本书为纪念剑桥大学建校800周年而作。书中内容丰富，覆盖面广，是迄今为止最为全面的一部剑桥大学发展史。从剑桥大学柏拉图主义者激进的新思想到艾萨克·牛顿关于科学的精妙见解，从DNA双螺旋结构的发现过程到20世纪70年代著名的“花园酒店大暴乱”，无不有翔实记载。对于想深入了解剑桥大学的读者而言，本书将呈现出无限的魅力；对于剑桥大学诸位校友而言，本书亦蕴含了无穷的宝藏。
英国著名老牌大学的发展史彼此缠绕，拥有众多有趣的相似之处。当然，每所大学亦有其独到的特点，并以此为傲。譬如牛津大学和剑桥大学，它们的发展历程一样充斥着激烈的镇袍之争、教义冲突、异教暴乱、政治宗教派别变迁以及个人勇敢挑战传统权威的英雄故事。但与此同时，这两所大学的发展史也向人们述说着它们之间的差异和独特之处。
G.R.埃文斯在本书中探讨了剑桥大学对英国及世界文化做出的独一无二的贡献。书中生动地记述了剑桥大学800年来的发展历程，其中不乏众多伟大思想家及重大事件，如13世纪的方济各会修士约翰·邓斯·司各脱曾将其名字用于“愚人”的代表；沃森和克里克曾于20世纪实现分子研究上的惊人突破等。

乐府推故，ISBN：9787301210376，作者：许云和 著

◆ 无论左派、右派还是中间立场的政治思想者，都难以摆脱他那充满悖论与危险的思想幽灵
◆ 20世纪最具争议政治思想家、最后一位欧洲公法学家卡尔•施米特成名之作，开浪漫主义政治哲学研究之先河
◆哈耶克：施米特的论著最具学识且最富洞见力。
◆列奥•施特劳斯：施米特是在一个自由主义的世界上承担起对自由主义的批判。在此，我们是指他对自由主义的批判发生在自由主义的视界之内。他的非自由主义倾向依然受制于无法克服的“自由主义思想体系”。
◆阿伦特：施米特乃“德国学界宪法和公法领域最重要的人”。
一切浪漫现象都是受非浪漫力量的控制。
昂首超然于各种限制与决断之上的人，变成了异己势力和异己决断的臣仆。
——卡尔•施米特
浪漫主义是19世纪西方的主导精神，对于思想史研究而言，政治的浪漫派问题不可小视。《政治的浪漫派》是施米特的代表作之一，初版于1919年，1925 年再版并增加长篇序言，关注的是作为政治哲学的浪漫主义，看似思想史论著，其实针对的是现实政治问题，其用意在于表明浪漫派的“永恒交谈”与自由主义议会民主制的公开辩论基于相同的形而上学真理论。本书开浪漫主义政治哲学研究之先河，晚期的浪漫主义哲学研究（如伯林）尚不及其所达到的思想深度。施米特从德国知识分子的现实处境出发，讨论浪漫派在思想史上的位置，阐明了浪漫派对现实社会生活的基本看法，并表明了它的本质是一种关于政治的趣味。本书着力在思想史的脉络里整理弥漫整个欧洲的浪漫主义精神，是一本不可多得的思想史力作。

世界に冠たる日本の東洋学。その草創期に活躍し、基盤を築き上げた個性的な24人の足跡をたどる評伝。それぞれ親縁な関係にあった当代一流の執筆者たちが生き生きと綴った文章に、年表、主要著作一覧を付す。

《普罗塔戈拉》是柏拉图对话中最卓越的作品之一，也是最令人费解的作品之一。本书就是对柏拉图《普罗塔戈拉》的研究文集。本书包括八篇文章，从不同的角度分析了柏拉图的这部对话。包括：卡恩《作为知识的德性》、冈萨雷斯《共同思索善》、柯弼《一位智术师的教育》、岚迪《〈普罗塔戈拉〉中的德性、技艺和美好生活 》、米勒《〈普罗塔戈拉〉中的普罗米修斯故事》、普罗雯塞尔 《“西蒙尼德竞赛”》、莫里斯《没谁有意作恶》以及赛奈柯《谁来教育老师》。

