and in ongoing efforts to shed light on the possibilities of putting science to work in the service of greater equality and dignity for the world’s rural poor.”
(American Historical Review)
"At its core, this book is about socialist China's uses of science and technology to improve food production and the sociopolitical changes over time that have affected those involved in modern farming and agriculture. Cautioning that the Mao era was not one of unmitigated totalitarian oppression and ecological disaster, historian Schmalzer examines the complex relations of science and politics, raising such issues as who should be regarded as “scientists,” and how agriculture should be organized to maximize its benefits for all. Particularly interesting is the author’s investigation of the “rural scientific experiment movement." By comparing the fortunes of the “green revolution” in India and Africa, Schmalzer offers some unexpected political and social insights, contrasting US interests with those of the Chinese, who have also sought to bring their methods of agriculture and farming to third-world countries where politics is a highly visible concern on both sides of the capitalist-communist divide. Instructive and rewarding reading in recent Chinese history as well as the social politics of agriculture and farming in China and throughout the third world."
(Choice)
"Right on cue, this new work reveals the multifaceted and complex nature of science in the PRC. Red Revolution, Green Revolution looks at agricultural science and the unique and distinctive trajectory of the Chinese green revolution....demonstrates the manifold ways science filtered into the countryside and became the basis of the party’s interactions with the rural populace."
(Cross-Currents)
“Schmalzer’s reconstruction of the lived experiences of those who participated in the mass scientific experiment movement in China serves as a corrective to accounts of science in the years of the Cultural Revolution that emphasize failure, hardship, and suffering…[R]eading Red Revolution, Green Revolution productively upends one’s ideas about the nature of an agricultural experiment.”
(Studies in History and Philosophy of Biological and Biomedical Sciences)
“Upending familiar assumptions about the origins and consequences of the global Green Revolution, Schmalzer breaks important new ground in our understanding of modern Chinese history and the role of science in industrial agriculture. Rather than relying on misleading distinctions between modern and traditional, laboratory and field, politics and science, or even between the capitalist West and socialist East, Schmalzer convincingly draws our attention to the diversity of approaches taken in the effort to revolutionize Chinese agriculture in the 1960s and 1970s. This is a sophisticated political history from the ground up.”
(Shane Hamilton, University of Georgia)
“Writing with both elegance and precision, Schmalzer unveils the continuing imbrication of science and politics, not simply in the obviously hyperpolitical Maoist period, but also in the supposedly technologically driven Dengist era. She produces a nuanced, sophisticated description of agricultural scientific practices in the People’s Republic of China, one that challenges our assumptions about both Maoist agriculture and the Maoist period in general. Red Revolution, Green Revolution is a must-read for historians of modern China and historians of socialism, as well as historians of science and agriculture.”
(Fabio Lanza, University of Arizona)
"Agricultural science is inherently political. We may distrust the claim of technocrats and agribusiness that they conduct neutral research for the benefit of all, yet few of us would go so far as to advocate a full politicization of research, putting politics in command of laboratories and experimental fields. This, however, is what Maoist China did—and as Schmalzer demonstrates in her meticulously researched and beautifully written book, Maoist agricultural science worked, producing a socialist Green Revolution that was as impressive as the US-led Green Revolutions in India, Mexico, or the Philippines. Without romanticizing Maoist mass science, Schmalzer not only corrects the oft-repeated myth that Maoists were 'anti-science'; she shows that a different, more democratic and inclusive science was and remains possible."
(Jacob Eyferth, University of Chicago)

http://www.hup.harvard.edu/catalog.php?isbn=9780674088917

This book presents a great deal of new primary research on a wide range of aspects of early modern East Asia. Focusing primarily on maritime connections, the book explores the importance of international trade networks, the implications of technological dissemination, and the often unforeseen consequences of missionary efforts. It demonstrates the benefi ts of a global history approach, outlining the complex interactions between Western traders and Asian states and entrepreneurs. Overall, the book presents much interesting new material on this complicated and understudied period.

