文明的隐喻——看似开放其实完全暴力、极权化和彻底地封闭
巴伐利亚打猎即景 (1969) 豆瓣 IMDb 维基数据 TMDB
Jagdszenen aus Niederbayern
导演: 彼得·弗莱施曼 演员: Martin Sperr / Angela Winkler
其它标题: Jagdszenen aus Niederbayern / Hunting Scenes from Bavaria
ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.