《满洲民族共同体形成历程》将人类学在民族界定中最重要的因素，即民族的主观认同意识或自我归属意识纳人满族史的讨论中，考察了天聪九年(1635)“满洲”命名前后直到清朝统治末期“满洲”共同体性格的历史变迁。《满洲民族共同体形成历程》认为，在上述历史时期，满洲共同体经历了从一个来源复杂的征服者集团到对自身来源有着清晰意识的集团的转变。女真诸部在努尔哈赤时期力图建立自己与金、元女真的历史联系，这种努力由于皇太极改称“满洲”和“大清”称号而中断。人关前后的八旗满洲是按照特定的政治一军事制度组织起来的女真语部众。民族意识在他们中间的发育，由于征服初期的清政府刻意在八旗内部和整个中国回避满汉分别而受到抑制。乾隆时期，清朝迎来了盛世的繁荣，与此同时，以“国语骑射”为代表的满洲传统文化却在迅速丧失，在这种背景下，清王朝“构建”满洲历史根源性的努力显著加强。这主要表现在两个方面：一是满洲的历史根源性被重新追溯到金元时期的女真人；二是对满洲主体部分“从龙”(跟随努尔哈赤起家)的集体历史进行了重新塑造。这种有意识构建的具有独特血缘与历史经历的新的满洲共同体表明，满洲共同体在自我定位的主观意识方面发生了重大的变化。清朝末期，随着国际国内形势的急剧变化，满族人的群体意识凸现、固化并上升到政治的层面。清朝灭亡后，旗民界限成为一种占支配地位的观念，经过近半个世纪的发展，在20世纪50年代的民族识别中，满族身份的确定遂以是蓊具有旗籍为依据。

本书大致分两部分，第一部分是作者近几年在译介西方语文学专业文献过程中的一些管窥蠡测；第二部分主要是作者研读中国传世典籍、出土文献过程中的一些思考讨论。

Looking at the life and legacy of Emperor Yang (569–618) of the brief Sui dynasty in a new light, this book presents a compelling case for his importance to Chinese history. Author Victor Cunrui Xiong utilizes traditional scholarship and secondary literature from China, Japan, and the West to go beyond the common perception of Emperor Yang as merely a profligate tyrant. Xiong accepts neither the traditional verdict against Emperor Yang nor the apologist effort to revise it, and instead offers a reassessment of Emperor Yang by exploring the larger political, economic, military, religious, and diplomatic contexts of Sui society. This reconstruction of the life of Emperor Yang reveals an astute visionary with literary, administrative, and reformist accomplishments. While a series of strategic blunders resulting from the darker side of his personality led to the collapse of the socioeconomic order and to his own death, the Sui legacy that Emperor Yang left behind lived on to provide the foundation for the rise of the Tang dynasty, the pinnacle of medieval Chinese civilization.
"This is a detailed study of a vital, yet (in English) virtually unknown, period of medieval Chinese history. Traditional Chinese historians usually castigate Emperor Yang, and the author has successfully cut through this invective to reveal much about the man, his policies, and his achievements. The result is a work that will change the way both Chinese and Western historians regard the Sui dynasty and its importance to overall Chinese history." — Charles Hartman, author of Han Yü and the T’ang Search for Unity
"This book marks a new phase in the study of this pivotal period in Chinese history, and what Xiong says here must be addressed by anyone who studies the Sui dynasty." — Albert E. Dien, editor of State and Society in Early Medieval China

《郝懿行集(套装全7册)》收录了清代著名经学家郝懿行研治经、史、训诂的大部分著作和诗文、笔记。包括《易说》、《书说》、《诗说》、《郑氏礼记笺》、《春秋说略》、《春秋比》、《竹书纪年校证》、《汲冢周书辑要》、《荀子补注》、《山海经笺疏》等22部，以及诗文、杂著9部。《郝懿行集(套装全7册)》是国家古籍整理“十一五”重点规划项目。

This work explores significant physical aspects of the printed book in late imperial China to reconstruct the changing assumptions with which Chinese popular novels were originally read from the sixteenth through nineteenth centuries. It focuses on the previously neglected areas of book format, varieties of illustrations and their significance, and the theory and practice of reading illustrated narratives.
The author first considers the physical book itself, as a vehicle for reading and as an object for visual enjoyment, tracing the development of the format commonly used for popular reading materials, the blockprinted book in sewn volumes with illustrations. He describes the technological progress that made book production efficient and economical by the middle of the sixteenth century, and makes extensive comparisons between the physical characteristics of novels and books of more artistically refined content.
The focus of the study then shifts to the illustrations that accompanied virtually all printed materials during the period when popular fiction became common. They are found to consist of a range of conventional elements that are related to images in more refined arts, such as the paintings of the literati and the decorations produced by commercial artists. Close parallels in both content and pictorial motifs between these various levels of painting and book illustrations suggest a continuum of the arts on which the pictures in mass-produced fiction initially held a respectable position.
The final chapters assert, from a theoretical perspective, the function of illustrations in narratives as a guide or a hindrance to reading. The author demonstrates the correspondencebetween the later decline of fiction illustrations and the growth in reading audiences, explaining this connection as a function of flagging interest in pictures -- which often interfere with, rather than promote, the visualization so essential to reading for pleasure in other cultures as well.
Throughout, the author incorporates findings from the history of technology, new explorations in the development of commerce in cultural objects, recent research on the commercial arts, and the latest theories of reading for pleasure to situate -- and explain -- the numerous changes in popular literary trends during the last several centuries of imperial Chinese rule.