本书内容梗概：
东方绘画史研究至今在我国仍是很少有人涉足的学科领域。本书作者在对东方绘画史的长期整体研究中，顺理出中国绘画在其中的主流位置观点，并以此来重新审视与研究中国绘画与东方绘画各部分之间的交流、汲取、融汇、发展。东方绘画之各主流部分，恰巧分布在丝绸之路沿线，从地中海东岸一直远到日本海，像一串熠熠闪光的宝石点缀在这条千年古道之上。而本书所叙述的东方绘画，具有着横向的紧密关系。从某种意义上看，它们几乎就是同属于一个整体而又展示着一些相异的特点罢了。数千年丝绸之路的交流和演绎使中国绘画凝聚和融汇了东方绘画各个部分的多种源流因素和一些个别特质，成为最具强大影响力的东方绘画的主干和核心部分。这是本书所要试图剖析的。
本书写作特色：
丝绸之路作为联系东西方的商道存在了几千年，是古代中国经过中亚通往南亚、西亚以及欧洲、北非的贸易交往的通道。丝绸之路促进了东西方经济的互通繁荣，同时也促进了文化的交流渗透。《中国绘画横向关系史》一书的叙述视角以中国为文化中心，讲述了丝绸之路沿线国家其艺术形式的杰出代表与中国传统美术风格的关系，观点独特，论据充分，也体现出作者宏大的东方艺术史观。
传统的丝绸之路，起自中国古代的都城长安，一直到达地中海，以罗马为终点，全长达6000多公里。而作者本书的叙述，也是按照这样的路线徐徐展开，自西向东，分为十二个章节，分别叙述了古波斯、古印度、泰国、越南、柬埔寨、中国、朝鲜及日本绘画的杰出代表，并且分析了这些美术作品在不同程度与中国绘画风格的影响渗透及相互关联。这既是一个值得深究的学术课题，同时也是一个有趣的文化交流现象。如书中波斯细密画一章中收入了一些作品，其绘画风格与中国宋代院体画风格惊人的相似。再如朝鲜绘画一章中收入了一些作品，可以看出画家对于中国明清时期文人画的学习吸收。而作者写作本书的目的，也是想起到抛砖引玉的效果，因为此类研究课题在目前还处在起步阶段。作者意在抛出自己的观点，给人们以更多的启迪与思考，希望能够引起更多人的关注，更希望在学术界能够有更多的学者加入到研究行列中来。
然而，伟大的艺术作品，无论从什么样的层次来品尝，都可以获得美妙的滋味。即便是普通的读者，也能够被书中丰富的知识含量所吸引。本书作者虽然为美术专业，但是对世界历史及地理非常熟悉，所以在讲述某地的美术作品之前，一定会先叙述清楚此地所处的地理位置以及与周边国家的关系、历史演变等等，循序渐进，使读者能够对此地有更加全面的了解，进而对此地的艺术作品更加深入的理解。同时更为难得的是，本书还配有600余幅珍贵图片，均为作者提供的第一手资料，为本书增色不少，同时使本书的趣味性和观赏价值大大提升，相比于枯燥的说明，辅以图片更能够增加代入感，使读者最大程度收获好的阅读体验。

本书为《新编剑桥世界近代史》的第5卷，主题为法国的崛起，主要论述了欧洲各国的经济问题、科学、哲学、政治思想的变迁、艺术流派的变化、国家和民众之间的关系，重点论述了法国的外交政策、路易十四时期的法国、法国的艺术思想和文学成就；国别史中有论述了荷兰共和国、王政复辟之后的英国，总体论述了欧洲和北美、葡萄牙及其殖民地、这一时期欧洲和亚洲的状况、三十年战争之后的神圣罗马帝国和意大利的主要发展、欧洲的两个古老国家在这一时期的发展——哈布斯堡王朝和奥斯曼帝国，北欧和俄国在这一时间段的主要发展脉络。