柏拉图的《会饮篇》是阐述柏拉图及苏格拉底哲学思想的重要对话，其中借一次宴会上献给爱神的七篇颂词，探讨了对爱与美的认识。本书对《会饮篇》进行了重新解读，着力挖掘原文中较为隐微但不可小觑的重要主题，即雅典启蒙思想与苏格拉底思想的冲突。雅典启蒙思想作为前苏格拉底时代流行于雅典的思潮，是苏格拉底哲学思想诞生的重要背景。但在以往的研究中，更受关注的是苏格拉底本人的思想，而雅典启蒙这一重要的思想背景却受到了弱化处理。本书按照《会饮篇》原文的顺序，详细整理了每位发言者背后所代表的雅典启蒙思想；在对苏格拉底的压轴发言进行详细分析时，明确指出了苏格拉底思想与雅典启蒙思想的根本冲突，并揭露了后者的局限性。正是这种不可调和的冲突导致苏格拉底走向了遭受审判、欣然赴死的结局。

本书以诗入传，细致入微地详述了宋代大文豪欧阳修六十六年的传奇人生。在他漫长而又短暂的六十六年中，纷争，是他人生乐章的主旋律：自我心灵的冲突，朝政斗争的纠葛，至爱亲朋的分合。可让读者为他坚定的信念和达观的情怀而感动不已。

林毓生教授多年來一直在思考著一個問題：「為什麼在中
國實現多元化的自由主義是那麼艱難？」本書便是由探討
此一問題為中心的各篇文章結集而成。書中，論析了自由
主義所肯定的幾項重要理念與價值以及它們之間相互的關
係，也討論了五四激烈反傳統主義的歷史成因與涵義以及
與其有關的道德保守主義的歷史困境。作者採取的觀點是
：邁出五四以光大五四，因此除了肯定五四運動所楬櫫的
自由、理性、法治，與民主的目標外，也對五四思想的許
多實質內容與思想方式做了嚴格的批評。另外，書中重新
界定了中國人文傳統的優美質素的現代意義以及人文重建
的種種。作者明確地指出：自由、理性、法治，與民主不
能經由打倒傳統而獲得，只能在傳統經由創造的轉化而逐
漸建立起一個新的、有生機的傳統的時候才能逐漸獲得；
這是中國知識分子當前最重大的課題。

这是一部享誉世界的优秀传记。
19世纪俄国文学大师列夫・托尔斯泰，在俄罗斯乃至世界文学史上拥有毋庸置疑的崇高地位，产生过巨大而深远的影响。
本书以翔实的资料、独特的视角和生动的叙述，完整、清晰而真切地展现了托尔斯泰的人生经历与心路历程，是了解及研究托尔斯泰的最佳读本。
作者曾与托尔斯泰保持了长期的友谊和密切的接触，对其辉煌的人生、非凡的个性和丰富的精神世界体察入微，并进行了深入的研究。他以西方学者的眼光及学识，将伟大而真实的托尔斯泰传播于世，被公认为托尔斯泰研究的权威专家及其作品英译本的权威翻译家。
此译本工作始于40年代，其出版过程饱经沧桑。1984年，全译本终于由本社出版。其译文准确晓畅，受到有关专家的充分肯定及广大读者的欢迎。译者之一徐迟先生已逝，现由另一译者宋蜀碧先生对全书进行修订，增补了由于历史原因删去的一些内容，并补译了全书索引，加入边码，以便于研究者检索。

INVENTING THE MIDDLE AGES The Lives, Works, and Ideas of the Great Medievalists of the Twentieth Century In this ground-breaking work, Norman Cantor explains how our current notion of the Middle Ages-with its vivid images of wars, tournaments, plagues, saints and kings, knights and ladies-was born in the twentieth century. The medieval world was not simply excavated through systematic research. It had to be conceptually created: It had to be invented, and this is the story of that invention. Norman Cantor focuses on the lives and works of twenty of the great medievalists of this century, demonstrating how the events of their lives, and their spiritual and emotional outlooks, influenced their interpretations of the Middle Ages. Cantor makes their scholarship an intensely personal and passionate exercise, full of color and controversy, displaying the strong personalities and creative minds that brought new insights about the past. A revolution in academic method, this book is a breakthrough to a new way of teaching the humanities and historiography, to be enjoyed by student and general public alike. It takes an immense body of learning and transmits it so that readers come away fully informed of the essentials of the subject, perceiving the interconnection of medieval civilization with the culture of the twentieth century and having had a good time while doing it! This is a riveting, entertaining, humorous, and learned read, compulsory for anyone concerned about the past and future of Western civilization.

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound's understanding - it is fair to say, his appropriation - of the text. Fenollosa's manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia. Pound's editing of the essay obscured two important features, here restored to view: Fenollosa's encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the development of Fenollosa's ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

本书为高句丽壁画考古历史著作。以壁画所见服饰作为主要研究对象，将壁画图像、出土遗物与文献记载三者紧密结合。通过服饰分类研究与组合研究，全面把握该服饰资料的整体风格与面貌。