In the nineteenth and early twentieth centuries, the region of Liangshan in southwest China was plagued by violence. Indigenous Nuosu communities clashed with Han migrants, the Qing and Republican states, and local warlords. Large numbers of Nuosu and Han were kidnapped and killed in conflicts over property and captive-taking raids mounted by Nuosu clans and local state authorities alike.
The first English-language history of Liangshan, A Frontier Made Lawless challenges the view that the persistent turmoil was the result of population pressures, opium production, and the growth of local paramilitary groups. Instead, Joseph Lawson argues that the conflict resulted from the lack of a common framework for dealing with disputes over land tenure. This was in turn compounded by the repeated destabilization of the region, which was an unintended consequence of violence elsewhere in China.
Drawing on a range of sources including court records, locals’ memoirs, regional government records and surveys, and Nuosu epic poetry, Lawson adds new insights and comparative perspectives to the study of conflict in Liangshan.
This book will interest specialists and students of Chinese history, geography, sociology, and anthropology, especially those interested in the peripheries of the Chinese world.

Prior to the nineteenth century, the West occupied an anomalous space in the Chinese imagination, populated by untamable barbarians and unearthly immortals. First-hand accounts and correspondence from Qing envoys and diplomats to Europe unraveled that perception. In this path-breaking study, Jenny Huangfu Day interweaves the history of Qing legation-building with the personal stories of China's first official travelers, envoys and diplomats to Europe. She explores how diplomat-travelers navigated the conceptual and physical space of a land virtually unmapped in the Chinese intellectual tradition and created a new information order. This study reveals the fluidity, heterogeneity, and ambivalence of their experience, and the layers of tension between thinking, writing, and publishing about the West. By integrating diplomatic and intellectual history with literary analysis and communication studies, Day offers a fundamentally new interpretation of the Qing's engagement with the West.

主编推荐：
《经济学的故事》是了解西方经济学的入门读物，书中详细讲述了自古希腊到21世纪初经济思想发展的故事和流变，通过全面解读、剖析经济现象，以洞悉经济学的本质和规律。书中将经济学的脉络以历史的角度陈列出来，对于了解经济学这门学科的发展演化有一定的作用与意义。
《经济学的故事》是由享誉世界的企鹅出版集团重磅打造的经济学通俗读本，详细讲述了自古希腊到21世纪初经济思想发展的故事和流变。亚当•斯密、大卫•李嘉图、马克思、凯恩斯、阿尔弗雷德•马歇尔、保罗•萨缪尔森、威廉•配第、马尔萨斯、穆勒、熊彼特等众多经济大师的理论著作层出不穷，核心思想日渐洗练，使隐藏在经济现象背后的奥秘被一一挖掘出来，从中我们得以洞悉经济学的规律和本质。
以故事论说人物，透过现代视角，全面解读、剖析经济现象，追根溯源，以古鉴今，是本书的价值所在。

朱子學在近世日本，經歷過受容、懷疑、批判和否定的激蕩史。其被利用、排擠和摒棄的角色變換軌跡，凸顯了江戶學界的「道統」自立願望和「去中心化」焦慮。由於脫「朱子學」意義上的「脫儒」，與「脫中心化」互為表裏，因此，這一看似思想史問題的後面，實蘊藏著極其複雜的社會歷史背景和區域關係糾葛。由「明清鼎革」所帶來的「華夷變態」說，誇張了禮教「華夷秩序」在東亞地區的震盪烈度，顛覆了歷時彌久的「中心-邊緣」體系，便利了日本「實務主義」與「民族主義」的聯袂登場及「去中心化」之「中心化」的夙願達成。當代表新知識體系的「洋學」與「國際公法」構成了新的權威依據時，脫離「儒教」則必脫「支韓」，脫離「支韓」則必須「脫亞」的邏輯，通過明治政府的對華軍事行動庶幾得到了展開。